The courtships, engagements, and marriages of the sons and daughters of Theodore and Pamela are the subject of this book."

If you haven’t read Cat Sebastian, what are you waiting for?”—Lorraine Heath, New York Times bestselling author Once beloved by London's fashionable elite, Hartley Sedgwick has become a recluse after a spate of salacious gossip exposed his most-private secrets. Rarely venturing from the house whose inheritance is a daily reminder of his downfall, he’s captivated by the exceedingly handsome man who seeks to rob him. Since retiring from the boxing ring, Sam Fox has made his pub, The Bell, into a haven for those in his Free Black community. But when his best friend Kate implores him to find and destroy a scandalously revealing painting of her, he agrees. Sam would do anything to protect those he loves, even if it means stealing from a wealthy gentleman. But when he encounters Hartley, he soon finds himself wanting to steal more than just a painting from the lovely, lonely man—he wants to steal his heart.

"Sebastian proves she is a new force to be reckoned with in historical romances.”--Booklist Some of Ben Sedgwick’s favorite things: Helping his poor parishioners Baby animals Shamelessly flirting with the handsome Captain Phillip Dacre After an unconventional upbringing, Ben is perfectly content with the quiet, predictable life of a country vicar, free of strife or turmoil. When he’s asked to look after an absent naval captain’s three wild children, he reluctantly agrees, but instantly falls for the hellions. And when their stern but gloriously handsome father arrives, Ben is tempted in ways that make him doubt everything. Some of Phillip Dacre’s favorite things: His ship People doing precisely as they're told Touching the irresistible vicar at every opportunity Phillip can’t wait to leave England’s shores and be back on his ship, away from the grief that haunts him. But his children have driven off a succession of governesses and tutors and he must set things right. The unexpected presence of the cheerful, adorable vicar sets his world on its head and now he can’t seem to live without Ben’s winning smiles or devastating kisses. In the midst of runaway children, a plot to blackmail Ben’s family, and torturous nights of pleasure, Ben and Phillip must decide if a safe life is worth losing the one thing that makes them come alive.

Will Sedgwick can’t believe that after months of searching for his oldest friend, Martin Easterbrook is found hiding in an attic like a gothic nightmare. Intent on nursing Martin back to health, Will kindly kidnaps him and takes him to the countryside to recover, well away from the world. Martin doesn’t much care where he is or even how he got there. He’s much more concerned that the man he’s loved his entire life is currently waiting on him hand and foot, feeding him soup and making him tea. Martin knows he’s a lost cause, one he doesn’t want Will to waste his life on. As a lifetime of love transforms into a tender passion both men always desired but neither expected, can they envision a life free from the restrictions of the past, a life with each other?

THE DAYS BETWEEN Christmas and New Year’s Eve are dead days, when spirits roam and magic shifts restlessly just beneath the surface of our lives. A magician called Valerian must save his own life within those few days or pay the price for the pact he made with evil so many years ago. But alchemy and sorcery are no match against the demonic power pursuing him. Helping him is his servant, Boy, a child with no name and no past. The quick-witted orphan girl, Willow, is with them as they dig in death fields at midnight, and as they are swept into the sprawling blackness of a subterranean city on a journey from which there is no escape. Praise for The Book of Dead Days: “Beautifully paced and sometimes blood-soaked. . . . A very tangible sense of evil.”—The Guardian “Subtle menace and power.”—The Independent “Packed with drama, mystery, and intrigue.”—The Bookseller

When she begins therapy for depression after breast cancer treatment, the author brings with her an extraordinarily open and critical mind, but also shyness about revealing herself. Resisting easy responses to issues of dependence, desire, and mortality, she warily commits to a male therapist who shares little of her cultural and intellectual world. Although not without pain, their improvised relationship is as unexpectedly pleasurable as her writing is unconventional: Sedgwick combines dialogue, verse, and even her therapist's notes to explore her interior life--and delivers and delicate and tender account of how we arrive at love.

Celestia Rice Colby, born in Ohio in 1827, had lifestyle options that were relatively straightforward for the typical white female child born in the first half of the nineteenth century: she married in 1848, had five children, spent much of her life working as a dairy farmer and housewife, and died in 1900. Her rich legacy, however, extended beyond her children and grandchildren and survived in the form of detailed and reflective diaries and writings. Her private and published writings show that despite the appearances of the quintessential normal life, Colby struggled to reconcile her personal hopes and ambitions with the expectations and obligations placed on her by society. Author Tina Stewart Brakebill has woven original research with secondary material to form the fabric of Colby's life - from her days as the daughter of an Ohio dairy farmer to her relationship with her daughter, a pioneering university professor.