At certain times of the day - at sunrise, and sunset - the outlines of prehistoric fields, barrows and hill-forts in the British landscape may be thrown into relief. Such 'shadow sites', best seen from above, and captured by an airborne camera, are both examples of, and metaphors for, a particular way of seeing the landscape. At a time of rapid modernisation and urbanisation in mid-twentieth-century Britain, an archaeological vision of the British landscape reassured and enchanteda number of writers, artists, photographers, and film-makers. From John Piper, Eric Ravilious and Shell guide books, to photographs of bomb damage, aerial archaeology, and The Wizard of Oz, Kitty Hauser delves into evocative interpretations of the landscape and looks at the affinities betweenphotography as a medium to capture traces of the past as well as their absence.

Covers London and an area approximately 50 miles around it.

Unique and nostalgic, this record explores the particularities of the Shell Guides and examines them in a cultural context. From their inception in the 1930s as UK county guides through their development in the 1970s as international travel guides, the Shell Guides moved away from an often elitist and ironic style to a more Modernist and serious approach. Including detailed accounts of post-World War II editors John Betjeman’s and John Piper’s writing, editing, and photography methods, this book will appeal to those interested in popular literature, design, and cultural history.

"Completely revised and expanded this Second Edition covers almost 300 individual species and groups of species seen underwater, from tiny fragile sea spiders to the massive planktonƯfeeding Basking Shark"--Publisher's website