In a society in which only a fraction of the population was literate and numerate, being one of the few specialists in reading, writing and reckoning meant the possession of an invaluable asset. The fact that the Roman state heavily relied on these professional scribes in financial and legal administration led to their holding a unique position and status. By gathering and analysing the available source material on the Roman scribae, Benjamin Hartmann traces the history of Rome's public scribes from the early Republic to the Later Roman Empire. He tells the story of men of low social origin, who, by means of their specialised knowledge, found themselves at the heart of the Roman polity, in close proximity to the powerful and responsible for the written arcana of the state – a story of knowledge and power, corruption and contested social mobility.

In a society in which only a fraction of the population was literate and numerate, being one of the few specialists in reading, writing and reckoning meant the possession of an invaluable asset. The fact that the Roman state heavily relied on these professional scribes in financial and legal administration led to their holding a unique position and status. By gathering and analysing the available source material on the Roman scribae, Benjamin Hartmann traces the history of Rome's public scribes from the early Republic to the Later Roman Empire. He tells the story of men of low social origin, who, by means of their specialised knowledge, found themselves at the heart of the Roman polity, in close proximity to the powerful and responsible for the written arcana of the state - a story of knowledge and power, corruption and contested social mobility.

How social and political underdogs, yet literate professionals at the heart of the Roman state, exploited their expertise and influence.

A desperate quest begins in the port of Alexandria: site of the great lighthouse, the famous Library, and the tomb of Alexander the Great. Codes, riddles, anagrams and hieroglyphics lead the young detectives down the river Nile to pyramids and sphinxes, temples and tombs, crocodiles and hippos. But what lies at the end of the journey? Treasure? Or death?

Scribes are paradoxically both central and invisible in most societies before the typographic revolution of the 15th century, witnessed by every manuscript, but often elusive as historical figures. The act of writing is a quotidian and vernacular practice as well as a literary one, and must be observed not only in the outputs of literary copyists or reports of their activities, but in the documents of everyday life. This volume collects contributions on scribal practice as it features on diverse media (including papyri, tablets, and inscriptions) in a range of ancient societies, from the Ancient Near East and Dynastic Egypt through the Graeco-Roman world to Byzantium. These discussions of the role and place of scribes and scribal activity in pre-typographic cultures both contribute to a better understanding of one of the key drivers of these cultures, and illuminate the transmission of knowledge and traditions within and between them.

In this detailed overview of the history of the handmade book, Avrin looks at the development of scripts and styles of illumination, the making of manuscripts, and the technological processes involved in paper-making and book-binding. Readers will have a greater understanding of ancient books and texts with More than 300 plates and illustrations Examples of the different forms of writing from ancient times to the printing press Coverage of cultural and religious books Full bibliography Reference librarians and educators will find this resource indispensable.

What was a Roman book? How did it differ from modern books? How were Roman books composed, published and distributed during the high period of Roman literature that encompassed, among others, Virgil, Horace, Ovid, Martial, Pliny and Tacitus? What was the ‘scribal art’ of the time? What was the role of bookshops and libraries? The publishing of Roman books has often been misrepresented by false analogies with contemporary publishing. This wide-ranging study re-examines, by appeal to what Roman authors themselves tell us, both the raw material and the aesthetic criteria of the Roman book, and shows how slavery was the ‘enabling infrastructure’ of literature. Roman publishing is placed firmly in the context of a society where the spoken still ranked above the written, helping to explain how some books and authors became politically dangerous and how the Roman book could be both an elite cultural icon and a contributor to Rome’s popular culture through the mass medium of the theatre.