A vicar's lot is not an easy one, especially when your parish is St Gargoyle's, where anything might happen and almost always does.As if the arcane ways of parish existence were not trouble enough, local church life is made more colourful still by exploding thuribles, accident prone funeral directors, eighty-five year old temptresses lying in wait with the sherry for the vicar's visit, and the risk of permanent physical damage at Peedle Parva's midweek communions in January, with sub-zero temperatures and a regular attendance of two. And it doesn't help that the vicar's wife doesn't take him entirely seriously...The hapless incumbent of the Church of England's zaniest parish lets us into the secrets of his diary. For anyone involved in the running of a local church, it will all sound horribly familiar.

Like music, art is a universal language. Although looking at works of art is a pleasurable enough experience, to appreciate them fully requires certain skills and knowledge." --Carol Strickland, from the introduction to The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern * This heavily illustrated crash course in art history is revised and updated. This second edition of Carol Strickland's The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern offers an illustrated tutorial of prehistoric to post-modern art from cave paintings to video art installations to digital and Internet media. * Featuring succinct page-length essays, instructive sidebars, and more than 300 photographs, The Annotated Mona Lisa: A Crash Course in Art History from Prehistoric to Post-Modern takes art history out of the realm of dreary textbooks, demystifies jargon and theory, and makes art accessible-even at a cursory reading. * From Stonehenge to the Guggenheim and from Holbein to Warhol, more than 25,000 years of art is distilled into five sections covering a little more than 200 pages.

This book seeks to address the journeying context of pilgrimage within the landscapes of Medieval Britain. Using four case studies, an interdisciplinary methodology developed by the author is applied to four different geographical and cultural areas of Britain to investigate the practicalities of travel along the Medieval road network.

The next League novel from #1 New York Times bestselling author Sherrilyn Kenyon . . . Years ago, family loyalty caused Fain Hauk to give up everything he loved: His military career. His planet. His fiancée. Even his name. Now decades later, everything has changed. He's built a new life out of the ashes of his old, and he's vowed to never let anything threaten his loved ones again. But when old enemies align themselves with new ones, he's caught in the middle of a brutal war. And when fate throws his former fiancée back into his world and she has her own agenda that includes taking his head for what he did to her years ago, more than just his life is at stake. The fate of the Ichidian universe and that of his brothers-in-arms hangs in the balance. Winner take all. It's killed or be killed, and never has the battle been more fierce . . .

Reproduction of the original: Character Sketches of Romance, Fiction and the Drama by E. Cobham Brewer

This book is about representations of the devil in English and European literature. Tracing the fascination in literature, philosophy, and theology with the irreducible presence of what may be called evil, or comedy, or the carnivalesque, this book surveys the parts played by the devil in the texts derived from the Faustus legend, looks at Marlowe and Shakespeare, Rabelais, Milton, Blake, Hoffmann, Baudelaire, Goethe, Dostoevsky, Bulgakov, and Mann, historically, speculatively, and from the standpoint of critical theory. It asks: Is there a single meaning to be assigned to the idea of the diabolical? What value lies in thinking diabolically? Is it still the definition of a good poet to be of the devil's party, as Blake argued?

In this classical work Choulant traced the evolution of anatomical illustration from the early schematic plates up to his own time, including a valuable bibliography. This English edition, translated by Frank, is enriched by the chapter on anatomical illustration since Choulant, by Garrison. -- H.W. Orr.