In these insightful essays, Barbara Cawthorne Crafton reflects on a broad range of experiences ministering among merchant seafarers, the homeless, the bereaved, AIDS patients, and others in need of personal and spiritual help. She shares honestly her own emotions as she grapples with the harsh realities of the world, while delighting in the humor and joy found in everyday living. Crafton compassionately recounts the unique stories of the men, women, and children she worked with during her service as a port chaplain in New York and New Jersey and as a minister at Trinity Church on Wall Street. In doing so, she weaves together threads of the mundane and the traumatic, the lovely and the ugly, and the down to earth and the holy, creating an original tapestry of the richness of life.

Born into service, sixteen-year-old Juliet Harper has always idolised her mother, Agnes. But Agnes is haunted by what could have been, and the glamorous life she might have lived if she stayed in Manchester rather than settling down in the Lancashire moorland with her husband. Life takes another unexpected turn when Juliet's father suddenly dies. Agnes's reputation as a seamstress leads to her being taken on by local landowners the Drysdales, where she is proud to work. But it will be a bumpy road for both of them as they settle in to their new lives. Will Juliet ever be able to choose her own path? And what will become of them when Agnes falls ill?

Contributions by Grace Elizabeth Hale, Katie Knowles, Ted Ownby, Jonathan Prude, William Sturkey, Susannah Walker, Becca Walton, and Sarah Jones Weicksel Fashion studies have long centered on the art and preservation of finely rendered garments of the upper class, and archival resources used in the study of southern history have gaps and silences. Yet, little study has been given to the approach of clothing as something made, worn, and intimately experienced by enslaved people, incarcerated people, and the poor and working class, and by subcultures perceived as transgressive. The essays in the volume, using clothing as a point of departure, encourage readers to imagine the South’s centuries-long engagement with a global economy through garments, with cotton harvested by enslaved or poorly paid workers, milled in distant factories, designed with influence from cosmopolitan tastemakers, and sold back in the South, often by immigrant merchants. Contributors explore such topics as how free and enslaved women with few or no legal rights claimed to own clothing in the mid-1800s, how white women in the Confederacy claimed the making of clothing as a form of patriotism, how imprisoned men and women made and imagined their clothing, and clothing cooperatives in civil rights–era Mississippi. An introduction by editors Ted Ownby and Becca Walton asks how best to begin studying clothing and fashion in southern history, and an afterword by Jonathan Prude asks how best to conclude.