Prison. Just reading the word conjures up mental images of harshness and negativity. While the word 'criminal' summons feelings of fear, disgust, anger, aggression, and revenge. These near-universal feelings about criminals are the foundation of prisons as places where harm, through neglect, indifference, and paucity, festers and replicates like a virus. For this reason, any conversation about prison and its potential for anything other than harm must start with the people who live there. In The Shadow of Childhood Harm, Wolff, using a balance of compassion and evidence, takes readers through the lives of people who end up inside prison. Guided by the words of those who have lived the experience of harm, she weaves an expansive body of research that lays bare the harm that began in childhood (the curse) and its subsequent shadow that later, during adolescence and adulthood, manifests as harm to self and others, eventually culminating in crime that results in incarceration, where harm there, once again, repeats like a bad dream. With authority and rigor, Wolff uses ethics, law, science, and compassion, to call out the anti-humanism roots underpinning the (un)intelligent design of the current correctional system and rings in a new way of intelligently designing and maintaining a just, fair, and person-centered system of asylum of and for humanity.

Demonstrates how 'carceral animal law' strategies put animal protection efforts at war with general anti-oppression and civil rights efforts.

Through thirty compelling essays written in the prisoners’ own words, Crimson Letters: Voices from Death Row offers stories of brutal beatings inside juvenile hall, botched suicide attempts, the terror of the first night on Death Row, the pain of goodbye as a friend is led to execution, and the small acts of humanity that keep hope alive for men living in the shadow of death. Each carefully crafted personal essay illuminates the complex stew of choice and circumstance that brought four men to Death Row and the cycle of dehumanization and brutality that continues inside prison. At times the men write with humor, at times with despair, at times with deep sensitivity, but always with keen insight and understanding of the common human experience that binds us.

Finalist for the 2021 Best Book in Israel Studies presented by the Azrieli Institute of Israel Studies and Concordia University Library Flesh of My Flesh looks at one of the most silenced and repressed aspects of Israeli culture by examining the trope of sexual violence in modern Hebrew literature. Ilana Szobel explores how sexual violence participates in, encourages, or resists concurrent ideologies in Jewish and Israeli culture, and situates the rhetoric of sexual aggression within the contexts of gender, ethnicity, disability, and national identity. Focusing on writings of incest survivors, Sepharadi authors, wounded soldiers, and Hebrew authors such as Shoshana Shababo, Gershon Shofman, Hayim Nahman Bialik, Yoram Kaniuk, Amalia Kahana-Carmon, and Tsvia Litevsky, Szobel unveils the various roles of sexual violence in destabilizing hegemonic notions or reinforcing norms and modes of conduct. Thus, while the book looks at poetic and social possibilities of action in relation to sexual violence, it also exposes the Gordian knot of sexualized gender-based violence and the interests of patriarchy, heteronormativity, nationalism, racism, and ableism.