Ireland, World War One. Dashing Harry Heegan leads his football team to victory, arriving home in swaggering celebration before he grabs his kit and heads for the trenches. A nightmare world awaits, the men, reduced to cannon fodder, speaking in mangled incantations as the casualties stack up. Months later, Harry returns, a cripple at the football club party. Everyone but the shattered war veterans dance and forget. Peppered with acrid wit and dark vaudeville humour, The Silver Tassie, Sean O'Casey's powerful anti-war play of 1928, receives a major revival at the National Theatre in April 2014.

Ireland, World War One. Dashing Harry Heegan leads his football team to victory, arriving home in swaggering celebration before he grabs his kit and heads for the trenches. A nightmare world awaits, the men, reduced to cannon fodder, speaking in mangled incantations as the casualties stack up. Months later, Harry returns, a cripple at the football club party. Everyone but the shattered war veterans dance and forget.

Most of the essays in Ritual Remembering: History, Myth and Politics in Anglo-Irish Drama, in part or in whole, frequently allude or directly concern themselves with the dramatic representation of the opposition or the collusion of myth and history, and the uses and abuses of both. Equally they celebrate and critically analyse the politics of the social conscience and social consciousness which pervades Irish drama in its rituals of forgetfulness and memory. Perhaps myth is above all to be understood as the conscience and consciousness of history; and politics is the projection of that myth into present social action - on the hustings (nowadays more frequently the television hustings), at the ballot box, in writing and on the stage. Most of the articles in this volume revolve around these gravely portentous and ambivalent themes, which nobody who is as much concerned with Anglo-Irish relations as with Anglo-Irish literature can disregard or evade.

January 25, 2009, marks the 250th anniversary of Burns’s birth. It will be a huge event around the world, not least across Canada. And we have the book! Robert Burns (1759-1796) is part of your life. If you’ve ever given or received a romantic red rose, or talked about a "do or die" situation, or if you’ve sung "Auld Lang Syne," you’re included. Others celebrate this ploughman poet with an eye for "the lasses" more directly. Every year, literally hundreds of thousands of Canadians, from coast to coast, go to Burns Suppers in January to celebrate his life. This year —2009 — will be the biggest ever, since it’s a 250th celebration of his birth. CBC TV is joining with the BBC to produce three one-hour programmes on his life, all written and hosted by Andrew O’Hagan, who is now the authority on Burns. This is because this book, published by Canongate in 2008, has already become a classic, bringing Burns to ordinary readers. Because Burns was on the right side of history, against privilege and rank and for everyone getting a fair chance, he is beloved around the world — in Andrew O’Hagan’s words, he is "the world’s greatest and most loveable poet."