The GOP’s leading millennial pollster offers an eye-opening look at America’s shifting demographics and reveals how these changes will affect future elections. The American electorate is undergoing a radical transformation. Cultural factors are reshaping how a new generation of voters considers issues. Demographic shifts are creating an increasingly diverse electorate, and technological advances are opening new avenues for voter contact and persuasion. Kristen Soltis Anderson examines these hot-topic trends and how they are influencing the way youth, women, and minorities vote. Blending observations from focus groups, personal stories, and polling results, the Republican pollster offers key insights into the changing nature of American politics. The Selfie Vote introduces you to tech-savvy political consultants and shows you how these hip young pollsters and consultants are using data mining and social media to transform electoral politics—including tracking your purchasing history. Make some purchases at a high-end culinary store? Crave sushi? Your choices outside the ballot box can reveal how you might vote. And anyone interested in the future of politics should know where these cultural trends are heading. Data-driven yet highly readable, The Selfie Vote busts established myths about campaigns and elections while offering insights about what’s ahead—and what it could mean for American politics and governance.

This collection reflects on the emerging phenomenon of ‘selfie citizenship’, which capitalises on individual visibility and agency, at the time when citizenship itself is increasingly governed through biometrics and large-scale dataisation. Today we are witnessing a global rise of politicised selfies: photographs of individuals with handwritten notes or banners, various selfie memes and hashtag actions, spread on social media in actions of protest or social mobilistion. Contributions in this collection range from discussions of citizen engagement, to political campaigning, to selfies as forms of citizen witnessing, to selfies without a face. The chapters cover uses of selfies by activists, tourists and politicians, victims and survivors, adults and children, in a broad range of geopolitical locations –China, Germany, Iran, Nepal, Pakistan, Singapore, South Korea, Sweden, the UK and the US. Written by an international and interdisciplinary group of authors, from senior professors to junior scholars, artists, graduate students and activist, the book is aimed at students, researchers, and media practitioners.

Whether it's Kim Kardashian uploading picture after picture to Instagram or your roommate posting a mid-vacation shot to Facebook, selfies receive mixed reactions. But are selfies more than, as many critics lament, a symptom of a self-absorbed generation? Millennial Alicia Eler's The Selfie Generation is the first book to delve fully into this ubiquitous and much-maligned part of social media, including why people take them in the first place and the ways they can change how we see ourselves. Eler argues that selfies are just one facet of how we can use digital media to create a personal brand in the modern age. More than just a picture, they are an important part of how we live today. Eler examines all aspects of selfies, online social networks, and the generation that has grown up with them. She looks at how the boundaries between people’s physical and digital lives have blurred with social media; she explores questions of privacy, consent, ownership, and authenticity; and she points out important issues of sexism and double standards wherein women are encouraged to take them but then become subject to criticism and judgment. Alicia discusses the selfie as a paradox—both an image with potential for self-empowerment, yet also a symbol of complacency within surveillance culture The Selfie Generation explores just how much social media has changed the ways that people connect, communicate, and present themselves to the world.

On August 11, 2015, U.S. District Court Judge Paul Barbadoro held in Rideout v. Gardner that a New Hampshire law prohibiting the digital distribution of photos of a marked ballot - popularly known as a “ballot selfie” - was “invalid because it is a content-based restriction on speech that cannot survive strict scrutiny.” Immediately thereafter, Judge Barbadoro's opinion generated substantial criticism from prominent election law scholars - most notably Richard Hasen - who argued that permitting “ballot selfies” would open up the electoral process to vote buying and voter coercion. This Article responds to such criticism, arguing that ballot selfie bans are unconstitutional because they represent a content-based restriction on speech and fail to satisfy strict scrutiny. Three reasons are provided to support this view. First, ballot selfie bans unnecessarily restrict a substantial amount of protected speech while simultaneously doing nothing to prevent far simpler forms of vote buying. Second, the “compelling” nature of the Government's interest in enacting broad-based laws to guard against vote buying is subject to considerable doubt, because vote buying is statistically non-existent even in jurisdictions where it is theoretically easy to accomplish. Third, because in most cases voters have the ability to change their vote even after taking a ballot selfie, ballot selfies are a useless tool for promoting vote buying anyway - rendering the entire premise behind such laws baseless.

How the history of American voting rights has shaped the way we vote today Coinciding with the 2020 US presidential election, Drawing the Vote, an original graphic novel, looks at the history of voting rights in the United States and how it affects the way we vote today. Throughout the book, the author, Tommy Jenkins, identifies events and trends that led to the unprecedented results of the 2016 presidential election that left American political parties more estranged than ever. To balance these complex ideas and statistics, Kati Lacker’s original artistic style makes the book accessible for readers of all ages. At a time when many citizens are experiencing challenges and apathy about voting and skepticism concerning our bitterly divided government, Drawing the Vote seeks to offer some explanation for how we got here and how every American can take action to make their vote count.

This book constitutes the proceedings of the 14th IFIP WG 8.5 International Conference on Electronic Participation, ePart 2022, held in Linköping, Sweden, during September 6–8, 2022, in conjunction with IFIP WG 8.5 Electronic Government (EGOV 2022), and the Conference for E-Democracy and Open Government Conference (CeDEM 2022). The 12 full papers presented were carefully reviewed and selected from 26 submissions. The papers are clustered under the following topical sections: E-democracy and e-participation; ICT & sustainability; digital and social media; legal informatics; and digital society.

This book presents a rich and nuanced analysis of selfie culture. It shows how selfies gain their meanings, illustrates different selfie practices, explores how selfies make us feel and why they have the power to make us feel anything, and unpacks how selfie practices and selfie related norms have changed or might change in the future.