Winner, 2017 Shaughnessy Cohen Writers' Trust Prize for Political Writing Winner, 2017 RBC Taylor Prize Winner, 2017 First Nation Communities Read: Young Adult/Adult Winner, 2024 Blue Metropolis First Peoples Prize, for the whole of her work Finalist, 2017 Hilary Weston Writers’ Trust Prize for Nonfiction The groundbreaking and multiple award-winning national bestseller work about systemic racism, education, the failure of the policing and justice systems, and Indigenous rights by Tanya Talaga. Over the span of eleven years, seven Indigenous high school students died in Thunder Bay, Ontario. They were hundreds of kilometres away from their families, forced to leave home because there was no adequate high school on their reserves. Five were found dead in the rivers surrounding Lake Superior, below a sacred Indigenous site. Using a sweeping narrative focusing on the lives of the students, award-winning author Tanya Talaga delves into the history of this northern city that has come to manifest Canada’s long struggle with human rights violations against Indigenous communities.

In the popular imagination, World War I stands for the horror of all wars. The unprecedented scale of the war and the mechanized weaponry it introduced to battle brought an abrupt end to the romantic idea that soldiers were somehow knights in shining armor who always vanquished their foes and saved the day. Yet the concept of chivalry still played a crucial role in how soldiers saw themselves in the conflict. Here for the first time, Allen J. Frantzen traces these chivalric ideals from the Great War back to their origins in the Middle Ages and shows how they resulted in highly influential models of behavior for men in combat. Drawing on a wide selection of literature and images from the medieval period, along with photographs, memorials, postcards, war posters, and film from both sides of the front, Frantzen shows how such media shaped a chivalric ideal of male sacrifice based on the Passion of Jesus Christ. He demonstrates, for instance, how the wounded body of Christ became the inspiration for heroic male suffering in battle. For some men, the Crucifixion inspired a culture of revenge, one in which Christ's bleeding wounds were venerated as badges of valor and honor. For others, Christ's sacrifice inspired action more in line with his teachings—a daring stay of hands or reason not to visit death upon one's enemies. Lavishly illustrated and eloquently written, Bloody Good will be must reading for anyone interested in World War I and the influence of Christian ideas on modern life.

From the moment he sees the pale-skinned maiden who'd been adopted by the Shawnee, Taggart Asherton, Earl of Elmgrove, knows that she doesn't belong in the wilderness. So Tag decides that he must take her back to England--which means a wedding must be arranged and no impropriety suffered.

Madeline Chinn Naas was born with a zest for life and for a love of adventure, but at the end of the day it was family that was really the most important part of her life. In late 1928, her family lost their sheep ranch in Utah while The Great Depression was in full swing. Knowing there were opportunities to survive elsewhere, her Dad and her 6 brothers piled into the car and moved to Idaho Falls, Idaho. Left behind was her Mother and her 4 sisters. Her Mom drove a horse drawn wagon the 500 miles, with the girls, to join the family. Madeline was still in still in her mother’s belly during this journey. She’d be born January 11, 1929. David W. Brower pays tribute to his mom in this book, tracing her upbringing as well as her inspiring battle with esophageal cancer and leukemia. He also looks back his mom’s family, her husband’s, and her 6 brothers and 5 sisters, specifically her sister Leda. David also shares his vulnerability when talking about his relationships with his wives, his children, his friends, and even his employers. In sharing his story, he explores his thoughts about prayer and faith, specifically by giving examples of how God “works all things for good.”(Romans 8-28) As a longtime cancer survivor, he also talks about how health issues affect someone’s loved ones. Join the author as he celebrates the unconditional love between a mom and her son and reveals how he helped his mom pass with grace, love, and dignity.

The First Crusade (1095-1101) was the stimulus for a substantial boom in Western historical writing in the first decades of the twelfth century, beginning with the so-called "eyewitness" accounts of the crusade and extending to numerous second-hand treatments in prose and verse. From the time when many of these accounts were first assembled in printed form by Jacques Bongars in the early seventeenth century, and even more so since their collective appearance in the great nineteenth-century compendium of crusade texts, the Recueil des historiens des croisades, narrative histories have come to be regarded as the single most important resource for the academic study of the early crusade movement. But our understanding of these texts is still far from satisfactory. This ground-breaking volume draws together the work of an international team of scholars. It tackles the disjuncture between the study of the crusades and the study of medieval history-writing, setting the agenda for future research into historical narratives about or inspired by crusading. The basic premise that informs all the papers is that narrative accounts of crusades and analogous texts should not be primarily understood as repositories of data that contribute to a reconstruction of events, but as cultural artefacts that can be interrogated from a wide range of theoretical, methodological and thematic perspectives. MARCUS BULL is Andrew W. Mellon Distinguished Professor of Medieval and Early Modern Studies at the University of North Carolina at Chapel Hill; DAMIEN KEMPF is Senior Lecturer in Medieval History at the University of Liverpool. Contributors: Laura Ashe, Steven Biddlecombe, Marcus Bull, Peter Frankopan, Damian Kempf, James Naus, L an N Chl irigh, Nicholas Paul, William J. Purkis, Luigi Russo, Jay Rubenstein, Carol Sweetenham,

When people and pets choose to share life together, great personal transformation becomes possible. In Love & Feathers, Shannon (a person) and Pearl (a parrot) learn from each other how to love and be loved, enjoy life to the fullest, face challenges with humor and courage, and see the best in themselves, each other, and all beings.