In recent years the notion of determinate meaning?the idea that a word or a line in a literary text means one thing rather than another thing, X rather than Y?has been widely rejected in the name of Derrida and diffärance, reader-response criticism, and "ideological" approaches proclaiming meaning to be no more than a site of political contestation. ø Yet determinate meaning, says William C. Dowling, cannot be rejected in this way. Like the ratio named by p or the primeness of prime numbers in mathematics, it has been there all along, waiting for our theories to catch up. The proof that this is so, he argues, is today most compellingly available in the New Intensionalism of Jerrold J. Katz, which provides a powerful demonstration that the method of "close reading" developed by New Criticism remains the only valid basis for higher-order interpretation. For readers with no technical background in linguistics or logic, The Senses of the Text provides a clear and easily-understood introduction to the "Chomskyan revolution" in linguistic theory and to major issues in the philosophy of language, including the work of Frege, Wittgenstein, Quine, Carnap, Kripke, and Davidson.

The sensory details that infuse our everyday experience—the smell of a favorite dish cooking, the texture of a well-worn coat, hearing a song that reminds you of a person or a time in your life—can be used to add richness and spark to what we write. Whether you are a professional writer (or want to be one) or someone who just enjoys writing for the joy of self-expression, Writing from the Senses will show you how to tap into an endless source of engaging material, using your senses as prompts. Laura Deutsch explores all kinds of writing—from memoir and journaling to fiction, journalism, poetry, travel, food writing, and more.

Think of all the senses you use when you pick up a Bible. What do you see? What do you smell? What do you touch? Reading scripture attentively is more than a matter of sight. Most of us have been taught to think about God in visual terms, yet the very subject matter of scripture—our relationship with the fullness of God—makes irresistible demands upon all of our senses if we are to begin to understand anything about God. In these meditations on stories from the New Testament, Roger Ferlo shows us how to read the Bible in a “full-bodied” way, with all the senses attuned. For just as a printed recipe cannot substitute for a mouth-watering feast, so the Bible must be brought to life through the senses. Its stories must be seen, heard, touched, smelled, and tasted. Only then, Ferlo believes, can we truly begin to encounter in our lives the Word of God to us in scripture. Sensing God is one of our series of Cowley Cloister Books: smaller format, gift edition books designed for meditative and devotional reading.

Reading the Bible in a way that is as old as Scripture itself, award-winning author Mark P. Shea takes us on a “fly-over” of the biblical story from Genesis to Revelation. He shows you how to explore the literal, allegorical, moral, and analogical sense of Scripture. Whether you have been studying Scripture for years, or are encountering it for the very first time,Making Senses Out of Scripture is an invaluable tool that it will help you see biblical revelation afresh, as Christians have done for 2000 years.

Diane Ackerman's lusciously written grand tour of the realm of the senses includes conversations with an iceberg in Antarctica and a professional nose in New York, along with dissertations on kisses and tattoos, sadistic cuisine and the music played by the planet Earth. “Delightful . . . gives the reader the richest possible feeling of the worlds the senses take in.” —The New York Times

The Senses of Scripture reveals the essence of biblical epistemology - the ways in which ancient Israelites thought about and used their sensorium. The theoretical introduction demonstrates that scholars need to liberate themselves from the Western bias that holds a pentasensory paradigm and prioritises the sense of sight. The discussion of the biblical material demonstrates that biblical scholars should follow a similar path. Through examination of associative and contextual patters the author reaches a septasensory model, including sight, hearing, speech, kinaesthesia, touch, taste, and smell. It is further demonstrated that the senses, according to the HB, are a divinely created physical experience, which symbolised human ability to act in a sovereign manner in the world. Despite the lack of a biblical Hebrew term 'sense', it seems that at times the merism sight and hearing serves that matter. Finally, the book discusses the longstanding dispute regarding the primacy of sight vs. hearing, and claims that although there is no strict sensory hierarchy evident in the text, sight holds a central space in biblical epistemology.

The Senses: A Comprehensive Reference, Second Edition, Seven Volume Set is a comprehensive reference work covering the range of topics that constitute current knowledge of the neural mechanisms underlying the different senses. This important work provides the most up-to-date, cutting-edge, comprehensive reference combining volumes on all major sensory modalities in one set. Offering 264 chapters from a distinguished team of international experts, The Senses lays out current knowledge on the anatomy, physiology, and molecular biology of sensory organs, in a collection of comprehensive chapters spanning 4 volumes. Topics covered include the perception, psychophysics, and higher order processing of sensory information, as well as disorders and new diagnostic and treatment methods. Written for a wide audience, this reference work provides students, scholars, medical doctors, as well as anyone interested in neuroscience, a comprehensive overview of the knowledge accumulated on the function of sense organs, sensory systems, and how the brain processes sensory input. As with the first edition, contributions from leading scholars from around the world will ensure The Senses offers a truly international portrait of sensory physiology. The set is the definitive reference on sensory neuroscience and provides the ultimate entry point into the review and original literature in Sensory Neuroscience enabling students and scientists to delve into the subject and deepen their knowledge. All-inclusive coverage of topics: updated edition offers readers the only current reference available covering neurobiology, physiology, anatomy, and molecular biology of sense organs and the processing of sensory information in the brain Authoritative content: world-leading contributors provide readers with a reputable, dynamic and authoritative account of the topics under discussion Comprehensive-style content: in-depth, complex coverage of topics offers students at upper undergraduate level and above full insight into topics under discussion