Here are the stories of fifteen original members of the Ngati Poneke Young Maori Club, the cultural group founded in the 1930s. These frank recollections are told here begin with the experiences of Maori children and teenages over ninety years ago.

An insightful philosophical essay on the work of minimalist sculptor Carl Andre by Brooklyn-based poet and critic Jeremy Sigler (b.1968). While researching and editing the catalog for Andres recent retrospective at Dia Art Foundation, Sigler gleaned surprising new readings from a series of lost negatives that resurfaced at Dia. Shot by Andres close friend and collaborator Hollis Frampton in the 1960s, the photos depict small, carved wooden artworksmany lost or destroyed shortly after being photographed. Sigler draws connections between these early inchoate artworks and Andres later scatters, spills and floor pieces, all of which are analyzed through a compellingly personal lens. Writing on Andres poetry and his confounding book-length masterpiece, Stillanovel, Sigler further proposes that Andres greatest contribution may be to literature. Is it possible that one of the modern eras greatest experimental love poets is hiding in plain sight, disguised as a unionized blue-chip art worker? Sigler taught at Yale University School of Arts, edited the Swiss art journal Parkett, and has published numerous books of poetry.

This book lifts the taboo on maladaptation, a different driver of environmentally induced migration, which shines a light on the negative consequences arising from the solutions to climate change, adaptation and mitigation policies. Through a systematic analysis and critique of existing mitigation and adaptation polices under the United Nations Framework Convention on Climate Change (UNFCCC) and international development community, and supplemented by a small empirical study in Indonesia, this book catalogues how maladaptation is manufactured under existing climate change solutions. It posits that customary communities in general- and women in particular- are disproportionately affected by the dominant market-driven logics that underscore current climate change solutions adopted by the UNFCCC. The injustice of maladaptation is highlighted as multi-faceted and explored using political, economic, social and ecological lenses, and the concept of environmental reintegration is also explored as a possible solution to this issue. Further possibilities are then presented in the Afterword, as a combination of what the new (post-neoliberalism) conjuncture could potentially look like. This volume will be of great interest to students, scholars and practitioners of climate change, environmental policy, environmental migration and displacement, development studies, I/NGOs and civil society actors and activists more broadly.

Recent debates on migration have demonstrated the important role of concepts in academic and political discourse. The contributions to this collection revisit established analytical categories in the study of migration such as border regimes, orders of belonging, coloniality, translation, trans/national digital culture and memory. Exploring notions, images and realities of migration in their cultural framings, this volume sheds light on the powerful work of these concepts. Including perspectives on migration from history, visual studies, pedagogy, literary and cultural studies, cultural anthropology and sociology, it explores the complex scholarly and popular notions of migration with particular focus on their often unspoken assumptions and political implications. Revisiting established analytical tools in the study of migration, the interdisciplinary contributions explore new approaches and point to the importance of conceptual nuance extending beyond academic discourse.

"Life began with migration." In a magnificent tapestry of life on the move, Ruth Padel weaves poems and prose, science and religion, wild nature and human history, to conjure a world created and sustained by migration. "We're all from somewhere else," she begins. "Migration builds civilization but also causes displacement." From the Holy Family's Flight into Egypt, the Lost Colony on Roanoke, and the famous photograph 'Migrant Mother', Padel turns to John James Audubon's journey from Haiti and France, heirlooms carried through Ellis Island, Kennedy's "society of immigrants" and Casa del Migrante on the Mexican border. But she reaches the human story through the millennia–old journeys of cells in our bodies, trees in the Ice Age, Monarch butterflies travelling from Alaska to Mexico. As warblers battle hurricanes over the Caribbean and wildebeest brave a river filled with the largest crocodiles in Africa, she shows that the truest purpose of migration for both humans and animals is survival.

The rise of cinema as the predominant American entertainment around the turn of the last century coincided with the migration of hundreds of thousands of African Americans from the South to the urban "land of hope" in the North. This richly illustrated book, discussing many early films and illuminating black urban life in this period, is the first detailed look at the numerous early relationships between African Americans and cinema. It investigates African American migrations onto the screen, into the audience, and behind the camera, showing that African American urban populations and cinema shaped each other in powerful ways. Focusing on Black film culture in Chicago during the silent era, Migrating to the Movies begins with the earliest cinematic representations of African Americans and concludes with the silent films of Oscar Micheaux and other early "race films" made for Black audiences, discussing some of the extraordinary ways in which African Americans staked their claim in cinema's development as an art and a cultural institution.

Comparing migration in China itself to Chinese migration to Europe, this book critically assesses received ideas, perceptions and theories concerning internal and international migration.Comparing migration in China itself to Chinese migration to Europe, this book critically assesses received ideas, perceptions and theories concerning internal and international migration. The book argues for the emergence of a Chinese world system in which internal and international mobility is a central and heterogenous feature. The book presents an unusually rich case study of migration and transnationalism of migrants from southern Zhejiang province in Chinese and European cities, studies of rural-urban migration in booming southern China, implementation of the birth control policy among migrants in Beijing, discrimination and stereotypisation of rural migrants in Shanghai, contract worker teams in Beijing, and forced urban-rural migration during the Cultural Revolution.