Winner of the Edgar Award The story of a teen's struggle to prove her brother innocent of murder. The Crime: The murder of John Johnson, beloved baseball coach. The Accused: 18-year-old Jeremy Long, who hasn't spoken a single word in 12 years. Witness for the Defense: 16-year-old Hope Long, the only person who believes her brother is innocent. Other Suspects: The police have none. But Hope's list is growing. From author Dandi Daley Mackall comes a gripping murder mystery and a dark yet powerfully redemptive story of love, secrets, and silence.

I have a mouth, but I mustn't speak; Ears, but I mustn't hear; Eyes, but I mustn't see. 1800, Joseon (Korea). Homesick and orphaned sixteen-year-old Seol is living out the ancient curse: “May you live in interesting times.” Indentured to the police bureau, she’s been tasked with assisting a well-respected young inspector with the investigation into the politically charged murder of a noblewoman. As they delve deeper into the dead woman's secrets, Seol forms an unlikely bond of friendship with the inspector. But her loyalty is tested when he becomes the prime suspect, and Seol may be the only one capable of discovering what truly happened on the night of the murder. But in a land where silence and obedience are valued above all else, curiosity can be deadly. June Hur's elegant and haunting debut The Silence of Bones is a bloody tale perfect for fans of Kerri Maniscalco and Renée Ahdieh.

"Now Iceland has its own Mankell." ---Holger Kreitling, Die Welt (Germany) Last year Jar City introduced international crime-writing sensation Arnaldur Indridason to rave reviews and a rousing welcome from American thriller fans. And now, Silence of the Grave, the next in this stunning series has won the coveted Golden Dagger Award. Presented by the British Crime Writers' Association, previous winners of this award include John Le Carre, Minette Walters, Henning Mankell, and James Lee Burke. In Silence of the Grave, a corpse is found on a hill outside the city of Reykjavík, and Detective Inspector Erlendur Sveinsson and his team think the body may have been buried for some years. While Erlendur struggles to hold together the crumbling fragments of his own family, slowly but surely he finds out the truth about another unhappy family. Few people are still alive who can tell the tale, but even secrets taken to the grave cannot remain hidden forever. Destined to be a classic in the world of crime fiction, Silence of the Grave is one of the most accomplished thrillers in recent years.

On the day of Henry and Keelin Kinsella's wild party a violent storm engulfed the island of Inisrun. When morning broke Nessa Crowley's lifeless body lay in the garden. Ten years later a documentary crew arrives, there to lift the lid off the Kinsella's carefully constructed lives, determined to find evidence that will prove Henry's guilt and Keelin's complicity in the murder of beautiful Nessa

"You’ll want to race through The Silence of the White City, but it’s best to slow down and savor the full effect of the volatile, intoxicating universe Sáenz has created. This is the first novel of the White City trilogy to be translated into English—the second can’t come fast enough." —AirMail HOW DO YOU STOP A KILLER WHO'S ALWAYS TWO STEPS AHEAD? A madman is holding Vitoria hostage, killing its citizens in brutal ways and staging the bodies. The city's only hope is a brilliant detective struggling to battle his own demons. Inspector Unai López de Ayala, known as "Kraken," is charged with investigating a series of ritualistic murders. The killings are eerily similar to ones that terrorized the citizens of Vitoria twenty years earlier. But back then, police were sure they had discovered the killer, a prestigious archaeologist who is currently in jail. Now Kraken must race to determine whether the killer had an accomplice or if the wrong man has been incarcerated for two decades. This fast-paced, unrelenting thriller weaves in and out of the mythology and legends of the Basque country as it hurtles to its shocking conclusion.

FINALIST FOR THE J. ANTHONY LUKAS BOOK PRIZE NATIONAL BESTSELLER Named One of The Best Books of 2020 by NPR's Fresh Air * Publishers Weekly * Marie Claire * Redbook * Vogue * Kirkus Reviews * Book Riot * Bustle A Recommended Book by The New York Times * The Washington Post * Publisher's Weekly * Kirkus Reviews* Booklist * The Boston Globe * Goodreads * Buzzfeed * Town & Country * Refinery29 * BookRiot * CrimeReads * Glamour * Popsugar * PureWow * Shondaland Dive into a "tour de force of investigative reporting" (Ron Chernow): a "searching, atmospheric and ultimately entrancing" (Patrick Radden Keefe) true crime narrative of an unsolved 1969 murder at Harvard and an "exhilarating and seductive" (Ariel Levy) narrative of obsession and love for a girl who dreamt of rising among men. You have to remember, he reminded me, that Harvard is older than the U.S. government. You have to remember because Harvard doesn't let you forget. 1969: the height of counterculture and the year universities would seek to curb the unruly spectacle of student protest; the winter that Harvard University would begin the tumultuous process of merging with Radcliffe, its all-female sister school; and the year that Jane Britton, an ambitious twenty-three-year-old graduate student in Harvard's Anthropology Department and daughter of Radcliffe Vice President J. Boyd Britton, would be found bludgeoned to death in her Cambridge, Massachusetts apartment. Forty years later, Becky Cooper a curious undergrad, will hear the first whispers of the story. In the first telling the body was nameless. The story was this: a Harvard student had had an affair with her professor, and the professor had murdered her in the Peabody Museum of Archaeology and Ethnology because she'd threatened to talk about the affair. Though the rumor proves false, the story that unfolds, one that Cooper will follow for ten years, is even more complex: a tale of gender inequality in academia, a 'cowboy culture' among empowered male elites, the silencing effect of institutions, and our compulsion to rewrite the stories of female victims. We Keep the Dead Close is a memoir of mirrors, misogyny, and murder. It is at once a rumination on the violence and oppression that rules our revered institutions, a ghost story reflecting one young woman's past onto another's present, and a love story for a girl who was lost to history.

Longlisted for the New Blood Dagger Award 2021 'A darkly gripping and addictive read. I tore through it in a few days’ ESTHER FREUD 'Deeply engrossing ... an exquisite literary thriller’ PHILIPPA EAST ‘Emotionally wrenching’ WALL STREET JOURNAL ‘Impossible to put down’ TREVOR WOOD