Rescued by a sheik in a foreign land… Lucy has traveled to Ramal Hamrah to chase her new husband, who stole all of her money right after their wedding. However, confused in this foreign desert land, she soon gets into a terrible car accident. Right before her car explodes, she’s rescued by a stranger. When Lucy wakes up, she finds herself in the strong arms of a beautiful, angelic man. The man who saved her is Hanif, the prince of Ramal Hamrah. As he’s volunteered to protect her in his palace!

Sheikh, Husband, Father! Idris Delacour never expected to be king of Dalmaya, but his cousin’s sudden death changes all that. And that’s not all—there’s a royal baby on the way, too! Being a surrogate mom should’ve given Saskia Harper and her little brother Jack a new start. Only, for her unborn child to inherit the throne she must now marry the new king—the man whose kisses she’s never forgotten. Saskia wants to trust Idris—but can she ever find a way into her sheikh’s guarded heart?

This book, the first full-length cross-period comparison of medieval and modern literature, offers cutting edge research into the textual and cultural legacy of the Middle Ages: a significant and growing area of scholarship. At the juncture of literary, cultural and gender studies, and capitalizing on a renewed interest in popular western representations of the Islamic east, this book proffers innovative case studies on representations of cross-religious and cross-cultural romantic relationships in a selection of late medieval and twenty-first century Orientalist popular romances. Comparing the tropes, characterization and settings of these literary phenomena, and focusing on gender, religion, and ethnicity, the study exposes the historical roots of current romance representations of the east, advancing research in Orientalism, (neo)medievalism and medieval cultural studies. Fundamentally, Representing Difference invites a closer look at medieval and modern popular attitudes towards the east, as represented in romance, and the kinds of solutions proposed for its apparent problems.

Surgeon Zayed Khalil is formidable, yet scarred. The only solace he finds is in his work. He's dedicated, professional and brilliant. And he's come to Penhally Bay to set up a specialist children’s until at St. Piran Hospital. Emily Livingston is in awe of her new boss, but she's noticed the pain behind his dark eyes. Her instinct to reach out to him is as overwhelming as the underlying attraction between them. But Zayed closed his heart long ago. Could this beautiful young doctor be the woman to show him how to live again, even love again?

Laura Vivanco's study challenges the idea that Harlequin Mills & Boon romances are merely mass-produced commodities, churned out in accordance with a strict and unchanging formula. She argues that many are well-written, skilfully crafted works, and that some are small masterpieces. For Love and Money demonstrates the variety that exists beneath the covers of Harlequin Mills & Boon romances. They range from paranormal romances to novels resembling chick lit, and many have addressed serious issues, including the plight of post-Second World War refugees, threats to marine mammals, and HIV/AIDS. The genre draws inspiration from Shakespearean comedies and Austen's novels, as well as from other forms of popular culture. "“Laura Vivanco’s 'For Love and Money' is an impressive study of the popular fiction of Harlequin Mills and Boon that is a must read for any student of popular fiction and for those who write and love the genre” —Liz Fielding, author of over 50 Harlequin Mills & Boon romances.“Deep learning, wide reading, and clear thinking are very much in evidence in Vivanco’s exploration of HM&B. A welcome addition to popular romance criticism.” — Professor Pamela Regis, author of 'A Natural History of the Romance Novel'."Laura Vivanco’s analysis of the category romance is both meticulous and inspiring. And while Vivanco limits her examples and discussions to category romances by Harlequin Mills & Boon and the HQN imprint, her application of Frye’s mimetic modes begs for expansion to texts and authors across the genre. This piece of literary criticism should serve as a template for romance scholars to move from defending the genre to discussing its values and complexity as a literary art. — Maryan Wherry, 'Journal of Popular Romance Studies'

Harlequin® Romance brings you a collection of four new titles, available now! Experience the rush of falling in love! This Harlequin® Romance box set includes: #4587 WHISKED AWAY BY HER SICILIAN BOSS The Billionaire’s Club by Rebecca Winters Runaway bride Princess Tuccianna Leonardi desperately needs a place to hide, and her prayers are answered when gorgeous Sicilian billionaire Cesare Donati offers her a job. Cesare is soon falling for his raven-haired beauty, but with Tuccia still on the run, can he keep his princess safe and promise her their happily-ever-after? #4588 THE SHEIKH’S PREGNANT BRIDE by Jessica Gilmore Idris Delacour never expected to be king of Dalmaya, but his cousin’s sudden death changes all that. And that’s not all—there’s a royal baby on the way! Only, for the unborn heir to inherit the throne, Idris must marry surrogate Saskia Harper—the one woman whose kisses he’s never forgotten! #4589 A PROPOSAL FROM THE ITALIAN COUNT by Lucy Gordon Penniless and unemployed, Jackie Benton can’t believe her luck when deliciously handsome Count Vittorio Martelli offers her a prestigious job in Rome, working for him. But then she discovers Vittorio also needs a convenient fiancée, and feisty, hardworking Jackie is the perfect candidate! #4590 CLAIMING HIS SECRET ROYAL HEIR by Nina Milne Crown Prince Frederick of Lycander needs a wife and an heir, and after discovering he has a secret son with beautiful supermodel Sunita, he’s determined to claim both! Their engagement reveals their passion still simmers, but to keep Sunita and baby Amil by his side, Frederick discovers he must also admit his love…

The single mom's new job: chauffeur to the sheikh Zahir was surprised to find he had a beautiful new driver. This chauffeur did not blend into the background. Oh, no. Diana Metcalfe talked. She laughed. She took him on unplanned detours. And he had more fun than he'd had in years. But back in his desert kingdom, a dynastic marriage was being brokered for Zahir. Crazy though it seemed, he wished that this wonderful, vivacious, thoroughly unsuitable woman could be his bride instead....