David Fordyce, a young professor from a small New England college, arrives in Istanbul with an arrangement to teach at Bosporus University and a grant to study certain questions in the history of the Greek Orthodox church. Istanbul is an enchanting city, but he soon discovers it is enchanted as well. The space-time continuum is not as fixed as he imagined it to be, and soon he is encountering two persons from the past, Cyril, a fifth century Greek Gnostic monk, a heretic of great warmth and charm, and Cyril's companion, Hasan, a Sufi mystic from the twelfth century. The bizarre appearances begin at a performance of the Whirling Dervishes, which he attends with Marie, a Belgian woman who will soon become the central focus of his life in Turkey. David and Marie have both suffered the loss of their spouses a few years previously, and this loss has both of them questioning belief in a loving God. The story weaves in and out of the present and the past and from central Anatolia to a Coptic monastery in ancient Egypt to a Gnostic community on a Greek island. The question that concerns David, Marie, the monk, and the dervish is why God, if there is a God, allows the innocent to suffer. This is a metaphysical novel, a trip through time, and a love story. And it asks more questions than it answers.

From the Nobel Prize winner and acclaimed author of My Name is Red comes a portrait of Istanbul by its foremost writer, revealing the melancholy that comes of living amid the ruins of a lost empire. "Delightful, profound, marvelously origina.... Pamuk tells the story of the city through the eyes of memory." —The Washington Post Book World A shimmering evocation, by turns intimate and panoramic, of one of the world’s great cities, by its foremost writer. Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy—or hüzün—that all Istanbullus share. With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters—both Turkish and foreign—who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

The streetscapes of Istanbul as photographed by Nobel prize-winning novelist Orhan Pamuk in an exquisitely printed clothbound edition The dominant color in Orhan Pamuk's new book of photographs is orange. When the Nobel-Prize-winning novelist is finished with the day's writing, he takes his camera and wanders through Istanbul's various neighborhoods, visiting the backstreets of his town, areas without tourists, spaces that seem neglected and forgotten, spaces with a particular light. This is the orange light of Istanbul's windows and streetlamps that Pamuk knows so well from his childhood--from the Istanbul of 50 years ago, as he mentions in his introduction. But Pamuk also observes that the homely, cosy orange light is slowly being replaced by a new, bright and icy white light from new lightbulbs. His photographs from the backstreets of Istanbul record and preserve the cosy effect of this old, disappearing orange light, as well as the recognition of this new white vision. Whether reflected in well-trodden snow, concentrated as a glaring ball atop a lamppost or subtly present as a diffuse haze, orange literally and aesthetically gives shape to Pamuk's pictures, which reveal to us the unseen corners of his home city.

The Turkish Riviera, known as the Turquoise Coast, is home to stunning mountain scenery, rich myths, and folklore, and more than six hundred miles of impeccable shoreline along the warm Aegean and Mediterranean seas. Featuring two of the Seven Wonders of the Ancient World, the ruins of the Mausoleum of Maussollos and the Temple of Artemis, this stretch of coast is a destination apart, so much so that Mark Antony was said to have chosen it as the most spectacular wedding gift for Cleopatra. Through the lens of Oliver Pilcher, this blue voyage beckons readers with wanderlust to set sail and enjoy the dazzling sapphire shades of the coast’s dreamy yacht life. Anecdotes from lovers of the region include Mica Ertegun, Tommy Hilfiger, Chiara Ferragni, and Mert Alas, who spent summers boating on these storied waters.

In the bestselling tradition of espionage novels by John LeCarre and Alan Furst, Istanbul Passage brilliantly illustrates why Edgar Award–winning author Joseph Kanon has been hailed as "the heir apparent to Graham Greene" (The Boston Globe). Istanbul survived the Second World War as a magnet for refugees and spies. Even expatriate American Leon Bauer was drawn into this shadow world, doing undercover odd jobs in support of the Allied war effort. Now as the espionage community begins to pack up and an apprehensive city prepares for the grim realities of postwar life, Leon is given one last routine assignment. But when the job goes fatally wrong—an exchange of gunfire, a body left in the street, and a potential war criminal on his hands—Leon is trapped in a tangle of shifting loyalties and moral uncertainty. Played out against the bazaars and mosques and faded mansions of this knowing, ancient Ottoman city, Istanbul Passage is the unforgettable story of a man swept up in the dawn of the Cold War, of an unexpected love affair, and of a city as deceptive as the calm surface waters of the Bosphorus that divides it.

From Muhammed to the Ottoman empires and the modern struggle for Palestine, Akbar's story explains how Jihad thrives on complex and shifting notions of persecution, victory and sacrifice and the Muslim control over this phenomenon.