In the vast emptiness of space lies in limbo a semismall planet. The planet is peaceful and quiet. Evil forces, though, has a different plan for this planet. The planet is enchanted by a six-shard crystal. This ordinary-looking crystal could form two more shards if needed. The crystal is protected by mystical beings known as the Intercessor Watchers. The Watchers are powerful, but there are only five of them to protect this rare crystal. The Watchers could feel that one day something or someone would try to steal the crystal. They also know that whoever steals it will use it for their own purpose. For generations, they have protected the crystal by sending it through portals and time. They would then follow it and replace it safely somewhere else. Never has the crystal had to protect itself by scattering all the shards to different places to hide itself from evil. Now in the far-off reaches of space, a very powerful villain lurks to capture the crystal. The villain known as Master Sensea seeks a galaxy to conquer. To do this, he needs the crystal for its powers. On the planet, the five are not worried about anything happening. One of the Watchers fears that something is wrong and knew they should have been worried.

Scientist Charles Darwin discretely opened the possibility of a purely animalistic origin for the human species. He repeatedly insisted that the differences between humans and others were a question of degree only. Sciences were, however, taken in the opposite direction, where these differences cannot have been generated by the natural processes of biological evolution. In The Animal in the Secret World of Darwin, author Michel Bergeron discuses the effects on the sciences caused by the presence of questions on humanity only answerable with religious beliefs. His investigation suggests that significant elements of perceived humanity have remained sufficiently narrowly defined to continue to agree with religious beliefs over the entire period starting with the scientific revolution centuries ago and reaching the present. Instead, he questions, could we be the simple animal who can only live on the belief not to be a simple animal? To alleviate these biases on the sciences of life, Bergeron advocates a different synthesis between Darwinism and Lamarckism. He further asks: How can sciences pretend to a cosmology neutral in term of religious influence since all of its complex mathematical developments were made under the constraint that we can link the present directly to the Big Bang?

The mysterious dog showed up at Jax's door just when she needed an adventure. But adventure sometimes brings trouble -- and dangers that even a great dog can't help you escape. In the Catskill Mountains, mystery is waiting . . . .Just when she needs it most, a little excitement comes to Jax's mountain. First, a beautiful, giant dog stops at her door. Even though he has no collar, the Tibetan mastiff doesn't act like a stray -- and he seems to want to stay with Jax. Then lights appear in the old, abandoned monastery up the mountain. The mastiff, who likes being called Mo-Mo, leads Jax to the mountaintop. There she meets a boy her age, Yeshi, who has come all the way from Tibet with his teacher to open the abandoned building -- and to search for a long-lost statue, possibly hidden away in the monastery. But someone else is searching for the statue, too, and when Jax's adventure turns dangerous, she'll have to count on her new friend, and the mysterious dog that's found her, to get her back down the mountain safely.

French Huguenots made enormous contributions to the life and culture of colonial New York during the seventeenth and eighteenth centuries. Huguenot craftsmen were the city's most successful artisans, turning out unrivaled works of furniture which were distinguished by unique designs and arcane details. More than just decorative flourishes, however, the visual language employed by Huguenot artisans reflected a distinct belief system shaped during the religious wars of sixteenth-century France. In Fortress of the Soul, historian Neil Kamil traces the Huguenots' journey to New York from the Aunis-Saintonge region of southwestern France. There, in the sixteenth century, artisans had created a subterranean culture of clandestine workshops and meeting places inspired by the teachings of Bernard Palissy, a potter, alchemist, and philosopher who rejected the communal, militaristic ideology of the Huguenot majority which was centered in the walled city of La Rochelle. Palissy and his followers instead embraced a more fluid, portable, and discrete religious identity that encouraged members to practice their beliefs in secret while living safely—even prospering—as artisans in hostile communities. And when these artisans first fled France for England and Holland, then left Europe for America, they carried with them both their skills and their doctrine of artisanal security. Drawing on significant archival research and fresh interpretations of Huguenot material culture, Kamil offers an exhaustive and sophisticated study of the complex worldview of the Huguenot community. From the function of sacred violence and alchemy in the visual language of Huguenot artisans, to the impact among Protestants everywhere of the destruction of La Rochelle in 1628, to the ways in which New York's Huguenots interacted with each other and with other communities of religious dissenters and refugees, Fortress of the Soul brilliantly places American colonial history and material life firmly within the larger context of the early modern Atlantic world.

An investigation of identity formation in children's literature, this book brings together children’s literature and recent critical concerns with posthuman identity to argue that children’s fiction offers sophisticated interventions into debates about what it means to be human, and in particular about humanity’s relationship to animals and the natural world. In complicating questions of human identity, ecology, gender, and technology, Jaques engages with a multifaceted posthumanism to understand how philosophy can emerge from children's fantasy, disclosing how such fantasy can build upon earlier traditions to represent complex issues of humanness to younger audiences. Interrogating the place of the human through the non-human (whether animal or mechanical) leads this book to have interpretations that radically depart from the critical tradition, which, in its concerns with the socialization and representation of the child, has ignored larger epistemologies of humanness. The book considers canonical texts of children's literature alongside recent bestsellers and films, locating texts such as Gulliver’s Travels (1726), Pinocchio (1883) and the Alice books (1865, 1871) as important works in the evolution of posthuman ideas. This study provides radical new readings of children’s literature and demonstrates that the genre offers sophisticated interventions into the nature, boundaries and dominion of humanity.

Prepare for the unfamiliar When every bit of human magic disappears suddenly from Vastia, it falls on the familiars—Aldwyn the telekinetic cat, Skylar the know-it-all blue jay, and Gilbert the gullible tree frog—to find the Crown of the Snow Leopard, an ancient relic that can reverse the curse. They learn that the only way to do this is by following in the paw prints of Aldwyn’s missing father, who went searching for the Crown several years earlier. This magical spirit trail extends into the Beyond, where our heroes encounter new enemies and danger, while Aldwyn learns about his mysterious past. Full of high-flying adventure and heartwarming friendships, Secrets of the Crown will make readers want to get even more familiar with The Familiars!