The thrilling sequel to Monstrous Devices--Alex and his grandfather hold the fate of history itself in their hands in a Rick Riordan meets Raiders of the Lost Ark adventure of epic proportions! A few months ago, Alex's world changed...forever. Now, just when it seems life is almost getting back to normal, Alex's grandfather crashes back into the picture with grave news: their friend Harry has fallen into the clutches of a familiar foe, and the old man needs Alex's help to rescue him. This time, the duo's desperate dash across Europe leads from Paris deep into Germany's foreboding Black Forest, as they chase down the mystery Harry had been investigating when he disappeared. A series of art thefts has made headlines across the continent, but the thieves are after more than priceless paintings. In the wrong hands, these stolen artifacts could unlock an ancient secret bigger than anything Alex ever dreamed of. If they can't solve the riddle in time, innocent lives - and even history itself - could be at stake.

“I enjoyed everything about Damien Love’s debut—its title, its breakneck action, its sly sense of humor. I wish my first novel had been as imaginative and assured.” —Anthony Horowitz, New York Times bestselling author of the Alex Rider series On a winter’s day in a British town, twelve-year old Alex receives a package in the mail: an old tin robot from his grandfather. “This one is special,” says the enclosed note, and when strange events start occurring around him, Alex suspects this small toy is more than special; it might be deadly. Right as things get out of hand, Alex’s grandfather arrives, pulling him away from an attack—and his otherwise humdrum world of friends, bullies, and homework—and into the macabre magic of an ancient family feud. Together, the duo flees across snowy Europe, unraveling the riddle of the little robot while trying to outwit relentless assassins of the human and mechanical kind. With an ever-present admiration for the hidden mysteries of our world, Monstrous Devices plunges readers into a gripping adventure that’s sure to surprise.

"[The Shadow Drawing] reorients our perspective, distills a life and brings it into focus—the very work of revision and refining that its subject loved best." —Parul Sehgal, The New York Times | Editors' Choice An entirely new account of Leonardo the artist and Leonardo the scientist, and why they were one and the same man Leonardo da Vinci has long been celebrated for his consummate genius. He was the painter who gave us the Mona Lisa and The Last Supper, and the inventor who anticipated the advent of airplanes, hot air balloons, and other technological marvels. But what was the connection between Leonardo the painter and Leonardo the scientist? Historians of Renaissance art have long supposed that Leonardo became increasingly interested in science as he grew older and turned his insatiable curiosity in new directions. They have argued that there are, in effect, two Leonardos—an artist and an inventor. In this pathbreaking new interpretation, the art historian Francesca Fiorani offers a different view. Taking a fresh look at Leonardo’s celebrated but challenging notebooks, as well as other sources, Fiorani argues that Leonardo became familiar with advanced thinking about human vision when he was still an apprentice in a Florence studio—and used his understanding of optical science to develop and perfect his painting techniques. For Leonardo, the task of the painter was to capture the interior life of a human subject, to paint the soul. And even at the outset of his career, he believed that mastering the scientific study of light, shadow, and the atmosphere was essential to doing so. Eventually, he set down these ideas in a book—A Treatise on Painting—that he considered his greatest achievement, though it would be disfigured, ignored, and lost in subsequent centuries. Ranging from the teeming streets of Florence to the most delicate brushstrokes on the surface of the Mona Lisa, The Shadow Drawing vividly reconstructs Leonardo’s life while teaching us to look anew at his greatest paintings. The result is both stirring biography and a bold reconsideration of how the Renaissance understood science and art—and of what was lost when that understanding was forgotten.

Looks at the depiction and meaning of shadows in the history of Western art

Art is a form of thinking and dialoguing, and an usual source of knowledge. This publication introduces art-based learning, a method that enables the spectator to explore these dialogues and ?converse? with works of art. Art and culture analyst and educational designer Jeroen Lutters uses three triptychs to demonstrate how relevant questions can produce a different perception and understanding. The book is intended for students and educators of art, art history, drama and cinema, literature, anthropology, theology, philosophy, and interdisciplinary studies. The developed method is also highly suited to artistic research at academies of art, music, film, and dance.

DIVA study of art in post-independence Senegal./div

The wizards of the Cold War must uncover a secret cabal responsible for the Kennedy assassination in The Shadow Commission, New York Times bestselling author David Mack's globe-spanning historical fantasy sequel to The Iron Codex. November 1963. Cade and Anja have lived in hiding for a decade, training new mages. Then the assassination of President Kennedy trigger a series of murders whose victims are all magicians—with Cade, Anja, and their allies as its prime targets. Their only hope of survival: learning how to fight back against the sinister cabal known as the Shadow Commission. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.