Rosie Mauer is the high school librarian, lunchroom attendant and after-school detention monitor at Laurel Grove High School. She's got a cat for her best friend and a secret crush on her sister's boyfriend, a local fireman. She sings in the church choir and knows that even though her IQ is off the records, she blends into the world with as much flair as the wilting honeysuckle growing along the wall in her mom’s garden. She figures her life will always be so bland. That is, until she is hired incognito to be the nanny for a rich man’s son who is a suspect in the murder of two girls whose disappearance and deaths may also mirror those of her aunt who vanished forty years earlier. As Rosie Mauer, she’s an awkward young woman who can’t seem to fit in. As her alter ego—beautiful and outgoing Violet Popovich, she finds herself lavished with gifts from admirers . . . and digging deeper into a crime surpassing the imaginations of those around her and puts her on the trail of a serial killer. Between her two worlds, she is running out of time as the bodies start to pile up. And it is getting more difficult to hide her secret life.

Rosie Mauer is the high school librarian, lunchroom attendantand after-school detention monitor at Laurel Grove High School. She sings in the church choir and knows that even though her IQ is off the records, she blends into the world with as much flair as the wilting honeysuckle growing along the wall in her mom¿sgarden. She figures her life will always be so bland. That is, until she ishired incognito to be the nanny for a rich man¿s son who is a suspect in the murder of two girls whose disappearance and deaths may also mirror those of her aunt who vanished forty years earlier. As Rosie Mauer, she¿s an awkward young woman who can¿t seem to fit in with the redneck side of her daddy¿sfamily or the stuffy, rich side of her mom¿s. As her alter ego-beautiful and outgoing Violet Popovich, she finds herself digging deeper into a crime surpassing the imaginations of those around her and puts her on the trail of possible serial killer. Between her two worlds, she is running out of time as the bodies start to pile up. And it is getting more difficult to hide her secret life.

Journey Bacon has grown up in a small town. She figures she’s settled into a normal, boring life working at a bank and marrying the same controlling man she’s dated since high school. But when a friend gives her an old dance card with a mysterious past and a promise she must keep, Journey experiences an unexpected twist of fate and a second chance at changing her life. A gift of singing country music. A secret romance with a cowboy. A mystery unfolding. And secrets, so many of them. And that is just the beginning—A small town romance with heart. And a country music romance to boot!

No nonsense, organized Jericho McGovern's worst nightmare is turning out to be like her kowtowing mum who was too afraid of her missionary father to stick up for her pagan beliefs. She's got a plethora of obstacles--irrational beliefs, allergies, and being somewhat of a rebel. And although she is just an ordinary college graduate ready to start her internship in archeology, she finds herself tossed into a cluttered world of Irish folklore creatures along with three kids, an angry, romantic fairy inside her, and a love/hate relationship with the fairy's true love while everything around her keeps crumbling into one ghost town after another--

The fourteen chapters in this anthology feature original analyses of contemporary German-language literary texts, films, political cartoons, cabaret, and other types of performance. The artworks display a wide spectrum of humor modes, such as irony, satire, the grotesque, Jewish humor, and slapstick, as responses to unification with the accompanying euphoria, but also alienation and dislocation. Kerstin Hensel’s Lärchenau, Christoph Hein’s Landnahme, and vignette collections by Jakob Hein (Antrag auf ständige Ausreise und andere Mythen der DDR) and Wladimir Kaminer (Es gab keinen Sex im Sozialismus) are interpreted as examples of the grotesque. The popular films Lola rennt, Sonnenallee, Herr Lehmann, NVA, Alles auf Zucker!, and Mein Führer—Die wirklich wahrste Wahrheit über Adolf Hitler are reexamined through the lens of traditional and more recent humor or comic book theories. The contributors focus on how each artwork enriches four prominent postwall German cultural trends: post-unification identity reconstruction, Vergangenheitsbewältigung (including Hitler humor), New German Popular Literature (Christian Kracht’s ironic subtexts), and immigrant perspectives (a “third voice” in the East-West binary reflected here pointedly in Eulenspiegel cartoons). To date, no other scholarly work provides as comprehensive an overview of the diverse strategies of humor used in the past two decades in German-speaking countries.

Waylon She's heavy metal music, piercings, and tattoos. She's never settling on one town before heading to the next. And she's way out of his comfort zone. Boone He's country music, chaps and cowboy hats. He's the arrogant son of the richest landowner in a small town in Tennessee. And he's everything she doesn't like in a man. The one thing they do have in common, though, are hearts that are as beaten down as the dead broke horses for sale in an old farm outside his town. But when rock singer Waylon Ryder's boyfriend dumps her in the middle of farm country in Bel-Air. Tennessee, fifty miles from Nashville and pawns her guitar to pay for the hotel room, their two worlds collide whether they want them to or not. As the dust starts to settle in the small town, Waylon inadvertently digs up quite a bit more secrets, lies, and scandals than she bargained for along with romance and the chance to start all over again. Still, she has her own secrets she must keep. Secrets that may put her life in jeopardy and she could lose it all. Discover Bel-Air, a small town with heart in Dead Broke Hearts, another Shay Lawless contemporary romance-with-a-bit-of-suspense novel where the strengths of the heroines and the men who love them lead them down paths they may not have expected and fates they never thought possible and where second chances can always happen.

"Don't go poking the damn hornet's nest with a stick, you hear? Were you born this stupid or did you hit your head somewhere along the line?" That's what my uncle told me a long time ago about stirring things up outside the meadow at night like ghosts, kid-eating clowns, booger men, ghouls, and beastly bugs. He just didn't bother to tell me simply showing up in town was the same as picking up a stick from the ground, whapping the nest really hard, and releasing the nasty things dwelling inside. Every town has its secrets-horrifying, horrible secrets from its past better left to rest. Glen Estes just has a few more than most. It's a curse that won't rest. The town was only one stick poke away from letting things loose again. Then I showed up with the stick. I poked the nest. And I stirred things up, released what lay within. . .