In this sequel to The Use of Power, Damon Hawkers fiance is kidnapped in an attempt to force him to reveal valuable information. In the process of rescuing her, he uncovers a plot thatif allowed to reach fruitionwill result in the mass murder of thousands of Americans. He is then forced by circumstances to assume a role that he detests in order to foil the plot and avoid causing a disastrous war between Russia and the United States. His efforts to that end lead to exotic dangers and take him on out-of-this-world adventures.

Coming home from Afghanistan was supposed to be something great. That ended when I met tall, dark and handsome in a bar and wound up in a dumpster sporting a nice set of fangs and my life flipped on its head. Now I'm a messenger for Hermes Courier Service trying to make enough to support my ice cream habit while staying below vampire radar. When this newest job of mine goes disastrously awry, it puts me on the hook to be indentured to a sorcerer for the next fifty years unless I can find a way to fix things. What's hidden can't stay in the shadow's forever and my life will never be the same.

Breaking up is hard to do—so why not pay someone to do it for you? Twelve-year-old Quentin never asked to be the Heartbreak Messenger. It just kind of happened, and he can't let a golden opportunity pass him by. The valuable communication service he offers is simple: He delivers breakup messages. For a small fee, he will deliver that message to your soon-to-be ex. If you order the deluxe package, he'll even throw in some flowers and a box of chocolates. You know . . . to soften the blow. At first, Quentin's entrepreneurial brainchild is surprisingly successful, which is great, because he suspects his mom, who works as a car mechanic, is worried about money. But as he interacts with clients, message recipients, and his best friend, Abigail, it doesn't take long for him to wonder if his own heart will remain intact. In The Heartbreak Messenger by Alexander Vance, Quentin discovers that the game of love and the emotions that go with it are as complicated as they come—even for an almost-innocent bystander.

Daringly realistic and artfully mediated by past and present, Claudia Emerson's Secure the Shadow contains historical pieces as well as poems centering on the deaths of the poet's brother and father. Emerson covers all aspects of the tragedies that, as Keats believed, contribute to our human collective of Soul-making, in which each death accrues into an immortal web of ongoing love and meaning for the living. Emerson's unwavering gaze shows that loss cannot be eluded, but can be embraced in elegies as devastating as they are beautiful. The macabre title poem refers to the old custom of making daguerreotypes, primitive photographs, of deceased loved ones. Other striking poems describe animal deaths -- mysterious calf killings, a hog slaughter, the burial of a dead jay, "identifiable / but light, dry, its eyes vacant orbits." Death, as the speaker's heart and mind instruct her, exists in a shadow world. When the body disappears, the shadow also flees. By securing the shadow, the poet finds a representation of the dead's soul, a soul always linked to the body. Hence, Emerson's attention to the minute details of the body's repose -- reflected in the long, related sequence of refrained poems -- never allows its memory to fade.

Five years ago Wren McAllister had it all, a successful career, a beautiful wife, and a loving family. Returning to his hometown for a funeral, he came back a changed man, slowly drifting away from his wife and kids. His choices during that visit had unknowingly set of a wave of events that now threatens his family. Now five years later he is in race against time to save them, he must reveal his dark secret to his loved ones. Can they deal with the knowledge of his past, or will they suffer because of it.

DON’T MISS BRIDGE OF CLAY, MARKUS ZUSAK’S FIRST NOVEL SINCE THE BOOK THIEF AND AN UNFORGETTABLE AND SWEEPING FAMILY SAGA. From the author of the extraordinary #1 New York Times bestseller The Book Thief, I Am the Messenger is an acclaimed novel filled with laughter, fists, and love. A MICHAEL L. PRINTZ HONOR BOOK FIVE STARRED REVIEWS Ed Kennedy is an underage cabdriver without much of a future. He's pathetic at playing cards, hopelessly in love with his best friend, Audrey, and utterly devoted to his coffee-drinking dog, the Doorman. His life is one of peaceful routine and incompetence until he inadvertently stops a bank robbery. That's when the first ace arrives in the mail. That's when Ed becomes the messenger. Chosen to care, he makes his way through town helping and hurting (when necessary) until only one question remains: Who's behind Ed's mission?

When a nineteen-year-old member of a Black Muslim cult assassinated Oakland newspaper editor Chauncey Bailey in 2007—the most shocking killing of a journalist in the United States in thirty years—the question was, Why? “I just wanted to be a good soldier, a strong soldier,” the killer told police. A strong soldier for whom? Killing the Messenger is a searing work of narrative nonfiction that explores one of the most blatant attacks on the First Amendment and free speech in American history and the small Black Muslim cult that carried it out. Award-winning investigative reporter Thomas Peele examines the Black Muslim movement from its founding in the early twentieth century by a con man who claimed to be God, to the height of power of the movement’s leading figure, Elijah Muhammad, to how the great-grandson of Texas slaves reinvented himself as a Muslim leader in Oakland and built the violent cult that the young gunman eventually joined. Peele delves into how charlatans exploited poor African Americans with tales from a religion they falsely claimed was Islam and the years of bloodshed that followed, from a human sacrifice in Detroit to police shootings of unarmed Muslims to the horrible backlash of racism known as the “zebra murders,” and finally to the brazen killing of Chauncey Bailey to stop him from publishing a newspaper story. Peele establishes direct lines between the violent Black Muslim organization run by Yusuf Bey in Oakland and the evangelicalism of the early prophets and messengers of the Nation of Islam. Exposing the roots of the faith, Peele examines its forerunner, the Moorish Science Temple of America, which in the 1920s and ’30s preached to migrants from the South living in Chicago and Detroit ghettos that blacks were the world’s master race, tricked into slavery by white devils. In spite of the fantastical claims and hatred at its core, the Nation of Islam was able to build a following by appealing to the lack of identity common in slave descendants. In Oakland, Yusuf Bey built a cult through a business called Your Black Muslim Bakery, beating and raping dozens of women he claimed were his wives and fathering more than forty children. Yet, Bey remained a prominent fixture in the community, and police looked the other way as his violent soldiers ruled the streets. An enthralling narrative that combines a rich historical account with gritty urban reporting, Killing the Messenger is a mesmerizing story of how swindlers and con men abused the tragedy of racism and created a radical religion of bloodshed and fear that culminated in a journalist’s murder. THOMAS PEELE is a digital investigative reporter for the Bay Area News Group and the Chauncey Bailey Project. He is also a lecturer at the University of California, Berkeley, Graduate School of Journalism. His many honors include the Investigative Reporters and Editors Tom Renner Award for his reporting on organized crime, and the McGill Medal for Journalistic Courage. He lives in Northern California.