The Self and the Quintessence explores Jung's work on number symbolism and the alchemical journey and considers how they act as metaphors underpinning theories about the development of the self and individuation. It goes on to consider the implications of these dynamics in terms of the symbol of the quintessence and what this represents psychologically. Initially exploring number symbolism and the way numbers can express dimensionality and emergence, this book explores the theories which underpin Jung's ideas about the self and its complexity, including the dynamics of opposites, the transcendent function, and the symbol of the quaternity (fourness). The book then explores the symbol of the quintessence from a theoretical and clinical perspective and also in relation to its use in alchemy and physics. It goes on to consider the symbolic and psychological significance of the quintessence in relation to complexity, emergence, individuation, wholeness, truth and the spirit of matter. Extending Jungian ideas to explore the archetypal symbol of the quintessence and its psychological significance, The Self and the Quintessence will be of great interest to Jungian academics, researchers and clinicians, and anyone looking to expand their knowledge and understanding of Jungian psychology.

A 2021 NCTE Charlotte Huck Award Honor Book A Bank Street Best Book of 2021 Quintessence is an extraordinary story from Jess Redman about friendship, self-discovery, interconnectedness, and the inexplicable elements that make you you. Three months ago, twelve-year-old Alma moved to the town of Four Points. Her panic attacks started a week later, and they haven’t stopped—even though she’s told her parents that they have. She’s homesick and friendless and every day she feels less and less like herself. But one day she finds a telescope in the town’s junk shop, and through its lens, she watches a star—a star that looks like a child—fall from the sky and into her backyard. Alma knows what it’s like to be lost and afraid, to long for home, and she knows that it’s up to her to save the star. And so, with the help of some unlikely new friends from Astronomy Club, she sets out on a quest that will take a little bit of science, a little bit of magic, and her whole self. This title has Common Core connections.

Through the first half of the twentieth century, analytic philosophy was dominated by Russell, Wittgenstein, and Carnap. Influenced by Russell and especially by Carnap, another towering figure, Willard Van Orman Quine (1908Ð2000) emerged as the most important proponent of analytic philosophy during the second half of the century. Yet with twenty-three books and countless articles to his creditÑincluding, most famously, Word and Object and "Two Dogmas of Empiricism"ÑQuine remained a philosopher's philosopher, largely unknown to the general public. Quintessence for the first time collects Quine's classic essays (such as "Two Dogmas" and "On What There Is") in one volumeÑand thus offers readers a much-needed introduction to his general philosophy. Divided into six parts, the thirty-five selections take up analyticity and reductionism; the indeterminacy of translation of theoretical sentences and the inscrutability of reference; ontology; naturalized epistemology; philosophy of mind; and extensionalism. Representative of Quine at his best, these readings are fundamental not only to an appreciation of the philosopher and his work, but also to an understanding of the philosophical tradition that he so materially advanced.

This beautifully photographed volume displays an homage to ordinary, everyday household items, such as the martini, peanut butter and jelly sandwich, a Mont Blanc pen, and more. Over 75 photos.

Charles Taylor's latest book sets out to define the modern identity by tracing its genesis.

Boogaloo—the synonym of choice among the cognoscenti for rhythm and blues—is a stylish and profound meditation on the art, influence, and commerce of black American popular music. At once deeply knowing and keenly observant, Arthur Kempton reveals the tensions between the sacred and the profane at the heart of “soul music,” and the complex centrality of “Aframericans” in the evolution of our mass musical culture. What that culture is all about, who owns it, and who gets paid—these are issues of moment in his epic narrative. Kempton brilliantly traces the interconnections among a century’s worth of signal personalities, events, and achievements: from Thomas A. Dorsey, the so-called Father of Gospel Music, whose career (“Got to Know How to Work Your Show”) sheds light on Mahalia Jackson, Aretha Franklin, and James Brown, among others, to the rise of that “handsome Negro lad,” Sam Cooke (perhaps the greatest of soul singers) and his definitive crossover dreams; from Berry Gordy Jr.’s infatuation with Doris Day and his sharp business plan to capture and exploit the sounds of young America through Motown (“It’s What’s in the Grooves That Counts”) to the founding of Stax Records and Memphis Soul by a white farm kid who grew up dreaming of being a country fiddler; from the visionary funk of George Clinton to the ascendancy of hip hop (“Sharecropping in Wonderland”), the murders of Tupac Shakur and Biggie Smalls, and the story of Death Row Records. Boogaloois a monumental work, informed by a rare fierceness of intellect, which debunks many a myth and canard about our popular music heritage even as it enlarges our understanding of its quintessence.