Cyrus demonstrates the prevalence of manuscript production by women monastics and challenges current assumptions of how manuscripts circulated in the late medieval period.

While there has been a great tradition of scholarship in medieval manuscripts, most studies have focused on the details of manuscript production by male copyists. In this study, Cynthia J. Cyrus demonstrates the prevalence of manuscript production by women monastics and challenges current assumptions of how manuscripts circulated in the late medieval period. Drawing on extensive research into the surviving manuscripts of over 450 women's convents, the author assesses the genres common to women's convent libraries emphasizing a social rather than a codicological understanding of how manuscripts of women's libraries came to be copied. An engaging mix of biography, women's history, and book history, The Scribes for Women's Convents in Late Medieval Germany will change the way medieval manuscripts are understood and studied.

This volume explores the extraordinary life and works of Hildegard of Bingen, medieval writer, composer, visionary, and monastic founder.

Manuscript cultures have frequently forgotten, neglected, or even erased women's contributions from memory. Women's agency has also been a glaring blind spot in the scholarly pursuit of gender perspectives on the production of written artefacts. This volume addresses these lacunae by highlighting manuscripts and inscriptions by and for women, their active participation and enabling sponsorship, and their role in the circulation and dissemination of written artefacts. Seven papers present case studies from East Asian inscriptions to ancient cuneiform epigraphic, Egyptian graffiti from late antiquity to individual specimen and large-scale collections in medieval Europe, focusing on how women participated in and contributed to those. How did they assert their involvement, their claims and their aspirations? By what rationales and mechanisms were they excluded or their contribution marginalised? How did they react to structures that discriminated against them, eventually circumventing, subverting and transforming them? The present volume sheds light on new findings, gives unique insights and discusses methodological considerations in the budding field of women's manuscript studies.

Tracing two thousand years of female leadership, influence, and participation, Elizabeth Gillan Muir examines the various positions women have filled in the church. From the earliest female apostle, and the little known stories of the two Marys - the Virgin Mary and Mary Magdalene - to the enlightened duties espoused by the nun, the abbess, and the anchorite, and the persecutions of female "witches," Muir uncovers the rich and often tumultuous relationship between women and Christianity. Offering broad coverage of both the Catholic and Protestant traditions and extending geographically well beyond North America, A Women's History of the Christian Church presents a chronological account of how women developed new sects and new churches, such as the Quakers and Christian Science. The book includes a timeline of women in Christian history, over 25 black-and-white illustrations, a glossary, and a list of primary and secondary sources to complement the content in each chapter.

A multi-disciplinary re-evaluation of the role of women religious in the Middle Ages, both inside and outside the cloister. Medieval women found diverse ways of expressing their religious aspirations: within the cloister as members of monastic and religious orders, within the world as vowesses, or between the two as anchorites. Via a range of disciplinary approaches, from history, archaeology, literature, and the visual arts, the essays in this volume challenge received scholarly narratives and re-examine the roles of women religious: their authority and agency within their own communities and the wider world; their learning and literacy; place in the landscape; and visual culture. Overall, they highlight the impact of women on the world around them, the significance of their presence in communities, and the experiences and legacies they left behind.

Pilgrim and Preacher seeks to understand the numerous pilgrimage writings of the Dominican Felix Fabri (1437/8-1502), not only as rich descriptions of the Holy Land, Egypt, and Palestine, but also as sources for the religious attitudes and social assumptions that went into their creation. Fabri, an Observant reformer and talented preacher, as well as a two-time Holy Land pilgrim, adapted his pilgrimage experiences for four different audiences. He produced the rhymed Swabian-German Pilgerbüchlein for those who sponsored his first voyage; the encyclopaedic Latin Evagatorium for his Dominican brethren; the vernacular Pilgerbuch for the noble patrons of his second voyage and their households; and finally, the vernacular Sionpilger-an 'imagined' or 'virtual' pilgrimage - for the nuns in his care, who were unable to make the real journey themselves. This study asks fundamental questions about the readership for such works, and then builds upon an analysis of Fabri's audiences to reassess the nature of piety, and the place both pilgrimage literature and Observant reform had in it, in late-medieval Germany. Pilgrim and Preacher is a study of reception, yet one that departs from traditional approaches to pilgrimage literature, which see pilgrimage writing merely as a body of texts to be classified according to genre or mined for colourful details about the Jerusalem journey. This work combines the insights of both literary theory and historical studies with an original, empirical contribution based on an analysis of the manuscripts and printed history of Fabri's writings, setting them in their historical and cultural contexts. Such an analysis allows us to understand better the working of the religious imagination amongst urban elites and women religious in the late middle ages. By charting the influences of the Observance Movement within the Dominican, Fabri's writings were intended for both his young novices (to make them more effective preachers) and for the religious women who could only go to Jerusalem via the imagination, Pilgrim and Preacher also makes an important contribution to the history of the Dominican Observance movement and the wider currents that flowed between it and the civic and religious feelings of the age.