Dismissing oversimplified and politically charged views of the politics of Shi'ite Islam, Said Amir Arjomand offers a richly researched sociological and historical study of Shi'ism and the political order of premodern Iran that exposes the roots of what became Khomeini's theocracy.

This volume explores the relationship between religion and politics. It brings a varied sample of richly detailed comparative and case studies together with a set of analytical paradigms in an integrated framework. It is a major statement on a timely subject, and a plea for the acknowledgment of normative pluralism as firmly rooted in the history of religion. The editor shows that the fact of political diversity in the history of world religions compels the acceptance of pluralism as a normative principle.

In early 2019, the Islamic Republic of Iran marked its fortieth anniversary, despite decades of isolation, political pressure, sanctions and war. Observers of its security policies continue to try and make sense of this unlikely endurance. Some view the regime as a purely rational actor, whose national security decisions and military affairs are shaped by the same considerations as in other states. Others believe that it is ideology driving Tehran's strategy. Either way, virtually everyone agrees that the mullahs' policies are fundamentally different from those pursued by their monarchical predecessors. No Conquest, No Defeat offers a historically grounded overview of Iranian national security. Tabatabai argues that the Islamic Republic is neither completely rational nor purely ideological. Rather, its national security policy today is largely shaped by its strategic culture, a product of the country's historical experiences of war and peace. As a result, Iranian strategic thinking is perhaps best characterized by its dynamic yet resilient nature, one that is continually evolving. As the Islamic Republic enters its fifth decade, this book sheds new light on Iran's controversial nuclear and missile programs and its involvement in Afghanistan, Iraq, Lebanon, Syria and Yemen.

This book is the first systematic assessment of current trends and patterns of militancy in Shii communities in the Middle East and South Asia - specifically in Iran, Iraq, but also in Lebanon, Saudi Arabia, Pakistan, Afghanistan, Kuwait, and Bahrain More than thirty years after the Islamic Revolution in Iran, there are signs of a growing assertiveness on the part of Shii actors, at times erupting into political violence. The book addresses two key questions: What trends emerge in the types of militancy Shii actors employ both inside and outside of the Shii heartland? And what are the main drivers of militancy in the Shii community? The editor concludes that although at present Shii assertiveness does not take on a predominantly militant form, a 'subculture of violence' does exist among most Shii communities examined here, and suggests five key drivers of political violence among Shiis: the impact of Iran; nationalism and anti-imperialism; Shii self-protection and communal advancement; mahdism; and organizational dynamics. This book will be of great interest to students and researchers of terrorism studies and political violence, war and conflict studies, and IR/Security Studies in general.

This book analyzes the processes of social transformation in Iran from the height of the country's power in the sixteenth and seventeenth centuries under the Safavid dynasty to the aftermath of the startling revolution that overthrew the Pahlavi monarchy in 1979.

The first specialized critical-aesthetic study to be published on the concept of hybridity in early Mughal painting, this book investigates the workings of the diverse creative forces that led to the formation of a unique Mughal pictorial language. Mughal pictoriality distinguishes itself from the Persianate models through the rationalization of the picture’s conceptual structure and other visual modes of expression involving the aesthetic concept of mimesis. If the stylistic and iconographic results of this transformational process have been well identified and evidenced, their hermeneutic interpretation greatly suffers from the neglect of a methodologically updated investigation of the images’ conceptual underpinning. Valerie Gonzalez addresses this lacuna by exploring the operations of cross-fertilization at the level of imagistic conceptualization resulting from the multifaceted encounter between the local legacy of Indo-Persianate book art, the freshly imported Persian models to Mughal India after 1555 and the influx of European art at the Mughal court in the sixteenth and seventeenth centuries. The author's close examination of the visuality, metaphysical order and aesthetic language of Mughal imagery and portraiture sheds new light on this particular aspect of its aesthetic hybridity, which is usually approached monolithically as a historical phenomenon of cross-cultural interaction. That approach fails to consider specific parameters and features inherent to the artistic practice, such as the differences between doxis and praxis, conceptualization and realization, intentionality and what lies beyond it. By studying the distinct phases and principles of hybridization between the variegated pictorial sources at work in the Mughal creative process at the successive levels of the project/intention, the practice/realization and the result/product, the author deciphers the modalities of appropriation and manipulation of the heterogeneous elements. Her unique

I.B. Tauris in association with the Institute of Ismaili Studies Muhammad Hasan al-Husayni, also known as Hasan 'Ali Shah and, more generally, as the Aga Khan (1804-1881), was the 46th Imam of the Nizari Ismailis and the first Ismaili Imam to bear the title of Aga Khan, bestowed on him by the contemporary Qajar monarch of Persia. This book is the first English translation of his memoirs, the 'Ibrat-afza, `A Book of Exhortation, or Example', and includes a new edition of the Persian text and a detailed introduction to the work and its context. The 'Ibrat-afza was composed in the year 1851, following the Ismaili Imam's departure from Persia and his permanent settlement in India. The text recounts the Aga Khan's early life and political career as the governor of the province of Kirman in Persia, and narrates the dramatic events of his conflict with the Qajar establishment followed by his subsequent travels and exploits in Afghanistan and British India. The 'Ibrat-afza provides a rare example of an autobiographical account from an Ismaili Imam and a first-hand perspective on the regional politics of the age. It offers a window into the history of the Ismailis of Persia, India and Central Asia at the dawn of the modern era of their history. Consequently, the book will be of great interest to both researchers and general readers interested in Ismaili history and in the history of the Islamic world in the nineteenth century.