Amon Vraja, last of the halfdead, tries to stay out of sight. His kind, twisted by the gift that grants them superhuman strength, are loathed and shunned. Under the enchanted leaves of the Last City, ruled by imperious elves whose love of beauty leaves little room for his ugliness, he's not much more than the ghost of a dragon-haunted past. When the young, headstrong elf-lord Caedian takes an interest in Amon, however, Amon's days in the shadows may be over. Caedian needs Amon to find Caedian's missing twin, and a halfdead brothel guard can't just refuse an elf's desires. Throughout the search, Caedian and Amon rely on each other's strength and generosity, and Amon is struck by an impossible yearning for his elvish patron. As they peel away layers of deceit and spiral closer to one another, they also near the horrifying truth of the elves' protection. And when they discover it, they'll face a choice: step outside the shelter of the world's last city, or die where they stand. 90,000 words

The daughter of a pagan high priest, Sofea finds solace from her troubles in the freedom of the ocean. But when marauders attack her village on the island of Sicily, she and her cousin are taken across the sea to the shores of Canaan. Eitan has lived in Kedesh, a City of Refuge, for the last eleven years, haunted by a tragedy in his childhood and chafing at the boundaries placed on him. He is immediately captivated by Sofea, but revealing his most guarded secret could mean drawing her into the danger of his past. As threats from outside the walls loom and traitors are uncovered within, Sofea and Eitan are plunged into the midst of a murder plot. Will they break free from the shackles of the past in time to uncover the betrayal and save their lives and the lives of those they love?

*A Kirkus Best Book of 2022* A stirring consideration of homeownership, fatherhood, race, faith, and the history of an American city. In 2016, Lawrence Jackson accepted a new job in Baltimore, searched for schools for his sons, and bought a house. It would all be unremarkable but for the fact that he had grown up in West Baltimore and now found himself teaching at Johns Hopkins, whose vexed relationship to its neighborhood, to the city and its history, provides fodder for this captivating memoir in essays. With sardonic wit, Jackson describes his struggle to make a home in the city that had just been convulsed by the uprising that followed the murder of Freddie Gray. His new neighborhood, Homeland—largely White, built on racial covenants—is not where he is “supposed” to live. But his purchase, and his desire to pass some inheritance on to his children, provides a foundation for him to explore his personal and spiritual history, as well as Baltimore’s untold stories. Each chapter is a new exploration: a trip to the Maryland shore is an occasion to dilate on Frederick Douglass’s complicated legacy; an encounter at a Hopkins shuttle-bus stop becomes a meditation on public transportation and policing; and Jackson’s beleaguered commitment to his church opens a pathway to reimagine an urban community through jazz. Shelter is an extraordinary biography of a city and a celebration of our capacity for domestic thriving. Jackson’s story leans on the essay to contain the raging absurdity of Black American life, establishing him as a maverick, essential writer.

Introduction -- The beginnings of homelessness policy under Koch -- The development of homelessness policy under Koch -- Homelessness policy under Dinkins -- Homelessness policy under Giuliani -- Homelessness policy under Bloomberg -- Homelessness policy under De Blasio -- Conclusion.

Susan J. Dunlap offers the theological fruits of time spent working as a chaplain with people without homes. After depicting the local history of her small southern city, she describes the prayer service she co-leads in a homeless shelter. Clients offer words of faith and encouragement that take the form of prayer, sayings, testimony, song, and short sermons. Dunlap describes both these forms of expression and their theological content. She asserts that these forms and beliefs are a means of survival and resistance in a hostile world. The ways they serve these purposes are further demonstrated in life stories told as testimonies, incorporating scripture, sayings, oral tradition, and popular culture. Dunlap concludes that white supremacy and neoliberalism have produced the problem of homelessness in America and are forms of idolatry. The faith and practices shared at the shelter are spiritual and theological resources for people in the grip of and seeking freedom from this idolatry. Claiming that only God can free us from bondage to idolatry and that to draw close to the poor is to draw close to God, Dunlap calls for proximity to people living without homes who are practicing their faith amid poverty.

A NEW YORK TIMES NOTABLE BOOK • From an award-winning journalist, a poignant and gripping immersion in the life of a young, homeless single mother amid her quest to find stability and shelter in the richest city in America LONGLISTED FOR THE PEN/JEAN STEIN BOOK AWARD • “Riveting . . . a remarkable feat of reporting.”—The New York Times Camila is twenty-two years old and a new mother. She has no family to rely on, no partner, and no home. Despite her intelligence and determination, the odds are firmly stacked against her. In this extraordinary work of literary reportage, Lauren Sandler chronicles a year in Camila’s life—from the birth of her son to his first birthday—as she navigates the labyrinth of poverty and homelessness in New York City. In her attempts to secure a safe place to raise her son and find a measure of freedom in her life, Camila copes with dashed dreams, failed relationships, the desolation of abandonment, and miles of red tape with grit, humor, and uncanny resilience. Every day, more than forty-five million Americans attempt to survive below the poverty line. Every night, nearly sixty thousand people sleep in New York City-run shelters, 40 percent of them children. In This Is All I Got, Sandler brings this deeply personal issue to life, vividly depicting one woman's hope and despair and her steadfast determination to change her life despite the myriad setbacks she encounters. This Is All I Got is a rare feat of reporting and a dramatic story of survival. Sandler’s candid and revealing account also exposes the murky boundaries between a journalist and her subject when it becomes impossible to remain a dispassionate observer. She has written a powerful and unforgettable indictment of a system that is often indifferent to the needs of those it serves, and that sometimes seems designed to fail. Praise for This Is All I Got “A rich, sociologically valuable work that’s more gripping, and more devastating, than fiction.”—Booklist “Vivid, heartbreaking. . . . Readers will be moved by this harrowing and impassioned call for change.”—Publishers Weekly “A closely observed chronicle . . . Sandler displays her journalistic talent by unerringly presenting this dire situation. . . . An impressive blend of dispassionate reporting, pungent condemnation of public welfare, and gritty humanity.” —Kirkus Reviews

Now and then, there really is good government. Bonnie Stone spent 40 years in New York City-and social services-oriented not-for-profits. She doggedly and ingeniously tackled some of New York's most urgent issues, particularly chronic homelessness. Undaunted, Stone negotiated choppy waters, working with the expert, the difficult, the skeptical, the next-to-impossible, the determined, and the inspired. Gimme Shelter has a cast of characters as colorful and varied as the city itself. There are big stories of apparently insurmountable odds, surmounted-and smaller stories of people who with dedicated help were able to beat terrible odds. At a time when government is viewed as ineffective or even as a saboteur of people's best interests, Gimme Shelter reveals how the men and women who work for the City of New York can bring positive change to the lives of its citizens.