The surprising, often fiercely feminist, always fascinating, yet barely known, history of home economics. The term “home economics” may conjure traumatic memories of lopsided hand-sewn pillows or sunken muffins. But common conception obscures the story of the revolutionary science of better living. The field exploded opportunities for women in the twentieth century by reducing domestic work and providing jobs as professors, engineers, chemists, and businesspeople. And it has something to teach us today. In the surprising, often fiercely feminist and always fascinating The Secret History of Home Economics, Danielle Dreilinger traces the field’s history from Black colleges to Eleanor Roosevelt to Okinawa, from a Betty Crocker brigade to DIY techies. These women—and they were mostly women—became chemists and marketers, studied nutrition, health, and exercise, tested parachutes, created astronaut food, and took bold steps in childhood development and education. Home economics followed the currents of American culture even as it shaped them. Dreilinger brings forward the racism within the movement along with the strides taken by women of color who were influential leaders and innovators. She also looks at the personal lives of home economics’ women, as they chose to be single, share lives with other women, or try for egalitarian marriages. This groundbreaking and engaging history restores a denigrated subject to its rightful importance, as it reminds us that everyone should learn how to cook a meal, balance their account, and fight for a better world.

A 'haunting, compelling, and brilliant'(The Times) novel about a group of students who, under the influence of their professor find their lives changed forever, by the Pulitzer Prize-winning author of The Goldfinch Truly deserving of the accolade 'modern classic', Donna Tartt's novel is a remarkable achievement - compelling and elegant, dramatic and playful. Under the influence of their charismatic Classics professor, a group of clever, eccentric misfits at an elite New England college discover a way of thinking and living that is a world away from the humdrum existence of their contemporaries. But when they go beyond the boundaries of normal morality, their lives are changed profoundly and for ever as they discover how hard it can be to truly live and how easy it is to kill. 'A haunting, compelling, and brilliant piece of fiction ... Packed with literary allusion and told with a sophistication and texture that owes much more to the nineteenth century than to the twentieth' -The Times

What poltergeist accounts through the ages reveal about our own worldviews • Provides a wide array of case studies from ancient Greece and Rome to medieval Europe to the modern world • Explores the relationship between poltergeists and troubled adolescence • Looks beneath the Christian adulteration of pagan practices to reveal the hidden ancestral beliefs tied to poltergeists and haunted houses Stories of poltergeists and their mischievous and sometimes violent actions--knocking, stone or chair throwing, moving objects with invisible hands, and slamming or opening doors--are a constant through the ages. What changes is how we interpret this activity. For our pagan ancestors this phenomenon was caused by helper spirits whose manifestations revealed their unhappiness with a household. The medieval Christian church demonized these once helpful spirits and held exorcisms to expel them from the houses they haunted--which proved effective less than half the time. The Age of Enlightenment cast these incidents as clever hoaxes, and many still believe this today. But poltergeist manifestations continue to appear and often defy attempts to debunk them as pranks. What then is behind this phenomenon? Exploring accounts of poltergeists from ancient Greece and Rome, medieval Europe, and the modern world, Claude Lecouteux finds that while our interpretations of poltergeists may change, the manifestations always follow a similar course and evolution. He shows how modern scientific studies of poltergeist manifestations have found a strong tie between these visitations and the presence of a troubled adolescent in the house. Looking beneath the Christian adulteration of pagan practices to reveal the hidden ancestral beliefs tied to poltergeists and haunted houses, the author shows how these unhappy spirits serve as confirmation of the supernatural beings that share the earth with us and of our relationship with the natural and unseen world, a relationship we must take care to keep in balance.

A scholar examines 14 everyday objects featured in horror films and how they manifest their power and speak to society’s fears. Take a tour of the house where a microwave killed a gremlin, a typewriter made Jack a dull boy, a sewing machine fashioned Carrie’s prom dress, and houseplants might kill you while you sleep. In Household Horror, Marc Olivier highlights the wonder, fear, and terrifying dimension of objects in horror cinema. Inspired by object-oriented ontology and the nonhuman turn in philosophy, Olivier places objects in film on par with humans, arguing, for example, that a sleeper sofa is as much the star of Sisters as Margot Kidder, that The Exorcist is about a possessed bed, and that Rosemary’s Baby is a conflict between herbal shakes and prenatal vitamins. Household Horror reinvigorates horror film criticism by investigating the unfathomable being of objects as seemingly benign as remotes, radiators, refrigerators, and dining tables. Olivier questions what Hitchcock’s Psycho tells us about shower curtains. What can we learn from Freddie Krueger’s greatest accomplice, the mattress? Room by room, Olivier considers the dark side of fourteen household objects to demonstrate how the objects in these films manifest their own power and connect with specific cultural fears and concerns. “Provides a lively and highly original contribution to horror studies. As a work on cinema, it introduces the reader to films that may be less well-known to casual fans and scholars; more conspicuously, it returns to horror staples, gleefully reanimating works that one might otherwise assume had been critically “done to death” (Psycho, The Exorcist, The Shining).” —Allan Cameron, University of Auckland

An 18th-century portrait of the palace most recognized as an official home of several British royal family members focuses on the Hanover family during the reigns of George I and II, describing the intrigue, ostentatious fashions and politicking that marked court life. By the author of Cavalier.