A police detective must find out who murdered a world-famous artist in a thriller by the #1 New York Times–bestselling “master of suspense” (The Washington Post). A month ago, world-renowned artist Victor Maitland was found dead in his Mott Street studio—stabbed repeatedly in the back. With no clear leads or suspects, the New York Police Department calls Chief Edward Delaney out of retirement. Delaney is still adjusting to life on the outside, and he’s bored by his free time. He welcomes the chance to put his well-honed investigative skills to the test once again. To investigate the case, Delaney plunges into Maitland’s rarefied orbit. Following a winding path of avarice, deception, and fraud, Delaney uncovers a long line of suspects that includes Maitland’s wife, son, and mistress. When a second murder rocks Manhattan’s art world, Delaney moves closer to the truth about what kind of a man—or monster—Victor Maitland really was. But which of the artist’s enemies was capable of killing him and leaving no trail?

The #1 New York Times–bestselling author introduces readers to “a great detective, a detective’s detective,” New York cop Edward X. Delaney (Kirkus Reviews). New York Police Department Captain Edward Delaney is called to the scene of a brutal murder. A Brooklyn councilman was struck from behind, the back of his skull punctured and crushed with an unknown weapon. The victim wasn’t robbed, and there’s no known motive. The commissioner appoints Delaney to head up a clandestine task force, but soon this effort ignites an internecine war of departmental backstabbing. Distracted by the serious illness of his wife, Barbara, Delaney begins his secret investigation. Then the killer claims another victim—slain in the exact same way, leaving the strange puncture wound. As more young men are found murdered, Delaney starts putting the pieces together. Soon, he’s faced with a cop’s dilemma: He knows who the killer is, but the man is untouchable. That’s when Delaney lays a trap to bring a monster to justice . . .

On the windswept shore of a frozen lake lurks a faceless killer determined to keep the past buried forever beneath half a century's silent ice and snow. The body of a young woman surfaces in the River Torne, in the far north of Sweden. Meanwhile, Rebecka Martinsson is working as a prosecutor in nearby Kiruna. Her sleep has been disturbed by haunting visions of a shadowy, accusing figure. Could the body be connected to the ghostly young woman in her dreams? Joining forces once again with Police Inspector Anna-Maria Mella, Rebecka is drawn into a murder and missing-person investigation that becomes entangled with old rumors of a German supply plane that mysteriously disappeared in 1943. Shame and secrecy shroud the locals' memories of the war, with Sweden's early collaboration with the Nazis still a raw wound. With psychologically complex twists and turns, this harrowing thriller captivates from the very first page.

"Rebecka Martinsson: the new Scandi-noir heroine to rival Saga Noren and Sarah Lund" iNews "In a television world now awash in female coppers, there aren't many as interesting and human as Rebecka" Wall Street Journal At the end of a deadly bear hunt across the wilderness of Northern Sweden, the successful hunters are shaken by a grisly discovery. Across in Kurravaara, a woman is murdered with frenzied brutality: crude abuse scrawled above her bloodied bed, her young grandson nowhere to be found. Only Rebecka Martinsson sees a connection. Dropped from the case thanks to a jealous rival, she now stands alone against a killer who brings death to young and old, spawned by a horrifying crime that festers after one hundred years on ice. The novels that inspired Rebecka Martinsson: Arctic Murders - the major TV series Translated from Swedish by Laurie Thompson

"This textbook brings a fresh approach to the study of constitutional criminal rights in the context of the American criminal justice system. It is intentionally written at a level suitable for an undergraduate. Seven Deadly Sins presents seven core constitutional virtues, introduced to the reader via their mirror opposites, which the authors call the "seven deadly constitutional sins" of the criminal justice system. These negative attributes or "sins" are: intolerance, subterfuge, intrusiveness, craftiness, favoritism, cruelty, and subservience to authority. Some of these negative attributes are housed entirely in one amendment to the constitution (e.g. cruelty) while others span several areas of the Bill of Rights (e.g., subservience to authority). Each negative trait is presented in two companion chapters. The first of the two chapters introduces the negative trait (e.g., "intolerance") and establishes its constitutional place via a presentation of various, appellate law decisions written in language suitable for an undergraduate student. The second, or companion, chapter then presents real world, non-legal "stories" from the field in the areas of policing and corrections that illustrate the trait using a more "hands on" approach. It is this combination of true stories from the field coupled with conceptualizing constitutional rights in terms of their mirror opposites (including the grouping of several amendments at once when necessary) that makes this book unique and fresh"--

Rebecka Martinsson's courage to the test once more in her most twisted and unpredictable case yet. After successfully tracking down and killing a rogue bear in the wilderness of northern Sweden, a group of hunters is shaken by a grisly discovery when they dress the bear carcass: human remains in the stomach. Far away in the remote village of Kurravaara, an elderly woman is found murdered with frenzied brutality, crude abuse scrawled above her bloodied bed. Her young grandson, known to live with her, is nowhere to be found. Only Kiruna prosecutor Rebecka Martinsson sees a connection between the two events, but thanks to the machinations of a jealous rival, she is dropped from the case. Continuing to pursue answers in an unofficial capacity, and with the reluctant assistance of her friend and police inspector Anna-Maria Mella, Rebecka stands alone against a ruthless killer. At the root of it all is a horrifying, century-old crime, the tendrils of which continue to hold the small community in their grip.

New York City cop Edward X. Delaney solves a string of murder cases in these first two novels in the series by the #1 New York Times–bestselling author. Lawrence Sanders’s first novel in the Deadly Sins series became a New York Times bestseller and was made into an acclaimed film starring Frank Sinatra as hard-bitten New York City homicide detective Edward X. Delaney. The Edgar Award–winning Sanders would follow up with three more Deadly Sins novels—each one a New York Times bestseller—proving himself again and again to be “a master” (The New Yorker). The First Deadly Sin: New York Police Department captain Edward Delaney is called to the scene of a brutal murder. A Brooklyn councilman was struck from behind, the back of his skull punctured and crushed with an unknown weapon. No robbery, no known motive. The commissioner appoints Delaney to head up a secret investigation. As more young men are murdered in the same way, Delaney starts putting the pieces together, even as he’s distracted by the serious illness of his wife. Soon, he’s faced with a cop’s dilemma: He knows who the killer is, but the person is untouchable. That’s when Delaney lays a trap to bring a monster to justice . . . “Breathtakingly exciting.” —Newsday The Second Deadly Sin: World-renowned artist Victor Maitland is dead—found in his Mott Street studio stabbed repeatedly in the back. With no clear leads or suspects, the NYPD calls Chief Edward Delaney out of retirement. Following a winding path of greed, deception, and fraud, Delaney uncovers a long line of suspects that includes Maitland’s wife, son, and mistress. When a second murder rocks Manhattan’s art world, Delaney moves closer to the truth about what kind of a man—or monster—Maitland really was. But which of the artist’s enemies was capable of killing him and leaving no trail? “Sanders is a pro!” —Los Angeles Times