Restoring Nietzsche to a Nietzschean context—examining the definitive element that animates his work. What is it that makes Nietzsche Nietzsche? In The Shortest Shadow, Alenka Zupančič counters the currently fashionable appropriation of Nietzsche as a philosopher who was "ahead of his time" but whose time has finally come—the rather patronizing reduction of his often extraordinary statements to mere opinions that we can "share." Zupančič argues that the definitive Nietzschean quality is his very unfashionableness, his being out of the mainstream of his or any time. To restore Nietzsche to a context in which the thought "lives on its own credit," Zupančič examines two aspects of his philosophy. First, in "Nietzsche as Metapsychologist," she revisits the principal Nietzschean themes—his declaration of the death of God (which had a twofold meaning, "God is dead" and "Christianity survived the death of God"), the ascetic ideal, and nihilism—as ideas that are very much present in our hedonist postmodern condition. Then, in the second part of the book, she considers Nietzsche's figure of the Noon and its consequences for his notion of the truth. Nietzsche describes the Noon not as the moment when all shadows disappear but as the moment of "the shortest shadow"—not the unity of all things embraced by the sun, but the moment of splitting, when "one turns into two." Zupančič argues that this notion of the Two as the minimal and irreducible difference within the same animates all of Nietzsche's work, generating its permanent and inherent tension.

Describes how and why daylight grows shorter as winter approaches, the effect of shorter days on animals and people, and how the winter solstice has been celebrated throughout history. Includes activities.

In this seasonal treasure, Newbery Medalist Susan Cooper’s beloved poem heralds the winter solstice, illuminated by Caldecott Honoree Carson Ellis’s strikingly resonant illustrations. So the shortest day came, and the year died . . . As the sun set on the shortest day of the year, early people would gather to prepare for the long night ahead. They built fires and lit candles. They played music, bringing their own light to the darkness, while wondering if the sun would ever rise again. Written for a theatrical production that has become a ritual in itself, Susan Cooper’s poem "The Shortest Day" captures the magic behind the returning of the light, the yearning for traditions that connect us with generations that have gone before — and the hope for peace that we carry into the future. Richly illustrated by Carson Ellis with a universality that spans the centuries, this beautiful book evokes the joy and community found in the ongoing mystery of life when we celebrate light, thankfulness, and festivity at a time of rebirth. Welcome Yule!

Bear tries everything he can think of to get rid of his shadow.

Only in the world of the theater can Nat Field find an escape from the tragedies that have shadowed his young life. So he is thrilled when he is chosen to join an American drama troupe traveling to London to perform A Midsummer Night's Dream in a new replica of the famous Globe theater. Shortly after arriving in England, Nat goes to bed ill and awakens transported back in time four hundred years -- to another London, and another production of A Midsummer Night's Dream. Amid the bustle and excitement of an Elizabethan theatrical production, Nat finds the warm, nurturing father figure missing from his life -- in none other than William Shakespeare himself. Does Nat have to remain trapped in the past forever, or give up the friendship he's so longed for in his own time?

Steven Barnes’s Great Sky Woman unveiled the world of a prehistoric people in the shadow of modern-day Mount Kilimanjaro. Now, in Shadow Valley, the astounding sequel, we follow the Ibandi people’s odyssey through a land where everything has changed—a land from whose ashes will grow the roots of civilization and the enduring truths of love, family, forgiveness, and faith. After the catastrophic eruption of Father Mountain, the Ibandi are divided, desperate, and afraid. Most have followed the only person in whom they still believe: young Sky Woman, who was on the great mountain when it exploded and who, along with Frog Hopping, returned to tell the tale. Nurtured by an elder whose searing visions have left her blind, Sky Woman nonetheless doubts her own visionary powers as she follows a path she can hardly discern—across savannah and parched plains—to find a valley of plenty for a people on the brink of collapse. But in fact, Sky Woman and Frog were not the only survivors of the mountain’s explosion. Another man has emerged from the destruction, vengeance pulsing in his veins, to lead a separate group of Ibandi into a vicious and reckless act of war. Soon these two strands of survivors will meet, through chance, desperation, and sheer willpower. In a world in which every moment is lived on the edge between life and death, where animal and human predators can strike in an instant, where the gods themselves seem lost, and dreams entwine with reality, a people’s destiny rushes toward them. The Ibandi must make a last, violent stand against complete destruction. In this hypnotic, thrilling, and beautiful novel, Steven Barnes explores relationships between friends and lovers, leaders and followers, strangers and allies. At once visceral and soaringly insightful, Shadow Valley is about who we are as human beings today as seen through the wondrous prism of our distant past.