Cities are both real and imaginary places whose identity is dependent on their distinctive heritage: a network of historically transmitted cultural resources. The essays in this volume, which originate from a lecture series at the Institute of Germanic & Romance Studies, University of London, explore the complex and multi-layered identities of European cities. Themes that run through the essays include: nostalgia for a grander past; location between Eastern and Western ideologies, religions and cultures; and the fluidity and palimpsest quality of city identity. Not only does the book provide different thematic angles and a variety of approaches to the investigation of city identity, it also emphasizes the importance of diverse cultural components. The essays presented here discuss cultural forms as various as music, architecture, literature, journalism, philosophy, television, film, myths, urban planning and the naming of streets.

This book, the first of twelve volumes, launches the definitive English-language edition of Hugo Pratt's masterpiece, presented in the original oversized B&W format and with new translations made from Pratt's original Italian scripts... The adventures of this modern Ulysses are set during the first thirty years of the 20th Century in such exotic locales as Pratt's native Venice, the steppes of Manchuria, the Caribbean islands, the Danakil deserts, the Amazon forests, and the waves of the Pacific.

In this trenchant and lively study Brian McHale undertakes to construct a version of postmodernist fiction which encompasses forms as wide-ranging as North American metafiction, Latin American magic realism, the French New New Novel, concrete prose and science fiction. Considering a variety of theoretical approaches including those of Ingarden, Eco, Dolezel, Pavel, and Hrushovski, McHale shows that the common denominator is postmodernist fiction's ability to thrust its own ontological status into the foreground and to raise questions about the world (or worlds) in which we live. Exploiting various theoretical approaches to literary ontology - those of Ingarden, Eco, Dolezel, Pavel, Hrushovski and others - and ranging widely over contemporary world literature, McHale assembles a comprehensive repertoire of postmodernist fiction's strategies of world-making and -unmaking.

Marvel Knights: Hulk and Glory writer Joseph Keatinge teams up with artist extraordinaire Leila del Duca for her Image Comics debut in an all-new ongoing series combining the urban fantasy of Fables and the globe-spanning adventure of Y: The Last Man. Kate Kristopher, once the most famous explorer of an Earth far more fantastic than the one we know, is forced to return to the adventurous life she left behind when a family secret threatens to destroy everything she spent her life protecting. In Volume 2, Kate crosses the Earth to unlock a family mystery taking her far beyond her own reality. Collects Shutter #7-12.

In this final entry of Hugo Pratt's epic series, the master graphic novelist returns to the theme he first explored in the initial episode--the search for the lost continent of Mu, the mythical Atlantis. A premonition hovers over the entire dreamlike story, as if fate had decided in advance that this would be Corto Maltese's last adventure. The feeling is underscored by the return of most of the major characters seen throughout the long-running saga, like actors giving their final curtain call: Gold Mouth, Morgana, Tristan Bantam, Levi Colombia, Professor Steiner, "the Monk," Cain Groovesnore, Soledad, and (of course) Rasputin...each with their own reason to find the mythical realm. Thus, the circle closes. This EuroComics edition features new translations from Pratt's original Italian scripts by Dean Mullaney, the Eisner and Harvey Award-winning editor of the Library of American Comics, and Simone Castaldi, Associate Professor of Romance Languages and Literatures at Hofstra, and the author of Drawn and Dangerous: Italian Comics of the 1970s and 1980s (University Press of Mississippi).