The sequence was one of the most important types of music of the Middle Ages. Performed during the mass and sung throughout the churches of medieval Europe, the Latin poetry of this new compositional genre distinguished itself from what is commonly called 'Gregorian chant'. The sequences of the medieval Cathedral of Nidaros and its vast archdiocese comprise a song repertoire remarkable for its sheer size, chronological comprehensiveness, and stylistic diversity. The current volume presents eleven studies on this musical tradition, and the authors, using a wide range of perspectives and approaches -- paleographical, codicological, repertorial, textual, musical, and exegetical -- place this Nordic practice in its broader European context. This book is more than a study of a regional tradition of a single genre: it instead touches on topics and methodologies fundamental to contemporary research on chant.

Plainchant is the oldest substantial body of music that has been preserved in any shape or form. It was first written down in Western Europe in the eighth to ninth centuries. Many thousands of chants have been sung at different times or places in a multitude of forms and styles, responding to the differing needs of the church through the ages. This book provides a clear and concise introduction, designed both for those to whom the subject is new and those who require a reference work for advanced study. It begins with an explanation of the liturgies that plainchant was designed to serve. It describes all the chief genres of chant, different types of liturgical book, and plainchant notations. After an exposition of early medieval theoretical writing on plainchant, Hiley provides a historical survey that traces the constantly changing nature of the repertory. He also discusses important musicians and centers of composition. Copiously illustrated with over 200 musical examples, this book highlights the diversity of practice and richness of the chant repertory in the Middle Ages. It will be an indispensable introduction and reference source on this important music for many years to come.

Impressive... for many readers of these papers their cumulative effect will be very great indeed... Admirable collaborative volume. JOURNAL OF ECCLESIASTICAL HISTORY Specialists explore the influence of twelfth-centuryDurham, in ecclesiastical affairs, Border politics, architecture, art, and religious and literary culture. Impressive... the cumulative effect [of these papers] is very great indeed. JOURNAL OF ECCLESIASTICAL HISTORY This study of Anglo-Norman Durham's history, architecture, art, and religious and literary culture covers much ground, including the Cathedral Priory and its relationship to monastic reform; the careers of the prince bishops; studies of the spectacular castle; the relationship between Durham and the Scottish kings; the architecture of the cathedral; and Durham manuscripts and texts, featuring historical compilations and the remarkable Old English poem De situ Dunelmi. Contributors: DONALD MATTHEW, JULIA BARROW, JANET BURTON, MERYL FOSTER, VICTORIA TUDOR, MICHAEL GULLICK, ALAN PIPER, DAVID BATES, MARK PHILPOTT, ERIC CAMBRIDGE, MALCOLM THURLBY, J. PHILIP McALEER, S.A. HARRISON, JOHN CROOK, THOMAS E. RUSSO, E.C. FERNIE, WILLIAM AIRD, J.O. PRESTWICH, G.W.S. BARROW, VALERIE WALL, PAUL DALTON, ALAN YOUNG, HENRY SUMMERSON, MARTIN ALLEN, P.D.A. HARVEY, MARTIN LEYLAND, M.W. THOMPSON, BERNARD MEEHAN, CHRISTOPHER NORTON, ANNE LAWRENCE, DOMINIC MARNER, DAVID HOWLETT