Long unavailable, The Selected Letters of William Carlos Williams is now reissued as a New Directions Paperbook. Spanning fifty-four years, this collection record the creative growth of one of the twentieth century's most influential and versatile writers.

From 1902 to 1912, William Carlos Williams wrote more than 300 letters to his younger brother Edgar, an architect with whom he shared the desire to become 'a great artist'. This collection of 200 letters sheds light on the aesthetic thoughts and practices with which Williams was engaged before his unique voice emerged in 'The Wanderer'.

Contains 170 letters selected from the surviving correspondence of two of Modernism's legendary poets. Dating from 1907 until Williams' death in 1963, each letter is reproduced in full and accompanied by explanatory notes. Includes a historical introduction setting the letters in context. Annotation copyright by Book News, Inc., Portland, OR

Throughout his life, Dr. Williams tirelessly defended and promoted the best in modern literature and art. He contributed widely to leading literary magazines, wrote prefaces and introductions, and lectured at many universities. This selection represents his finest work in criticism. Much of it concerns poetry and poets--T. S. Eliot, Dylan Thomas, Karl Shapiro, E. E. Cummings, Ezra Pound, Carl Sandburg, Robert Lowell and many others. Williams also spoke out on painters and paintings as well as music and literature. There are essays on James Joyce, Shakespeare, Federico Garcia Lorca, the basis of faith in art, the American Revolution, H. L. Mencken's The American Language, Ford Madox Ford, American primitive painters, Antheil's music, and the work of Gertrude Stein.

The Autobiography is an unpretentious book; it reads much as Williams talked—spontaneously and often with a special kind of salty humor. But it is a very human story, glowing with warmth and sensitivity. It brings us close to a rare man and lets us share his affectionate concern for the people to whom he ministered, body and soul, through a long rich life as physician and writer. William Carlos Williams’s medical practice and his literary career formed an undivided life. For forty years he was a busy doctor in the town of Rutherford, New Jersey, and yet he was able to write more than thirty books. One of the finest chapters in the Autobiography tells how each of his two roles stimulated and supported the other.

William Carlos Williams's place among the great poets of our century is firmly established. This anthology of selections drawn from the whole range of his work--poetry, fiction, autobiography, drama and essays--shows conclusively that his prose was also remarkably original, versatile and powerful. It has been edited by M. L. Rosenthal, literary critic and Professor of English at New York University.

White Mule is the first of a trilogy of novels by William Carlos Williams about the immigrant Stecher family in New York at the turn of the 20th century. The "White Mule" of the title refers to Flossie, the angry, assertive, uncompromising baby, who can kick like White Mule whiskey.