Arriving on the almost impossibly ancient planet of Hyspero, a world where magic and danger walk hand in hand, Doctor Who and Sam are caught up in a bizarre struggle for survival.

From ancient Egypt to the Tudors to the Nazis, the film industry has often defined how we think of the past. But how much of what you see on the screen is true? And does it really matter if filmmakers just make it all up? Picking her way through Hollywood's version of events, acclaimed historian Alex von Tunzelmann sorts the fact from the fiction. Along the way, we meet all our favourite historical characters, on screen and in real life: from Cleopatra to Elizabeth I, from Spartacus to Abraham Lincoln, and from Attila the Hun to Nelson Mandela. Based on the long-running column in the Guardian, Reel History takes a comic look at the history of the world as told through the movies - the good, the bad, and the very, very ugly.

This work examines the way in which the unique partnership of director (Sternberg), star (Marlene Dietrich), studio (Paramount), and designer (Travis Banton) created a series of films in which costume functions as a sign to structure each film's narrative and thematic design. Illustrated.

A reissue of a significant and hard-to-find text in film studies with a new introduction and three additional essays included.

Belligerent and evasive, Josef von Sternberg chose to ignore his illegitimate birth in Austria, deprived New York childhood, abusive father, and lack of education. The director who strutted onto the set in a turban, riding breeches, or a silk robe embraced his new persona as a world traveller, collected modern art, drove a Rolls Royce, and earned three times as much as the president. Von Sternberg traces the choices that carried the unique director from poverty in Vienna to power in Hollywood, including his eventual ostracism in Japan. Historian John Baxter reveals an artist few people knew: the aesthete who transformed Marlene Dietrich into an international star whose ambivalent sexuality and contradictory allure on-screen reflected an off-screen romance with the director. In his classic films The Blue Angel (1930), Morocco (1930), and Blonde Venus (1932), von Sternberg showcased his trademark visual style and revolutionary representations of sexuality. Drawing on firsthand conversations with von Sternberg and his son, Von Sternberg breaks past the classic Hollywood caricature to demystify and humanize this legendary director.

“Sharp and seductive…a fantasy with teeth.” —Julie C. Dao, author of Forest of a Thousand Lanterns on The Keeper of Night In this riveting sequel to The Keeper of Night, a half Reaper, half Shinigami soul collector must defend her title as Japan’s Death Goddess from those who would see her—and all of Japan—destroyed. Death is her dynasty. Ren Scarborough is no longer the girl who was chased out of England—she is the Goddess of Death ruling Japan’s underworld. But Reapers have recently been spotted in Japan, and it’s only a matter of time before Ivy, now Britain’s Death Goddess, comes to claim her revenge. Ren’s last hope is to appeal to the god of storms and seas, who can turn the tides to send Ivy’s ship away from Japan’s shores. But he’ll only help Ren if she finds a sword lost thousands of years ago—an impossible demand. Together with the moon god Tsukuyomi, Ren ventures across the country in a race against time. As her journey thrusts her in the middle of scheming gods and dangerous Yokai demons, Ren will have to learn who she can truly trust—and the fate of Japan hangs in the balance. Read the entire Keeper of Night duology! The Keeper of Night The Empress of Time