Ava isn't ready to leave her home in Oz -- especially not to become a witch. Then the worst thing that could possibly happen occurs -- Ava's magic does very wrong and she is banished to a school for wicked witches. Perfect for fans of WICKED, WITCHLINGS, and THE SCHOOL FOR GOOD AND EVIL! In Oz, most girls and boys with magical powers are sent from the north, south, east, and west to renowned witch academies, where they are elevated and taught all the finer ways to be a responsible witch. But if you misbehave? Or are thought to harbor darker magic? You're sent to the equivalent of witch reform school -- The School for Wicked Witches. ONLY! Once you get there, you find that the witches running it are so powerful that they've managed to trick the rest of the outside world. Yes, it looks to outside like they are taming the wickedness out of the witches... but in truth, the school is run by wicked witches (who, incidentally, don't see themselves as wicked at all... although some of them really are.) Ava Heartstraw has never even considered being wicked. But when she goes to take her entrance test for a witch academy, she doesn't get the reaction she's expecting -- and is the first kid in memory from the west to be sent to the School for Wicked Witches.

An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters

THE SCHOOL FOR GOOD AND EVIL is now a major motion picture from Netflix, starring Academy Award winner Charlize Theron, Kerry Washington, Laurence Fishburne, Michelle Yeoh, Cate Blanchett, and many more! A dark and enchanting fantasy adventure for those who prefer fairytales with a twist. The first in the bestselling series.

Rulisa doesn’t want to be a good witch. She wants to be a bad witch. But after her second expulsion from a powerful magical school, Rulisa’s father sends her packing off to White Magic Academy. Not only is this school a laughstock in the witch community, her goody-goody-two-shoes death-enemy is thriving there. When you add visits from her con artist father, an assigned friend who won’t leave her alone, and the minor matter of assassins from Black Magic Academy, things are looking annoying. And why, why, why does her death-enemy keep trying to be her friend?

Sometimes the only way to get justice is to make it for yourself. Many modern witches believe that you should only use magic to bring positive energy into the world, and most spell books teach you those types of spells. This spell book is different. This spell book is wicked. There are times when you will be hurt by someone you loved, betrayed by someone you trusted, maligned by someone you thought was your friend. Times when the magic of light and love just will not do. Thalia Thorne is an experienced witch and falls firmly into the camp that knows that there is no such thing as "white magic" or "black magic". Magic is what you turn to when mundane methods have failed or just won't work. If you're not pushing back against those who would walk all over you, then you're just going to end up being a doormat. This spell book will teach you how to make your own justice and stand up for yourself. For example, you'll find: Agony of Acne Curse - to give someone a pimple Sour Break Up Spell - to end a relationship Banish Your Ex Hex - to drive them away forever Business Butcher Curse - to destroy a business Liar's Lamentation - to find out who has been spreading lies And over 50 other spells that use simple ingredients and provide step-by-step directions that a beginner can follow. The next time someone wrongs you, will you turn the other cheek? Or will you be wicked?

The big day is finally here. Bay and Landon's wedding day has arrived. Unfortunately, a tragedy stands in the way of their happily ever after, and it comes in the form of reports of an armed gunman at the local high school. Bay, ghosts at her side, braves the scene to save the kids ... and uncovers something horrific. She. The boy with the gun says he needs to find her. The teacher in the room with him says the same thing before taking his own life. There's a magical being in Hemlock Cove, and she's wielding a great deal of power as she forces people to kill in her name. Bay refuses to back down, convinced that the magical explosion they can't get under control at Hollow Creek is partially to blame. The problem is so big, another witch needs to be tapped to help them solve it. Scout Randall, part of the Spells Angels group in Hawthorne Hollow, is more than happy to lend her services. She owes the Winchesters a favor after all. She simply might not be enough. Bay and Landon have been through more than any couple should have to survive ... and they're not done. Here comes the wedding ... and Clove's baby ... and the worst enemy they've ever fought. The Winchesters are strongest together, and this time they're going to prove that there's no keeping a good witch down. I do? It's coming, because nothing can stop these witches when love and family are on the line.

The New York Times bestseller and basis for the Tony-winning hit musical, soon to be a major motion picture starring Cynthia Erivo and Ariana Grande With millions of copies in print around the world, Gregory Maguire’s Wicked is established not only as a commentary on our time but as a novel to revisit for years to come. Wicked relishes the inspired inventions of L. Frank Baum’s 1900 novel, The Wonderful Wizard of Oz, while playing sleight of hand with our collective memories of the 1939 MGM film starring Margaret Hamilton (and Judy Garland). In this fast-paced, fantastically real, and supremely entertaining novel, Maguire has populated the largely unknown world of Oz with the power of his own imagination. Years before Dorothy and her dog crash-land, another little girl makes her presence known in Oz. This girl, Elphaba, is born with emerald-green skin—no easy burden in a land as mean and poor as Oz, where superstition and magic are not strong enough to explain or overcome the natural disasters of flood and famine. Still, Elphaba is smart, and by the time she enters Shiz University, she becomes a member of a charmed circle of Oz’s most promising young citizens. But Elphaba’s Oz is no utopia. The Wizard’s secret police are everywhere. Animals—those creatures with voices, souls, and minds—are threatened with exile. Young Elphaba, green and wild and misunderstood, is determined to protect the Animals—even if it means combating the mysterious Wizard, even if it means risking her single chance at romance. Ever wiser in guilt and sorrow, she can find herself grateful when the world declares her a witch. And she can even make herself glad for that young girl from Kansas. Recognized as an iconoclastic tour de force on its initial publication, the novel has inspired the blockbuster musical of the same name—one of the longest-running plays in Broadway history. Popular, indeed. But while the novel’s distant cousins hail from the traditions of magical realism, mythopoeic fantasy, and sprawling nineteenth-century sagas of moral urgency, Maguire’s Wicked is as unique as its green-skinned witch.