US Poet Laureate W.S. Merwin was arguably the most influential American poet of the last half-century - an artist who transfigured and reinvigorated the vision of poetry for our time. Bloodaxe published his Selected Poems in 2007. At 82, Merwin produced 'his best book in a decade - and one of the best outright' (Publishers Weekly), and a collection which has won him his second Pulitzer Prize in the US and a Poetry Book Society Recommendation in the UK. The nuanced mysteries of light, darkness, presence, and memory are central themes in his latest collection. 'I have only what I remember,' Merwin admits, and his memories are focused and profound-the distinct qualities of autumn light, a conversation with a boyhood teacher, well-cultivated loves, and 'our long evenings and astonishment'. In 'Photographer', Merwin presents the scene where armloads of antique glass negatives are saved from a dumpcart by 'someone who understood'. In 'Empty Lot', Merwin evokes a child lying in bed at night, listening to the muffled dynamite blasts of coal mining near his home, and we can't help but ask: How shall we mine our lives?

In luscious and purposeful language, W.S. Merwin s new poems examine our essential relationships with the natural world."

Merwin has created a special voice, unique in all of American poetry. It comes through in this selection Merwin has made from 10 of his previous books, beginning with "A Mask for Janus" and ending with "Opening the Hand." Other selections include "Lemuel's Blessing," "Air," "The River Bees," and "Fly." In "The Coin," considered to be one of his best poems, Merwin re-creates an entire fair, depicting tents, animals, flowers, and three turtledoves with a coin in the grain at the bottom of their cage. ISBN 0-689-11970-4: $22.95.

Beneath the outward appearance of legitimate government and accountable officials there lurk hidden agendas, shadowy personalities and special interest groups seeking to seize control of the nation for their own ends. These 'states within a state', unfettered by legal norms and unworried by public opinion, are known as 'deep states'. In this fascinating account, Ian Fitzgerald examines what a deep state really is and how they have emerged in various places across the world and throughout history. Ranging from the police state of East Germany in the 1950s to the narco states of Latin America in the 1970s to the institutional corruption of 21st century Nigeria, he explores the many ways people have sought to seize the apparatus of power for themselves while remaining out of sight. Now the subject of modern conspiracy theories the world over as a worrying trend toward unelected power emerges, this book is more timely than ever, and helps separate fact from fiction. Looks at deep state conspiracies around the world, including: • the narco-states of Colombia and Mexico - where legitimate institutions have been corrupted by the power and wealth of the illegal drug trade • the illicit tax haven of Panama and the 2016 "Panama Papers", history's biggest data leak • the United Fruit Company's involvement in the 1954 coup d'état in Guatemala • the robber barons of the late 19th- and early 20th- century America • the role of intelligence services such as the CIA, FBI and NSA in the US deep state, at home and abroad • the extent to which social media sites such as Facebook influence voters

New genius work from W.S. Merwin, considered "one of America's greatest living poets." -Washington Post

A volume of poems concerned with intimacy and wholeness, and with history and how the world endures it—from the Pulitzer Prize-winning author and “one of the greatest poets of our age … the Thoreau of our era” (Edward Hirsch). A literary event—a new volume of poems by one of the masters of modern poetry—The Rain in the Trees is W. S. Merwin's first book since the publication of his Opening the Hand. Almost no other poet of our time has been able to voice in so subtle a fashion such a profound series of comments on the passing of history over the contemporary scene. To do this, he seems to have reinvented the poem—so that the experience of reading Merwin is unlike the reading of any other poetry. In such famous books as The Lice, The Moving Target and (most recently) Opening the Hand, he has produced a body of work of great profundity and power made from the simplest and most beautiful poetic speech. Merwin can now rightfully be called a master, and this book shows in every way why this is the case.

Late in life our most revered poet delivers a verdant collection that rivals the best from his storied career.