In this book, eleven scholars “take their stand” on the controversial issue of disease as it occurs in the context of the American South. Playing on the popular vision of the South as an ill region on several levels, the European and American contributors interpret various aspects of the regional “sickly” culture as not so much southern “problems”, but, rather, southern opportunities, or else, springboards to yet another of the South’s cultural revitalizations, “health”. As Thomas Ærvold Bjerre and Beata Zawadka note in their introduction, the so-called “Healthy South” has never been an easy topic for scholars dealing with the region. One reason for this is that researchers have been taught to approach so formulated a topic no further than to the point when it turns out it is a contradiction in terms, and, indeed, there is much in southern history and the present situation that justifies such an approach. This volume, however, comprises a collective effort of southernist historians, literature experts, and culture critics to transcend the “contradictory” concept of the “Healthy South,” and does so by reinventing the notion of the southern disease and, consequently, the role of the South as a “scourge” in American culture in terms of this culture’s bountiful gift.

The first book-length examination of the award-winning author of poetry and fiction firmly rooted in Appalachia Since his dramatic appearance on the southern literary stage with his debut novel, One Foot in Eden, Ron Rash has continued a prolific outpouring of award-winning poetry and fiction. His status as a regular on the New York Times Best Sellers list, coupled with his impressive critical acclaim—including two O. Henry Awards and the Frank O'Connor Award for Best International Short Fiction—attests to both his wide readership and his brilliance as a literary craftsman. In Summoning the Dead, editors Randall Wilhelm and Zackary Vernon have assembled the first book-length collection of scholarship on Ron Rash. The volume features the work of respected scholars in southern and Appalachian studies, providing a disparate but related constellation of interdisciplinary approaches to Rash's fiction, nonfiction, and poetry. The editors contend that Rash's work is increasingly relevant and important on regional, national, and global levels in part because of its popular and scholarly appeal and also its invaluable social critiques and celebrations, thus warranting academic attention. Wilhelm and Vernon argue that studying Rash is important because he encourages readers and critics alike to understand Appalachia in all its complexity and he consistently provides portrayals of the region that reveal both the beauty of its cultures and landscapes as well as the social and environmental pathologies that it continues to face. The landscapes, peoples, and cultures that emerge in Rash's work represent and respond to not only Appalachia or the South, but also to national and global cultures. Firmly rooted in the mountain South, Rash's artistic vision weaves the truths of the human condition and the perils of the human heart in a poetic language that speaks deeply to us all. Through these essays, offering a range of critical and theoretical approaches that examine important aspects of Rash's work, Wilhelm and Vernon create a foundation for the future of Rash studies. Robert Morgan, Kappa Alpha Professor of English at Cornell University and author of fourteen books of poetry and nine volumes of fiction including the New York Times bestselling novel Gap Creek, provides a foreword.

Drawing from recent debates about the validity of regional studies and skepticism surrounding the efficacy of the concept of authenticity, Clare Chadd’s Postregional Fictions focuses on questions of southern regional authenticity in fiction published by Barry Hannah from 1972 to 2001. The first monograph on the Mississippi author’s work to appear since his death, this study considers the ways in which Hannah’s novels and short stories challenge established conceptual understandings of the U.S. South. Hannah’s writing often features elements of metafiction, through which the putative sense of “southernness” his stories dramatize is complicated by an intense self-reflexivity about the extent to which a sense of place has never been foundational or essential but has always been constructed and performed. Such texts locate a productive terrain between the local and the global, with particular relevance for critical apprehensions of the post-South and postsouthern literature. Offering sustained close readings of selected stories, and focusing especially on Hannah’s late work, Chadd argues that his fiction reveals the region constantly shifting in a process of mythmaking, dialogue, and performance. In turn, she uses Hannah’s work to suggest how notions of the “South” and “southernness” might survive the various deconstructive approaches leveled against them in recent decades of southern studies scholarship. Rather than seeing an impasse between the regional and the global, Chadd’s reading of Hannah shows the two existing and flourishing in tandem. In Postregional Fictions, Chadd offers a new interpretation of Hannah based on an appreciation of the vital intersection of southern and postmodern elements in his work.

Between 1861 and 1865, approximately 200,000 women were widowed by the deaths of Civil War soldiers. They recorded their experiences in diaries, letters, scrapbooks, and pension applications. In Love and Duty, Angela Esco Elder draws on these materials—as well as songs, literary works, and material objects like mourning gowns—to explore white Confederate widows' stories, examining the records of their courtships, marriages, loves, and losses to understand their complicated relationship with the Confederate state. Elder shows how, in losing their husbands, many women acquired significant cultural capital, which positioned them as unlikely actors to gain political influence. Confederate officialdom championed a particular image of white widowhood—the young wife who selflessly transferred her monogamous love from her dead husband to the deathless cause for which he'd fought. But a closer look reveals that these women spent their new cultural capital with great shrewdness and variety. Not only were they aware of the social status gained in widowhood; they also used that status on their own terms, turning mourning into a highly politicized act amid the battle to establish the Confederacy's legitimacy. Death forced all Confederate widows to reconstruct their lives, but only some would choose to play a role in reconstructing the nation.

Exploring the pedagogical power of the monstrous, this collection of new essays describes innovative teaching strategies that use our cultural fascination with monsters to enhance learning in high school and college courses. The contributors discuss the implications of inviting fearsome creatures into the classroom, showing how they work to create compelling narratives and provide students a framework for analyzing history, culture, and everyday life. Essays explore ways of using the monstrous to teach literature, film, philosophy, theater, art history, religion, foreign language, and other subjects. Some sample syllabi, assignments, and class materials are provided.