Serpent and dragon symbolism is ubiquitous in the art and mythology of premodern cultures around the world. Over the centuries, conflicting hypotheses have been proposed to interpret this symbolism which, while illuminating, have proved insufficient to the task of revealing a singular meaning for the vast majority of examples. In The Serpent Symbol in Tradition, Dr. Dailey argues that, in what the symbolist Rene Guenon and the historian of religions Mircea Eliade have called 'traditional' or 'archaic' societies, the serpent/dragon transculturally symbolizes matter, a state of being that is constituted by the perception of the physical world as chaotic in comparison to what traditional peoples believed to be the 'higher' meta-physical source of the physical world or 'nature.' In the course of Dr. Dailey's investigations into the meaning of traditional serpent/dragon symbolism, the following contributions have proved invaluable: 1) Guénon's interpretation of the language of traditional symbolism and the metaphysics that underlies it, as well as his interpretation of the terminology of the 'Hindu Doctrines,' 2) Eliade's interpretation of traditional/archaic societies by means of his concepts of chaos, creation, Axis Mundi (World Axis), and 'Sacred and Profane,' and 3) the insights of various other researchers of serpent/dragon symbolism. Beyond purporting to resolve some of the mystery of the ancient and varied symbolism of the serpent/dragon, The Serpent Symbol in Tradition strives to serve the related functions of interpreting the symbolic meanings of a wide variety of premodern artifacts and narratives as well as providing a study of the origination, and ancient human awareness, of the mentioned state of matter.

A study of traditional serpent and dragon symbolism, based in part upon the concepts and observations of René Guénon, Mircea Eliade, and various other relevant researchers. Serpent and dragon symbolism is ubiquitous in the art and mythology of premodern cultures around the world. Over the centuries, conflicting hypotheses have been proposed to interpret this symbolism which, while illuminating, have proved insufficient to the task of revealing a singular meaning for the vast majority of examples. In The Serpent Symbol in Tradition, Dr. Dailey argues that, in what the symbolist René Guénon and the historian of religions Mircea Eliade have called 'traditional' or 'archaic' societies, the serpent/dragon transculturally symbolizes matter, a state of being that is constituted by the perception of the physical world as chaotic in comparison to what traditional peoples believed to be the 'higher' meta-physical source of 'nature.' Beyond purporting to resolve some of the mystery of the ancient and varied symbolism of the serpent/dragon, The Serpent Symbol in Tradition strives to interpret the symbolic meanings of premodern artifacts and narratives as well as provide a study of the origination, and ancient human awareness, of the mentioned state of matter.

The serpent of ancient times was more often associated with positive attributes like healing and eternal life than it was with negative meanings. This groundbreaking book explores in plentiful detail the symbol of the serpent from 40,000 BCE to the present, and from diverse regions in the world. In doing so it emphasizes the creativity of the biblical authors' use of symbols and argues that we must today reexamine our own archetypal conceptions with comparable creativity.--From publisher description.

This two-volume publication offers an in-depth analysis of ophidian symbolism in Eastern Africa, while setting the topic within its regional and historical context: namely, with regards to the rest of Africa, ancient Egypt and Mesopotamia, the Greek world, ancient Palestine, Arabia, India, and medieval and pre-Christian Europe. Through the ages, most of those areas have connected with Eastern Africa in a broad sense, where ophidian symbolism was as “rampant” and far-reaching, if not more so, as anywhere else on the continent, and perhaps in past civilisations. Much as in the wider context, snakes were held to be long-lived, closely related to holes, caverns, trees, and water, life and death, and credited with a liking for milk. Even though ophidian symbolism has always been developed out of the outstanding biological and ethological features of snakes, the process of symbolisation, which plays a crucial role in the elaboration of cultural systems and the shaping of human experience, was inevitably at work. This first volume deals with snakes as a zoological category; snake symbolism as perceived by encyclopaedists and psychologists; and ophidian symbolism as it occurred in ancient civilisations. It explores the traditional African scene in general with a view to set the scene for a more proximate baseline for comparison. The divide between animals and humans was porous, and snakes had a more or less equal footing in both the animal realm and the spiritual world. Key features of snake symbolism in traditional Eastern Africa are then examined in detail, especially phantasmagorical snakes, the rainbow serpent, snake-totems, and snake-related witches and ritual leaders, among others. In Eastern Africa, the meanings attributed to snakes were multifaceted and paradoxical. Overall, the two volumes of this publication show that African snake symbolism broadly echoed the diverse representations of ancient civilisations. The widely acknowledged assimilation of snakes to death and Evil is therefore unrepresentative, both historically and culturally.

The subject to be discussed in the present chapter is one of the most fascinating that can engage the attention of anthropologists. It is remarkable, however, that although so much has been written in relation to it, we are still almost in the dark as to the origin of the superstition in question. The student of mythology knows that certain ideas were associated by the peoples of antiquity with the serpent, and that it was the favourite symbol of particular deities; but why that animal rather than any other was chosen for the purpose is yet uncertain. The facts being well known, however, I shall dwell on them only so far as may be necessary to support the conclusions based upon them. We are indebted to Mr. Fergusson for bringing together a large array of facts, showing the extraordinary range which serpent-worship had among ancient nations. It is true that he supposes it not to have been adopted by any nation belonging to the Semitic or Aryan stock; the serpent-worship of India and Greece originating, as he believes, with older peoples. However this may be, the superstition was certainly not unknown to either Aryans or Semites. The brazen serpent of the Hebrew exodus was destroyed in the reign of Hezekiah, owing to the idolatry to which it gave rise. In the mythology of the Chaldeans, from whom the Assyrians seem to have sprung, the serpent occupied a most important position. Among the allied Phoenicians and Egyptians it was one of the most divine symbols. In Greece, Hercules was said "to have been the progenitor of the whole race of serpent-worshipping Scythians, through his intercourse with the serpent Echidna;" and when Minerva planted the sacred olive on the Acropolis of Athens, she placed it under the care of the serpent-deity Erechthonios.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Feared and worshiped in equal measure, snakes have captured the imagination of poets, painters, and philosophers for centuries. From Ice Age cave drawings to Snakes on a Plane, this creature continues to enthrall the public. But what harm has been caused by our mythologizing? While considering the dangers of stigma, Erica Wright moves from art and pop culture to religion, fetish, and ecologic disaster. This book considers how the snake has become more symbol than animal, a metaphor for how we treat whatever scares us the most, whether or not our panic is justified. Object Lessons is published in partnership with an essay series in the The Atlantic.