The Silver Dove, published four years before Bely's masterpiece Petersburg, is considered the first modern Russian novel. Breaking with Russian realism, and a pioneering Symbolist work, its vividly drawn characters, elemental landscapes, and rich style make it accessible to the Western reader, and this new translation makes the complete work available in English for the first time. Dissatisfied with the life of the intelligentsia, the poet Daryalsky joins a rural mystic sect, the Silver Doves. The locals, in particular the peasant woman Matryona, are fascinated by the dashing stranger. Daryalsky is in turn taken in by the Doves' intimacy with the mystical and spiritual--and by Matryona. Under the influence of Kudeyarov, the ruthless cult leader, Daryalsky is used in a bid to produce a sacred child. But in time the poet disappoints the Doves and must face their suspicions and jealousies--and his own inevitable dire fate.

Young, beautiful, adventurous Maggie Hall left Ireland in 1873 to seek her fortunes in America, only to be forced into prostitution by the one man who had captured her heart. He even insisted her name be changed. Disillusioned but determined, she left him behind and ventured West, ultimately drawn to the rich ore mines of northern Idaho. She settled in Murray, Idaho, where her exploits, beauty, and prestige became legendary. History is often unkind to the memories of western prostitutes, known as doves, fairy belles, angels, or madams, yet many were, in truth, kind, generous, innovative, and extremely resilient women. This book is historical fiction based upon the true life of western legend Molly b'Damn.

Prepare to fall under the spell of “this sometimes whimsical, often insightful, always absorbing story” (Shelf Awareness) following two fiercely independent women and their truly magical friendship in a sleepy Southern town, from New York Times bestselling author of Karen Hawkins. Sarah Dove is no ordinary bookworm. To her, books live, breathe, and sometimes even speak. As the librarian in her quaint Southern town of Dove Pond, her gift helps place every book in the hands of the perfect reader. Recently, however, the books have been whispering about something out of the ordinary: the arrival of a displaced city girl named Grace Wheeler. If the books are right, Grace could be the savior Dove Pond desperately needs. The problem is, Grace wants little to do with the town or its quirky residents—Sarah chief among them. But with a bit of urging, and the help of an especially wise book, will Grace ultimately embrace the challenge to rescue her charmed new community? “A mesmerizing fusion of the mystical and the everyday” (Susan Andersen, New York Times bestselling author), The Book Charmer is a heartwarming story about the magic of books that feels more than a little magical itself.

In 1968 a mysterious voice gifted two teenage brothers, Hank and Don Hall, with superpowers that transformed them into the Hawk and the Dove! The superhero duo embodied the clashing political ideologies of the era, with the Hawk, ever militant, ready to jump into battling evil, and the Dove, a pacifist, refusing to raise a fist. Fighting for what’s right on different sides of the ideological spectrum, the two clean up crime on the streets of their hometown, face the threat of the Drop Outs gang, take down a group of dangerous escaped convicts, team up with the Teen Titans and attempt to save their father from the wrath of a man he once sent to prison. HAWK & DOVE: THE SILVER AGE collects SHOWCASE #75, THE HAWK AND DOVE#1-6 and TEEN TITANS #21, and features work from Steve Skeates, Steve Ditko, Gil Kane, Neal Adams and more!

Follow the Angels, Follow the Doves is an origin story in the true American tradition. Before Bass Reeves could stake his claim as the most successful nineteenth-century American lawman, arresting more outlaws than any other deputy during his thirty-two-year career as a deputy U.S. marshal in some of the most dangerous regions of the Wild West, he was a slave. After a childhood picking cotton, he became an expert marksman under his master’s tutelage, winning shooting contests throughout the region. His skill had serious implications, however, as the Civil War broke out. Reeves was given to his master’s mercurial, sadistic, Moby-Dick-quoting son in the hopes that Reeves would keep him safe in battle. The ensuing humiliation, love, heroics, war, mind games, and fear solidified Reeves’s determination to gain his freedom and drew him one step further on his fated path to an illustrious career. Follow the Angels, Follow the Doves is an important historical work that places Reeves in the pantheon of American heroes and a thrilling historical novel that narrates a great man’s exploits amid the near-mythic world of the nineteenth-century frontier.

Andrei Bely is best known for the modernist masterwork Petersburg, a paradigmatic example of how modern writers strove to evoke the fragmentation of language, narrative, and consciousness. In the early twentieth century, Bely embarked on his life as an artist with texts he called “symphonies”—works experimenting with genre and sound, written in a style that shifts among prosaic, poetic, and musical. This book presents Bely’s four Symphonies—“Dramatic Symphony,” “Northern Symphony,” “The Return,” and “Goblet of Blizzards”—fantastically strange stories that capture the banality of life, the intimacy of love, and the enchantment of art. The Symphonies are quintessential works of modernist innovation in which Bely developed an evocative mythology and distinctive aesthetics. Influenced by Russian Symbolism, Bely believed that the role of modern artists was to imbue seemingly small details with cosmic significance. The Symphonies depict the drabness of daily life with distinct irony and satire—and then soar out of turn-of-the-century Moscow into the realm of the infinite and eternal. They conjure worlds that resemble our own but reveal elements of artifice and magic, hinting at mystical truths and the complete transfiguration of life. Showcasing the protean quality of Bely’s language and storytelling, Jonathan Stone’s translation of the Symphonies features some of the most captivating and beguiling writing of Russia’s Silver Age.

During a life that spanned ninety years, Katherine Anne Porter (1890-1980) witnessed dramatic and intensely debated changes in the gender roles of American women. Mary Titus draws upon unpublished Porter papers, as well as newly available editions of her early fiction, poetry, and reviews, to trace Porter’s shifting and complex response to those cultural changes. Titus shows how Porter explored her own ambivalence about gender and creativity, for she experienced firsthand a remarkable range of ideas concerning female sexuality. These included the Victorian attitudes of the grandmother who raised her; the sexual license of revolutionary Mexico, 1920s New York, and 1930s Paris; and the conservative, ordered attitudes of the Agrarians. Throughout Porter’s long career, writes Titus, she “repeatedly probed cultural arguments about female creativity, a woman’s maternal legacy, romantic love, and sexual identity, always with startling acuity, and often with painful ambivalence.” Much of her writing, then, serves as a medium for what Titus terms Porter’s “gender-thinking”--her sustained examination of the interrelated issues of art, gender, and identity. Porter, says Titus, rebelled against her upbringing yet never relinquished the belief that her work as an artist was somehow unnatural, a turn away from the essential identity of woman as “the repository of life,” as childbearer. In her life Porter increasingly played a highly feminized public role as southern lady, but in her writing she continued to engage changing representations of female identity and sexuality. This is an important new study of the tensions and ambivalence inscribed in Porter’s fiction, as well as the vocational anxiety and gender performance of her actual life.