The Squashed edition of the great book of Persian Kings - The Shahname by Ferdowsi Tusi. Abridged from the original text to read in an hour or so. Squashed editions are precise abridgements - the original ideas, in their own words, the full beam of the book, the quotable quotes and all the famous lines, but neatly honed down to the length of a readable short story. ""Like reading the bible without all the begats"" - Prof. Jim Curtis

Originally composed for the Samanid princes of Khorasan in the 10th century, Shahnameh is one of the most important pieces of Persian literature. This prodigious narrative tells the story of pre-Islamic Iran, beginning in the mythic time of Creation and continuing forward to the Arab invasion in the seventh century. The sweep and psychological depth of the Shahnameh is nothing less than magnificent. Now one of the greast translators of Persian poetry, Dick Davis, presents Ferdowsi's masterpiece in an elegant combination of prose and verse.

Immerse yourself in the distant past with this epic poem from the Persian tradition. Penned more than one thousand years ago by the famed poet Ferdowsi, The Shahnameh weaves history and myth into a lyrical, action-packed work of art that you won't be able to put down. This book is a must-read for folklore connoisseurs.

Vividly translated and lushly illustrated, this edition of the Persian epic Shahnameh is fully illuminated for new audiences. Ferdowsi’s classic poem Shahnameh is part myth, part history–beginning with the legend of the birth of the Persian nation and its tumultuous history, it contains magical birds and superhuman heroes and centuries-long battles. Written over 1,000 years ago, it was meant to protect Persian collective memory amidst a turbulent sea of cultural storms. Originally written in couplets, the translation and adaptation by Ahmad Sadri retells the mythological tales in prose format. The spectacular illustrations in this edition were created from elements culled from thousands of manuscripts, lithographs, and miniatures dating from the thirteenth through the nineteenth centuries, and each panel becomes a new work of art, an exquisite collage of traditional forms.

Mirsepassi uses interviews with thirteen individuals to relate the colourful life and times of Ahmad Fardid and his intellectual legacy.