James Bamford has been the preeminent expert on the National Security Agency since his reporting revealed the agency’s existence in the 1980s. Now Bamford describes the transformation of the NSA since 9/11, as the agency increasingly turns its high-tech ears on the American public. The Shadow Factory reconstructs how the NSA missed a chance to thwart the 9/11 hijackers and details how this mistake has led to a heightening of domestic surveillance. In disturbing detail, Bamford describes exactly how every American’s data is being mined and what is being done with it. Any reader who thinks America’s liberties are being protected by Congress will be shocked and appalled at what is revealed here.

The National Security Agency is the world’s most powerful, most far-reaching espionage. Now with a new afterword describing the security lapses that preceded the attacks of September 11, 2001, Body of Secrets takes us to the inner sanctum of America’s spy world. In the follow-up to his bestselling Puzzle Palace, James Banford reveals the NSA’s hidden role in the most volatile world events of the past, and its desperate scramble to meet the frightening challenges of today and tomorrow. Here is a scrupulously documented account—much of which is based on unprecedented access to previously undisclosed documents—of the agency’s tireless hunt for intelligence on enemies and allies alike. Body of secrets is a riveting analysis of this most clandestine of agencies, a major work of history and investigative journalism. A New York Times Notable Book

A Pretext for War reveals the systematic weaknesses behind the failure to detect or prevent the 9/11 attacks, and details the Bush administration’s subsequent misuse of intelligence to sell preemptive war to the American people. Filled with unprecedented revelations, from the sites of “undisclosed locations” to the actual sources of America’s Middle East policy, A Pretext for War is essential reading for anyone concerned about the security of the United States. Acclaimed author James Bamford–whose classic book The Puzzle Palace first revealed the existence of the National Security Agency–draws on his unparalleled access to top intelligence sources to produce a devastating expose of the intelligence community and the Bush administration.

The first book ever written on the National Security Agency from the New York Times bestselling author of Body of Secrets and The Shadow Factory. In this groundbreaking, award-winning book, James Bamford traces the NSA’s origins, details its inner workings, and explores its far-flung operations. He describes the city of fifty thousand people and nearly twenty buildings that is the Fort Meade headquarters of the NSA—where there are close to a dozen underground acres of computers, where a significant part of the world’s communications are monitored, and where reports from a number of super-sophisticated satellite eavesdropping systems are analyzed. He also gives a detailed account of NSA’s complex network of listening posts—both in the United States and throughout much of the rest of the world. When a Soviet general picks up his car telephone to call headquarters, when a New York businessman wires his branch in London, when a Chinese trade official makes an overseas call, when the British Admiralty urgently wants to know the plans and movements of Argentina’s fleet in the South Atlantic—all of these messages become NSA targets. James Bamford’s illuminating book reveals how NSA’s mission of Signals Intelligence (SIGINT) has made the human espionage agent almost a romantic figure of the past. Winner Best Investigative Book of the Year Award from Investigative Reporters & Editors “The Puzzle Palace has the feel of an artifact, the darkly revealing kind. Though published during the Reagan years, the book is coolly subversive and powerfully prescient.”—The New Yorker “Mr. Bamford has emerged with everything except the combination to the director’s safe.”—The New York Times Book Review

C. S. Malerich's The Factory Witches of Lowell is a riveting historical fantasy about witches going on strike in the historical mill-town of Lowell, Massachusetts. Faced with abominable working conditions, unsympathetic owners, and hard-hearted managers, the mill girls of Lowell have had enough. They're going on strike, and they have a secret weapon on their side: a little witchcraft to ensure that no one leaves the picket line. For the young women of Lowell, Massachusetts, freedom means fair wages for fair work, decent room and board, and a chance to escape the cotton mills before lint stops up their lungs. When the Boston owners decide to raise the workers’ rent, the girls go on strike. Their ringleader is Judith Whittier, a newcomer to Lowell but not to class warfare. Judith has already seen one strike fold and she doesn’t intend to see it again. Fortunately Hannah, her best friend in the boardinghouse—and maybe first love?—has a gift for the dying art of witchcraft. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

“An intimate and deeply human memoir that shows why we should all be concerned about nuclear safety, and the dangers of ignoring science in the name of national security.”—Rebecca Skloot, #1 New York Times bestselling author of The Immortal Life of Henrietta Lacks A shocking account of the government’s attempt to conceal the effects of the toxic waste released by a secret nuclear weapons plant in Colorado and a community’s vain search for justice—soon to be a feature documentary Kristen Iversen grew up in a small Colorado town close to Rocky Flats, a secret nuclear weapons plant once designated "the most contaminated site in America." Full Body Burden is the story of a childhood and adolescence in the shadow of the Cold War, in a landscape at once startlingly beautiful and--unknown to those who lived there--tainted with invisible yet deadly particles of plutonium. It's also a book about the destructive power of secrets--both family and government. Her father's hidden liquor bottles, the strange cancers in children in the neighborhood, the truth about what was made at Rocky Flats--best not to inquire too deeply into any of it. But as Iversen grew older, she began to ask questions and discovered some disturbing realities. Based on extensive interviews, FBI and EPA documents, and class-action testimony, this taut, beautifully written book is both captivating and unnerving.

The films of Orson Welles inhabit the spaces of cities—from America's industrializing midland to its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities—the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars. Viewing Welles as a radical filmmaker whose innovative methods were only occasionally compatible with the commercial film industry, this volume examines the filmmaker's original vision for butchered films, such as The Magnificent Ambersons (1942) and Mr. Arkadin (1955), and considers many projects the filmmaker never completed—an immense "shadow oeuvre" ranging from unfinished and unreleased films to unrealized treatments and screenplays.