This new edition of Michael Fry's remarkable book charts the involvement of the Scots in the British empire from its earliest days to the end of the twentieth century. It is a tale of dramatic extremes and craggy characters and of a huge range of concerns - from education, evangelism and philanthropy to spying, swindling and drug running. Stories of Scottish regiments on the rampage, cannibalism and other atrocities are contrasted with the deeds of heroic pioneers such as David Livingstone and Mary Slessor. Above all it tells how the British empire came to be dominated and run by the Scots, and how it truly became a Scottish empire. As the empire transformed Scotland beyond recognition, so was the Empire shaped by the Scots - a remarkable achievement from the population of so small a country, which was itself neither nation nor fully province, neither fully colonizer nor fully colonized. Michael Fry's energetic and colourful account is one of the classics of modern Scottish history.

[This book] tells the ... story of Scotland's role in forging and expanding the Briutish Empire, from the Americas to Australia, India to the Caribbean. By 1820 Britain controlled a fifth of the world's population, and no people had made a more essential contribution than the Scots - working across the globe as soldiers and merchants, administrators and clerics, doctors and teachers. ... Devine traces the vital part Scotland played in creating an empire - and the fundamental effect this had in moulding the modern Scottish nation."--Back cover.

Examines the key roles of Scots in central aspects of the Atlantic and imperial economies from the eighteenth to the twentieth centuries, and demonstrates that an understanding of the relationship between Scotland and the British Empire is vital both for the understanding of the histories of that country and of many territories of the Empire.

The Scots had an enormous impact on the global development of the British Empire as emigrants, soldiers, merchants and colonial administrators. This book explores in depth many key themes including the slave trade, the Scots on the colonial frontier, Highland soldiers and more.

The Battle of Culloden has gone down in history as the last major battle fought on British soil: a vicious confrontation between Scottish forces supporting the Stuart claim to the throne and the English Royal Army. But this wasn't just a conflict between the Scots and the English, the battle was also part of a much larger campaign to protect the British Isles from the growing threat of a French invasion. In Trevor Royle's vivid and evocative narrative, we are drawn into the ranks, on both sides, alongside doomed Jacobites fighting fellow Scots dressed in the red coats of the Duke of Cumberland's Royal Army. And we meet the Duke himself, a skilled warrior who would gain notoriety due to the reprisals on Highland clans in the battle's aftermath. Royle also takes us beyond the battle as the men of the Royal Army, galvanized by its success at Culloden, expand dramatically and start to fight campaigns overseas in America and India in order to secure British interests; we see the revolutionary use of fighting techniques first implemented at Culloden; and the creation of professional fighting forces. Culloden changed the course of British history by ending all hope of the Stuarts reclaiming the throne, cementing Hanoverian rule and forming the bedrock for the creation of the British Empire. Royle's lively and provocative history looks afresh at the period and unveils its true significance, not only as the end of a struggle for the throne but the beginning of a new global power.

Scotland, Britain, Empire takes on a cliché that permeates writing from and about the literature of the Scottish Highlands. Popular and influential in its time, this literature fell into disrepute for circulating a distorted and deforming myth that aided in Scotland's marginalization by consigning Scottish culture into the past while drawing a mist over harsher realities. Kenneth McNeil invokes recent work in postcolonial studies to show how British writers of the Romantic period were actually shaping a more complex national and imperial consciousness. He discusses canonical works--the works of James Macpherson and Sir Walter Scott--and noncanonical and nonliterary works--particularly in the fields of historiography, anthropology, and sociology. This book calls for a rethinking of the "romanticization" of the Highlands and shows that Scottish writing on the Highlands reflects the unique circumstances of a culture simultaneously feeling the weight of imperial "anglobalization" while playing a vital role in its inception. While writers from both sides of the Highland line looked to the traditions, language, and landscape of the Highlands to define their national character, the Highlands were deemed the space of the primitive--like other spaces around the globe brought under imperial sway. But this concern with the value and fate of indigenousness was in fact a turn to the modern.

Drawing upon the experiences of Scottish and Irish Catholics in Nova Scotia, Cape Breton Island, Newfoundland, and Trinidad, Empire and Emancipation sheds important new light on the complex relationship between Catholicism and the British Empire.