George Tallis arrived in Australia as a 17-year-old immigrant in 1886, and rose to become head of J.C. Williamson Ltd, the world's largest entertainment organisation. This book is his story, an intriguing view of Australian entertainment between 1886 and 1938.

Sword and Baton is a collection of 86 biographies representing every Australian Army officer to reach the rank of major general from Federation to the outbreak of World War II. This is the first of two volumes, and its scope is broad, including chaplains-general, surgeons-general and British Army officers who served with the AIF or the permanent forces. Author Justin Chadwick portrayal of these officers careers provides a lens through which he examines trends such as the development of military skills which ensured that, by the commencement of hostilities in 1914, Australia boasted a pool of well-trained, albeit inexperienced officers. The effects of command under pressure of war and the enormous physical impact of combat are likewise portrayed in these comprehensive biographies. By the end of hostilities Australian officers had garnered immense experience and were among the best in the Allied forces. Ironically, this hard-won skill base was to be all but lost in the interwar period. Sword and Baton offers its readers more than a series of biographies. Rather, it describes a crucial period in Australian military history through the lives of the extraordinary men at its head.

The transnationalism of ordinary lives threatens the stability of national identity and unsettles the framework of national histories and biography. This book takes mobility, not nation, as its frame, and captures a rich array of lives, from the elite to the subaltern, that have crossed national, racial and cartographic boundaries.

Most Calgary Flames fans have attended a game at the Scotiabank Saddledome, seen highlights of a young Theo Fleury, and remember where they were when the team won the Stanley Cup in 1989. But only real fans know what the team traded to acquire Miikka Kiprusoff, the best place to grab a bite before the puck drops, or who served as the radio voice of the Flames before Peter Maher. 100 Things Flames Fans Should Know & Do Before They Die is the ultimate resource guide for true fans of Calgary hockey. Whether you're a die-hard fan from the days of Al MacInnis or a new supporter of Johnny Gaudreau, this book contains everything Flames fans should know, see, and do in their lifetime.

This handbook is the first to provide a systematic investigation of the various roles of producers in commercial and not-for-profit musical theatre. Featuring fifty-one essays written by international specialists in the field, it offers new insights into the world of musical theatre, its creation and its promotion. Key areas of investigation include the lives and works of producers whose work is part of a US and worldwide musical theatre legacy, as well as the largely critically-neglected role of the musical theatre producer in the making, marketing, and performance of musicals. Also explored are the shifting roles of producers in musical theatre and their popular portrayals, offering a reader-friendly collection for fans, scholars, students, and practitioners of musical theatre alike.

Samuel ÒRoxyÓ Rothafel (1882Ð1936) built an influential and prolific career as film exhibitor, stage producer, radio broadcaster, musical arranger, theater manager, war propagandist, and international celebrity. He helped engineer the integration of film, music, and live performance in silent film exhibition; scored early Fox Movietone films such as Sunrise (1927); pioneered the convergence of film, broadcasting, and music publishing and recording in the 1920s; and helped movies and moviegoing become the dominant form of mass entertainment between the world wars. The first book devoted to RothafelÕs multifaceted career, American Showman examines his role as the key purveyor of a new film exhibition aesthetic that appropriated legitimate theater, opera, ballet, and classical music to attract multi-class audiences. Roxy scored motion pictures, produced enormous stage shows, managed many of New YorkÕs most important movie houses, directed and/or edited propaganda films for the American war effort, produced short and feature-length films, exhibited foreign, documentary, independent, and avant-garde motion pictures, and expanded the conception of mainstream, commercial cinema. He was also one of the chief creators of the radio variety program, pioneering radio broadcasting, promotions, and tours. The producers and promoters of distinct themes and styles, showmen like Roxy profoundly remade the moviegoing experience, turning the deluxe motion picture theater into a venue for exhibiting and producing live and recorded entertainment. RoxyÕs interest in media convergence also reflects a larger moment in which the entertainment industry began to create brands and franchises, exploit them through content release Òevents,Ó and give rise to feature films, soundtracks, broadcasts, live performances, and related consumer products. Regularly cited as one of the twelve most important figures in the film and radio industries, Roxy was instrumental to the development of film exhibition and commercial broadcasting, musical accompaniment, and a new, convergent entertainment industry.