Captain Scarlet McCray has a problem: her crew is bored. And their boredom means she's not being a good captain. So when Jem Fitzgerald arrives in the Islands with a map to a famous treasure, Scarlet offers up her crew, the Lost Souls. But searching for treasure is never easy. And Scarlet and Jem discover much more than they set out to find.

Of all the stories of ships lost in what has come to be called the “Graveyard of the Pacific,” that of the steamship Valencia is among the saddest. In January 1906, the Valencia set out from San Francisco, bound for Seattle with 108 passengers and some sixty-five crew members aboard. Owing to bad weather and the captain’s mistakes, the ship struck a reef eleven miles off Cape Beale on the southwest coast of Vancouver Island. Rocks gashed open the ship’s hull, and a series of further missteps soon compounded the tragedy a hundredfold. Only thirty-seven people survived, largely because of a lack of lifesaving infrastructure in the rugged area where the Valencia ran aground. The wreck of the Valencia was an especially tragic one. To begin with, most on board perished, including every woman and child, many of whom had been lashed to the rigging high above the deck in an attempt to save them from the crashing waves. Additionally, the wreck itself was almost certainly avoidable, due almost entirely to navigational errors the captain made. Finally, rescue efforts—such as they were—were hampered by not just the sea and weather but by the mistakes (and some say the cowardice) of the would-be rescuers. This book pieces together the story of the Valencia and her tragic end, weaving together not just the threads of the ill-fated voyage itself but also relevant contextual history, including the development of radio technologies and lifesaving equipment and services that simply came too late to help the doomed voyagers.

DIVCollection of essays on film icon Marlene Dietrich./div

Science fiction and fantasy movies of the 20th century feature many iconic figures and monsters, and the ability to create and own many of them in the form of models provides fans with an opportunity to mingle amongst the greats and not so greats. This book is a collection of figures and dioramas of monsters from both science fiction and fantasy films. Models are presented in chronological order, decade by decade, starting with films in the silent era and running through the end of the century. The building and painting of the figures and dioramas of various scenes from these films, some more accurately than others, provides an opportunity to preserve key moments in these movies.