This dual biography of Malcolm X and Martin Luther King upends longstanding preconceptions to transform our understanding of the twentieth century's most iconic African American leaders. To most Americans, Malcolm X and Martin Luther King Jr. represent contrasting ideals: self-defense vs. nonviolence, black power vs. civil rights, the sword vs. the shield. The struggle for black freedom is wrought with the same contrasts. While nonviolent direct action is remembered as an unassailable part of American democracy, the movement's militancy is either vilified or erased outright. In The Sword and the Shield, Peniel E. Joseph upends these misconceptions and reveals a nuanced portrait of two men who, despite markedly different backgrounds, inspired and pushed each other throughout their adult lives. This is a strikingly revisionist biography, not only of Malcolm and Martin, but also of the movement and era they came to define.

An authoritative history of the Knights of St. John, from Jerusalem to Malta, told by the bestselling author of The Great Siege. Known by many names through their centuries-long career, The Knights Hospitaller of Saint John dedicated themselves to defending the poor and sick. First formed in Jerusalem during the Crusades of the eleventh century, the Order of Saint John grew in wealth and power rivaled only by the Knights Templar. They survived exile from the Holy Land, settling first in Rhodes and then in Malta, which they famously defended against the Ottoman Empire’s epic invasion of 1565. Even after losing Malta to Napoleon Bonaparte two centuries later, the Order of Saint John continued its mission. Ernle Bradford, whose bestselling book The Great Siege recounts their historic battle for Malta, follows the Knights of Saint John through centuries of war, politics, rivalry, and perseverance in The Shield and the Sword.

The Sword and the Shield is based on one of the most extraordinary intelligence coups of recent times: a secret archive of top-level KGB documents smuggled out of the Soviet Union which the FBI has described, after close examination, as the "most complete and extensive intelligence ever received from any source." Its presence in the West represents a catastrophic hemorrhage of the KGB's secrets and reveals for the first time the full extent of its worldwide network. Vasili Mitrokhin, a secret dissident who worked in the KGB archive, smuggled out copies of its most highly classified files every day for twelve years. In 1992, a U.S. ally succeeded in exfiltrating the KGB officer and his entire archive out of Moscow. The archive covers the entire period from the Bolshevik Revolution to the 1980s and includes revelations concerning almost every country in the world. But the KGB's main target, of course, was the United States. Though there is top-secret material on almost every country in the world, the United States is at the top of the list. As well as containing many fascinating revelations, this is a major contribution to the secret history of the twentieth century. Among the topics and revelations explored are: The KGB's covert operations in the United States and throughout the West, some of which remain dangerous today. KGB files on Oswald and the JFK assassination that Boris Yeltsin almost certainly has no intention of showing President Clinton. The KGB's attempts to discredit civil rights leader in the 1960s, including its infiltration of the inner circle of a key leader. The KGB's use of radio intercept posts in New York and Washington, D.C., in the 1970s to intercept high-level U.S. government communications. The KGB's attempts to steal technological secrets from major U.S. aerospace and technology corporations. KGB covert operations against former President Ronald Reagan, which began five years before he became president. KGB spies who successfully posed as U.S. citizens under a series of ingenious disguises, including several who attained access to the upper echelons of New York society.

Ezra Toth is your typical sword for hire. A dark past, a few secrets, a talent for killing, with a sharp sword and sharper wit. Perhaps his several dozen cats are a bit unique but other than that... He returns from an ordinary, arduous job to find representatives of the crown waiting for him at his home - not so typical. They bring him to the Crown Prince who has a problem only Ezra can solve. Crown Prince Christophe's brother, and possibly even the King himself, are part of a plot to assassinate him. With no idea who in the palace is truly loyal to who, Ezra must navigate a myriad of potential suspects whilst protecting the heir.

Before the rise to dominance of Western Europe, there was a pivotal time in history when the world was consumed by the epic struggle between the Islamic Empire of the Ottomans and the Christian Kingdoms of Eastern Europe. Two civilizations and two very different ways of life confronted each other with the fate of mankind yet to be decided. THE SWORD AND THE SHIELD OF THE REALM debuts MERCHANTS OF TIME A seven-novel tale of mystery and suspenseful adventure, during an epoch marked by turbulence and mayhem. The year is 1448. Transylvania and Wallachia, the sword and the shield of the Kingdom of Hungary, are invaded by an immense army under the banner of Sultan Murad II, the man who calls himself The Shadow of Allah upon the World. Lorian Comosicus, the heir to a mysterious Draconic ring, and his twelve-year-old brother, Silvan, are sent across the border mountains to the fortress of Roter Turm with a secret message from the conspirators who killed Vlad Dracul of Wallachia for pledging allegiance to the Ottoman Empire. Lost in the vast forests of Transylvania, they meet Sir Gregor Dahr Altair, an imperial knight who just escaped from Roter Turm before the Ottomans destroyed it. Gregor is an Excubitor, a powerful secretive fraternity who could change the outcome of the war. He leads Lorian and Silvan ahead of the tempest to the great trading city of Hermannstadt before it is surrounded and destroyed by the Sultan's army.

"I'D LIKE YOU TO FIND THE SWORD FOR ME. DO YOU THINK YOU COULD HANDLE THAT?" Arisa isn't certain how to respond when her mother, the Falcon, formerly a dangerous bandit but now lord commander of the army and navy of Deorthas, entrusts her with this extremely special mission. Everything changed for Arisa when she and her friend Weasel stumbled upon the ancient shield rumored to bestow power upon whoever holds it. With the shield, the Falcon was able to gain her new station, bringing Arisa into a world of royalty Arisa isn't even sure she enjoys. Now the Falcon wants Arisa to get close to young Prince Edoran, and join with Edoran and Weasel to search for the legendary sword that matches the shield. As Arisa's search progresses, however, she realizes she may be in danger from a deadly stranger. Worse -- she and her friends may be in even graver danger from someone they know all too well! Critically acclaimed fantasy author Hilari Bell continues the captivating trilogy begun in Shield of Stars with another thrilling, surprising, and wholly satisfying novel.

From the late 1930s to the early twenty-first century, European and American filmmakers have displayed an enduring fascination with Nazi leaders, rituals, and symbols, making scores of films from Confessions of a Nazi Spy (1939) and Watch on the Rhine (1943) through Des Teufels General (The Devil’s General, 1955) and Pasqualino settebellezze (Seven Beauties, 1975), up to Der Untergang (Downfall, 2004), Inglourious Basterds (2009), and beyond. Probing the emotional sources and effects of this fascination, Sabine Hake looks at the historical relationship between film and fascism and its far-reaching implications for mass culture, media society, and political life. In confronting the specter and spectacle of fascist power, these films not only depict historical figures and events but also demand emotional responses from their audiences, infusing the abstract ideals of democracy, liberalism, and pluralism with new meaning and relevance. Hake underscores her argument with a comprehensive discussion of films, including perspectives on production history, film authorship, reception history, and questions of performance, spectatorship, and intertextuality. Chapters focus on the Hollywood anti-Nazi films of the 1940s, the West German anti-Nazi films of the 1950s, the East German anti-fascist films of the 1960s, the Italian “Naziploitation” films of the 1970s, and issues related to fascist aesthetics, the ethics of resistance, and questions of historicization in films of the 1980s–2000s from the United States and numerous European countries.