Explicitly political, The Screens is set within the context of the Algerian War. The play's cast of over fifty characters moves through seventeen scenes, the world of the living breaching the world of the dead by means of shifting the screens--the only scenery--in a brilliant tour de force of spectacle and drama.

How teens navigate a networked world and how adults can support them. What are teens actually doing on their smartphones? Contrary to many adults’ assumptions, they are not simply “addicted” to their screens, oblivious to the afterlife of what they post, or missing out on personal connection. They are just trying to navigate a networked world. In Behind Their Screens, Emily Weinstein and Carrie James, Harvard researchers who are experts on teens and technology, explore the complexities that teens face in their digital lives, and suggest that many adult efforts to help—“Get off your phone!” “Just don’t sext!”—fall short. Weinstein and James warn against a single-minded focus by adults on “screen time.” Teens worry about dependence on their devices, but disconnecting means being out of the loop socially, with absence perceived as rudeness or even a failure to be there for a struggling friend. Drawing on a multiyear project that surveyed more than 3,500 teens, the authors explain that young people need empathy, not exasperated eye-rolling. Adults should understand the complicated nature of teens’ online life rather than issue commands, and they should normalize—let teens know that their challenges are shared by others—without minimizing or dismissing. Along the way, Weinstein and James describe different kinds of sexting and explain such phenomena as watermarking nudes, comparison quicksand, digital pacifiers, and collecting receipts. Behind Their Screens offers essential reading for any adult who cares about supporting teens in an online world.

'So funny' Noel Fielding 'Brilliantly funny' Shappi Khorsandi 'Hilarious' Tim Minchin 'Warm and funny' Frank Cottrell-Boyce Can you imagine a world with no screens? Don't miss the hilarious new 'what-if' adventure from bestselling author, comedian, and presenter Danny Wallace, with illustrations throughout from Gemma Correll. When ten-year-old Stella wakes up to discover a world full of BLANK screens, her family, town, and in fact the whole world seems to have been thrown into chaos. And what about poor Grandma who is stranded at the other end of the country? Cue a rollicking madcap road trip, full of driving disasters and family fallouts, as they set off on a rescue mission. And along the way Stella and her family discover that being away from screens might not be the WORST THING EVER, and even though they might not be able to rely on technology anymore, they can rely on each other instead. *DON’T MISS THE LUCKIEST KID IN THE WORLD – THE BRAND NEW COMEDY ADVENTURE FROM DANNY WALLACE. OUT NOW!* Other books by Danny Wallace: The Luckiest Kid in the World Hamish and the Worldstoppers Hamish and the Neverpeople Hamish and the Gravity Burp Hamish and the Baby Boom Hamish and the Terrible Terrible Christmas and Other Stories Hamish and the Monster Patrol

Hand-drawn floor plans and richly imagined architectural illustrations tell the story of television’s most memorable on-screen sets and scenes. Come explore where Lucy and Ethel baked a monstrous loaf of bread, where Phoebe performed “Smelly Cat,” where Jim and Pam fell in love, and countless other homes, offices, and towns as familiar to you as your own living room. Illustrator Iñaki Aliste Lizarralde has expertly rendered thirty-five of the most memorable television floor plans in modern history—puzzling together the layouts with an architect’s eye for detail and a director’s sense of storytelling. TV fans will delight in the interiors and exteriors from shows like Friends, Seinfeld, and The Simpsons, where characters and plotlines converge to create worlds so mesmerizing you want to binge-watch season after season. With immersive illustrations from shows across decades and countries, this truly unique art collection offers hilarious TV moments, Easter eggs, and behind-the-scenes trivia to test even the biggest superfans. GIFT OF AN IMMERSIVE EXPERIENCE: Here is a thorough deep dive and binge-worthy art collection for television superfans, cinephiles, fans of the Warner Brothers' studio tour, and anyone who likes to watch hours of TV at a time. A NEW WAY TO BINGE YOUR FAVORITE TV: Rediscover your love of the classics like I Love Lucy and Little House on the Prairie; revisit childhood favorites like The Brady Bunch and Sesame Street; or explore recent classics like The Office, Sex and the City, and Friends. HAND DRAWN, HIGHLY INTRICATE: Imagine living and working in your favorite fictional worlds—these floor plans are drawn as if they could exist in your neighborhood or town rather than on a soundstage. Created from memory and research by a trained architectural illustrator, each image gives you a sense of place in the context of the show’s world. INTERNATIONAL APPEAL: Throughout the book you’ll find fan favorite shows from the United States, Canada, and the United Kingdom. Shows like Kim’s Convenience, Schitt’s Creek, Killing Eve, and Sherlock appear alongside U.S. favorites like Seinfeld, Gilmore Girls, New Girl, and The Big Bang Theory. Perfect for: TV fans and cinephiles Pop culture enthusiasts Fans of Hollywood studio tours and interactive set re-creation experiences (like Friends or The Office) Gift for TV lovers who already have multiple streaming subscription services (like Netflix and HBO) Anyone interested in interior design

Media servers have established themselves as the dominant video playback tool for live events; however, the practice of delivering content to these systems and the structure of the media operations team is still evolving. This book outlines a workflow for video content delivery and describes team communication that can be applied to any entertainment production including: television specials, concert touring, corporate events, theater, as well as special events, film, large audience marketing events, and multi-screen permanent installations. This workflow is hardware and software independent, designed to evolve with future technologies as they become established in the field of multi-screen production, and has been proven professionally by the author and her peers over a decade of productions. The methodology presented will provide insights beneficial to students and current practitioners of media server technology, screens producers, and video content developers. Using real world examples of internationally recognized productions, a foundation is laid for best practices in Media Operations. Additional content, including full-color versions of the images inside the book, is available online.

How does the future look to us? Well, clearly we realize we now live in a world of screens, from the microcosmic universe of to smartphone . . . to the imposing vigil of the multiplex giants, looming over us in Imax and 3-D--more "real" than real--and to all the screens in between, from computers to iPads, to muted, high definition flat-screens pouring out images in homes, restaurants, banks, businesses, schools, doctors' offices, and hospitals, and on and on everywhere we turn. We cannot change this reality, so what these Christians, and so many like them are doing is trying to find ways to redeem what we put on these screens: what message we are sending out in word and image to the watching world. So, clearly, our task, whether we have been called to create or not, is to join these artists as "screen redeemers," assisting the Holy Spirit in reconciling the world to God (2 Cor 5:18-19) through helping the pervasively influential means of the media adjust its goals to the mission of Jesus Christ.

Frances C. Galt explores the role of trade unions and women’s activism in the British film and television industries in this important contribution to debates around gender inequality. The book traces the influence of the union for technicians and other behind-the-camera workers and examines the relationship between gender and class in the labour movement. Drawing on previously unseen archival material and oral history interviews with activists, it casts new light on women’s experiences of union participation and feminism over nine decades. As concerns about the gender pay gap, women’s rights and harassment continue, it assesses historical progress and points the way to further change in film and TV.