Sharon Garlough Brown tells the moving story of four strangers as they reluctantly arrive at a retreat center and find themselves drawn out of their separate stories of isolation and struggle and into a collective journey of spiritual practice, mutual support and personal revelation.

The spiritual journey continues for Hannah, Meg, Mara and Charissa, the characters we met in the bestselling book Sensible Shoes. Sometimes life feels like two steps forward and one step back. Find your own spiritual journey reflected in the lives of these women and discover the way forward.

DIV Drawing on the story of Mary and Joseph moving ahead of Jesus, Dr. Kendall explains how easy it is for us to make assumptions in the natural and run on ahead of the Holy Spirit /div

The spiritual journey takes unexpected turns for the women of Sensible Shoes in this third book of the series. Having been challenged to persevere in hope, can they now embrace the joy of complete surrender? Join these four women in a poignant story that reveals the joy that comes from laying our lives at the feet of God and standing barefoot on holy ground.

Based on knowledge attained through his highly-trained clairvoyance, Rudolf Steiner contends that folk traditions regarding nature spirits are based on spiritual reality. He describes how people possessed a natural spiritual vision in ancient times, enabling them to commune with nature spirits. These entities - which are also referred to as elemental beings - became immortalised as fairies and gnomes in myth, legend and children's stories. Today, says Steiner, the instinctive understanding that humanity once had for these elemental beings should be transformed into clear scientific knowledge. He even asserts that humanity will not be able to reconnect with the spiritual world if it cannot develop a new relationship to the elementals. The nature spirits themselves want to be of great assistance to us, acting as 'emissaries of higher divine spiritual beings'.

Transfigurements develops a framework for thinking about art through innovative readings of some of the most important philosophical writing on the subject by Kant, Hegel, and Heidegger. Sallis exposes new layers in their texts and theories while also marking their limits. By doing so, his aim is to show that philosophy needs to attend to art directly. Consequently, Sallis also addresses a wide range of works of art, including paintings by Raphael, Monet, and Klee; Shakespeare’s comedies; and the music of Beethoven, Schubert, Mahler, and Tan Dun. Through these interpretations, he puts forth a compelling new elaboration of the philosophy of art.