Part of the Penguin Classics campaign celebrating 100 years of Albert Camus, 'A Sea Close By' reveals the writer as a sensual witness of landscapes, the sea and sailing. It is a light, summery day-dream. Accompanying 'The Sea Close By' is the essay 'Summer in Algiers', a lovesong to his Mediterranean childhood.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • An “extraordinary meditation on mortality, grief, death, childhood and memory" (USA Today) about a middle-aged Irishman who has gone back to the seaside to grieve the loss of his wife. In this luminous novel, John Banville introduces us to Max Morden, a middle-aged Irishman who has gone back to the seaside town where he spent his summer holidays as a child to cope with the recent loss of his wife. It is also a return to the place where he met the Graces, the well-heeled family with whom he experienced the strange suddenness of both love and death for the first time. What Max comes to understand about the past, and about its indelible effects on him, is at the center of this elegiac, gorgeously written novel—among the finest we have had from this masterful writer.

A bold new short story collection from one of the most exhilarating and innovative writers of our time. The stories in Leaving the Sea take place in a world which is a distortion of our own, where strange illnesses strike at random and where people disappear without a trace. Ben Marcus has created a labyrinth populated by disturbed, weary men; from the frustrated creative writing teacher to the advocate of self-inhumation; from Paul, whose return home leads him further into his isolation, or Mather, whose child is sick, to an unnamed narrator who spends his lonely evenings calculating the probabilities of his mother's imminent demise. Dark, funny and utterly unique, Leaving the Sea showcases a writer at the height of his powers.

How Japanese coastal residents and transnational conservationists collaborated to foster relationships between humans and sea life Drawing the Sea Near opens a new window to our understanding of transnational conservation by investigating projects in Okinawa shaped by a “conservation-near” approach—which draws on the senses, the body, and memory to collapse the distance between people and their surroundings and to foster collaboration and equity between coastal residents and transnational conservation organizations. This approach contrasts with the traditional Western “conservation-far” model premised on the separation of humans from the environment. Based on twenty months of participant observation and interviews, this richly detailed, engagingly written ethnography focuses on Okinawa’s coral reefs to explore an unusually inclusive, experiential, and socially just approach to conservation. In doing so, C. Anne Claus challenges orthodox assumptions about nature, wilderness, and the future of environmentalism within transnational organizations. She provides a compelling look at how transnational conservation organizations—in this case a field office of the World Wide Fund for Nature in Okinawa—negotiate institutional expectations for conservation with localized approaches to caring for ocean life. In pursuing how particular projects off the coast of Japan unfolded, Drawing the Sea Near illuminates the real challenges and possibilities of work within the multifaceted transnational structures of global conservation organizations. Uniquely, it focuses on the conservationists themselves: why and how has their approach to project work changed, and how have they themselves been transformed in the process?

Sea turtles have strong flippers to propel them through water. These shelled animals may migrate thousands of miles to lay eggs. Although they are not agile on shore, some can swim faster than 20 miles (32 kilometers) per hour! Many sea turtles live to be well over 30 years old. Beginning readers will learn a boat load of exciting information in this fun title on sea turtles.

American Indian Youth Literature Award: Middle Grade Honor Book! In this evocative and heartwarming novel for readers who loved The Thing About Jellyfish, the author of I Can Make This Promise tells the story of a Native American girl struggling to find her joy again. It’s been a hard year for Maisie Cannon, ever since she hurt her leg and could not keep up with her ballet training and auditions. Her blended family is loving and supportive, but Maisie knows that they just can’t understand how hopeless she feels. With everything she’s dealing with, Maisie is not excited for their family midwinter road trip along the coast, near the Makah community where her mother grew up. But soon, Maisie’s anxieties and dark moods start to hurt as much as the pain in her knee. How can she keep pretending to be strong when on the inside she feels as roiling and cold as the ocean? The Heartdrum imprint centers a wide range of intertribal voices, visions, and stories while welcoming all young readers, with an emphasis on the present and future of Indian Country and on the strength of young Native heroes. In partnership with We Need Diverse Books.

A luxuriously designed photographic meditation on the infinite permutations of the sea, from the author of the acclaimed photobooks The Heavens and The Meadow Since moving to New England in 1984, Barbara Bosworth (born 1953) has been photographing the sea and its awe-inspiring ability to transform sky, water and light. The sea evokes calm introspection, romance and poetry, while remaining a deeply unknowable and overpowering natural force, a contradiction that has drawn people to the shoreline for millennia. Before she discovered photography, and for as long as she can remember, Bosworth has been looking at the sea. Many hours were spent with her father watching the light move across Cape Cod Bay. Later in life, she walked those same beaches with the wonder that had been passed down by her father, as well as generations of writers, poets and artists. This book of Bosworth's photographs of the sea, made with an 8x10 camera, follows in the tradition of The Meadow and The Heavens, serving as the third and final volume in the series, keeping the same size and design elements as the previous two publications.