In The Sibyl Cassandra: A Christmas Play with the Insanity and Sanctity of Five Centuries Past, the sixteenth century play by Gil Vicente is translated in full, and provided with a full introduction by Cheryl Folkins McGinniss. Cassandra, the heroine, is a young woman who rebels against the expectations and roles that society has placed upon her. Her refusal to marry causes outrage and chaos. Amid song and dance, she is accused of blasphemy and madness until the nativity scene is magically revealed. All is restored through Christ--or is it? The translator has "unpacked" this fascinating drama from an ancestral trunk for its renewed display and enjoyment during the Christmas season.

Using insights from translation theory, this book uncovers the value of female prophets' riddling prophecies in Greek and Latin poetry.

Robin Raybould's The Sibyl Series of the Fifteenth Century examines the startling and sudden change that occurred in the representation of the sibyls throughout Europe during the early Renaissance. Raybould describes how and why during this period the number, names, attributes and prophecies of these archaic prophetesses were selected and stabilized thus providing new witness to the Christian message in sharp contrast to earlier representations where the sibyls had played a minor role in the history of classical and Christian divination and prophecy. The book examines all the fifteenth-century instances of these series, as well as the manuscripts which describe them, identifies the origin of the sibylline prophecies and suggests reasons for the widespread popularity of this new artistic phenomenon.

The Sibyl was a legendary figure in Greco-Roman antiquity. J. L. Lightfoot describes how the verse prophecies attributed to her were taken over by Hellenistic Jews, and later by Christians, as a vehicle for their own understandings of prophecy, and provides an edition, translation, and commentary on the first and second books of extant oracles.

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This book is a systematic study of the importance of Greek tragedy as a fundamental 'intertext' for Vergil's Aeneid. Vassiliki Panoussi argues that the epic's representation of ritual acts, especially sacrifice, mourning, marriage, and maenadic rites, mobilizes a connection to tragedy. The tragic-ritual model offers a fresh look into the political and cultural function of the Aeneid, expanding our awareness of the poem's scope, particularly in relation to gender, and presenting new readings of celebrated episodes, such as Anchises' games, Amata's maenadic rites, Dido's suicide, and the killing of Turnus. She interprets the Aeneid as a work that reflects the dynamic nature of Augustan ideology, contributing to the redefinition of civic discourse and national identity. In her rich study, readers will find a unique exploration of the complex relationship between Greek tragedy and Vergil's Aeneid and a stimulating discussion of problems of gender, power, and ideology in ancient Rome.