"Here is a rare book. It is the first-person story of Mukhamet Shayakhmetov, born into a family of nomadic Kazakh herdsmen in 1922, the year of the consolidation of Soviet rule across his people's vast steppe-land in central Asia, specifically eastern Kazakhstan." "Thus was brought to an end, with dread ideological ruthlessness, a way of life of sanctified interdependence between man and nature. Designated as a kulak, Mukhamet's father was imprisoned as 'an enemy of the people', and his family were stripped of all possessions, including livestock, and ostracised." "Collectivisation of agriculture was forcibly imposed, and famine ensued. In the years 1932-34 alone, well over a million Kazakhs died: more than a quarter of the indigenous population across a territory as great as western Europe. Of all this, the outside world knew - or chose to know - nothing." "Somewhat as Wild Swans laid bare the truth of Mao's China, so The Silent Steppe awakens the reader to the scale of suffering of millions in Soviet central Asia under Stalin." "Shayakhmetov takes his story to his recruitment in the Red Army, his wounding at Stalingrad, and his long trek home as a discharged solider at the age of 21. He is today in his mid-eighties."--BOOK JACKET.

The Hungry Steppe examines one of the most heinous crimes of the Stalinist regime, the Kazakh famine of 1930–33. More than 1.5 million people perished in this famine, a quarter of Kazakhstan's population, and the crisis transformed a territory the size of continental Europe. Yet the story of this famine has remained mostly hidden from view. Drawing upon state and Communist party documents, as well as oral history and memoir accounts in Russian and in Kazakh, Sarah Cameron reveals this brutal story and its devastating consequences for Kazakh society. Through the most violent of means the Kazakh famine created Soviet Kazakhstan, a stable territory with clearly delineated boundaries that was an integral part of the Soviet economic system; and it forged a new Kazakh national identity. But this state-driven modernization project was uneven. Ultimately, Cameron finds, neither Kazakhstan nor Kazakhs themselves were integrated into the Soviet system in precisely the ways that Moscow had originally hoped. The experience of the famine scarred the republic for the remainder of the Soviet era and shaped its transformation into an independent nation in 1991. Cameron uses her history of the Kazakh famine to overturn several assumptions about violence, modernization, and nation-making under Stalin, highlighting, in particular, the creation of a new Kazakh national identity, and how environmental factors shaped Soviet development. Ultimately, The Hungry Steppe depicts the Soviet regime and its disastrous policies in a new and unusual light.

This title begins where 'The Silent Steppe' left off. It is 1945, and Mukhamet has travelled back to his home village in the eastern Kazakhstan steppe. Encountering scenes of desperate poverty, he realises the sacrifices made by local people. His insights portray a personal picture of life under Stalin and his pervading shadow.

Stretching from the tributaries of the Danube to the Urals and from the Russian forests to the Black and Caspian seas, the vast European steppe has for centuries played very different roles in the Russian imagination. To the Grand Princes of Kiev and Muscovy, it was the "wild field," a region inhabited by nomadic Turko-Mongolic peoples who repeatedly threatened the fragile Slavic settlements to the north. For the emperors and empresses of imperial Russia, it was a land of boundless economic promise and a marker of national cultural prowess. By the mid-nineteenth century the steppe, once so alien and threatening, had emerged as an essential, if complicated, symbol of Russia itself.Traversing a thousand years of the region's history, Willard Sunderland recounts the complex process of Russian expansion and colonization, stressing the way outsider settlement at once created the steppe as a region of empire and was itself constantly changing. The story is populated by a colorful array of administrators, Cossack adventurers, Orthodox missionaries, geographers, foreign entrepreneurs, peasants, and (by the late nineteenth century) tourists and conservationists. Sunderland's approach to history is comparative throughout, and his comparisons of the steppe with the North American case are especially telling.Taming the Wild Field eloquently expresses concern with the fate of the world's great grasslands, and the book ends at the beginning of the twentieth century with the initiation of a conservation movement in Russia by those appalled at the high environmental cost of expansion.

Dark Shadows is a compelling portrait of Kazakhstan, a country that is little known in the West. Strategically located in the heart of Central Asia, sandwiched between Vladimir Putin's Russia, its former colonial ruler, and Xi Jinping's China, this vast oil-rich state is carving out its place in the world as it contends with its own complex past and present. Journalist Joanna Lillis paints a vibrant picture of this emerging nation through vivid reportage based on 17 years of on-the-ground coverage, and travels across the length and breadth of this enigmatic country that lies along the ancient Silk Road and at the geopolitical and cultural crossroads where East meets West. Featuring tales of murder and abduction, intrigue and betrayal, extortion and corruption, this book explores how a president, Nursultan Nazarbayev, transformed himself into a potentate and the economically-struggling state he inherited at the fall of the USSR into a swaggering 21st-century monocracy. A colourful cast of characters brings the politics to life: from strutting oligarchs to sleeping villagers, from principled politicians to striking oilmen, from crusading journalists to courageous campaigners. This new edition features two additional chapters covering the aftermath of Nazarbayev's fall from power in 2019; the Chinese government's repressions against the Kazakhs of Xinjiang as part of its crackdown on Muslim minorities; and an Afterword reflecting on the tumultuous events of January 2022 in Almaty. Traversing dust-blown deserts and majestic mountains, taking in glitzy cities and dystopian landscapes, Dark Shadows conjures up Kazakhstan as a living, breathing place, full of extraordinary people living extraordinary lives.

A personal and cultural exploration of silence and its value in our lives—“[an] artful book, mixing autobiography, travel writing, meditation, and essay” (Independent, UK). In her late forties, after a noisy upbringing as one of six children and adulthood as a vocal feminist and mother, Sara Maitland found herself living alone in the country and, to her surprise, falling in love with silence. In this fascinating, intelligent, and beautifully written book, Maitland describes how she began to explore this new love, spending periods of silence in the Sinai desert, the Scottish hills, and a remote cottage on the Isle of Skye. Maitland also delves deep into the rich cultural history of silence, exploring its significance in fairy tale and myth, its importance to the Western and Eastern religious traditions, and its use in psychoanalysis and artistic expression. Her story culminates in her building a hermitage on an isolated moor in Galloway. “Her book is probably unique in its subject, and timely, because good, healing silence is becoming hard to find, and we may not know we need it” (Guardian, UK).

“A haunting story of sexual assault and climate catastrophe, decades ahead of its time” – The New Yorker This literary science fiction classic details the hallucinatory hunt for a white-haired girl, through a frozen, post-apocalyptic landscape Anticipating climate fiction and the New Weird literary genre, while garnering fans from Doris Lessing and J.G. Ballard to China Miéville and Patti Smith since it was first published in 1967, this fantasia about predatory male sexual behavior during an apocalyptic climate catastrophe reads as though author Anna Kavan had seen the future. Ice is slowly covering the entire globe; as the glacial tide creeps forward, the fabric of society begins to break down. Through this chaotic landscape, a nameless narrator hunts for the white-haired girl he once loved - or perhaps wishes to annihilate. Battling a powerful enemy known only as the Warden, he travels through nightmarish and ever-shifting scenes, where the object of his obsession remains constantly just out of reach. She is guarded by the Warden and by a cruel older woman who wishes her ill – but each time the narrator seems poised to rescue her the encroaching ice wreaks violence on her fragile body, or his own base nature sends him hurtling onward in his kaleidoscopic pursuit. Again and again the girl appears, but inevitably she eludes him. This dystopian classic, the last book Anna Kavan published in her lifetime, renders her apocalyptic vision of environmental devastation and possessive violence in unforgettable, propulsive, oneiric prose.