REESE'S BOOK CLUB PICK | An instant New York Times bestseller! A page-turning thriller from the author of The Retreat. “An eerie, atmospheric novel that had me completely on the edge of my seat.” —Reese Witherspoon “This spine-tingling, atmospheric thriller has it all… and twists you’ll never see coming.” —Richard Osman, New York Times bestselling author of The Thursday Murder Club You won't want to leave. . . until you can't. Half-hidden by forest and overshadowed by threatening peaks, Le Sommet has always been a sinister place. Long plagued by troubling rumors, the former abandoned sanatorium has since been renovated into a five-star minimalist hotel. An imposing, isolated getaway spot high up in the Swiss Alps is the last place Elin Warner wants to be. But Elin's taken time off from her job as a detective, so when her estranged brother, Isaac, and his fiancée, Laure, invite her to celebrate their engagement at the hotel, Elin really has no reason not to accept. Arriving in the midst of a threatening storm, Elin immediately feels on edge--there's something about the hotel that makes her nervous. And when they wake the following morning to discover Laure is missing, Elin must trust her instincts if they hope to find her. With the storm closing off all access to the hotel, the longer Laure stays missing, the more the remaining guests start to panic. Elin is under pressure to find Laure, but no one has realized yet that another woman has gone missing. And she's the only one who could have warned them just how much danger they are all in. . .

'The Sanatorium will keep you checking over your shoulder. This spine-tingling, atmospheric thriller has it all: an eerie Alpine setting, sharp prose, and twists you'll never see coming. A must-read.' Richard Osman 'An eerie, atmospheric novel that had me completely on the edge of my seat.' Reese Witherspoon YOU WON'T WANT TO LEAVE... UNTIL YOU CAN'T. *WATERSTONES THRILLER OF THE MONTH* *ONE MILLION COPIES SOLD* *THE NO.1 SUNDAY TIMES BESTSELLER* *A REESE WITHERSPOON BOOKCLUB PICK* *CRIME BOOK OF THE YEAR AT THE 2022 FINGERPRINT AWARDS* *COLD AS ICE AWARD WINNER AT 2022 DEAD GOOD READERS AWARDS* A beautiful, eerie hotel in the Swiss Alps, recently converted from an abandoned sanatorium, is the last place Detective Elin Warner wants to be. But her estranged brother has invited her there for his engagement party, and she feels she has no choice but to accept. Arriving in the midst of a threatening storm, Elin immediately feels on edge. And things only get worse when they wake the next morning to find her brother's fiancée is missing. With access to the hotel cut off, the guests begin to panic. But this is only the first disappearance. Everyone's in danger - and anyone could be next . . . ____________________ 'The Sanatorium is an absolutely splendid Gothic thriller.' A. J. Finn 'One of the best books of 2021 [...] guaranteed to give you goosebumps.' Woman & Home 'I absolutely loved The Sanatorium - it gave me all the wintry thrills and chills.' Lucy Foley 'A menacing, creepy debut [...] echoes of Hitchcock and du Maurier.' Daily Mail 'A chillingly vivid thriller in a fantastic setting.' T. M. Logan Readers love The Sanatorium: ***** 'Thrilling, chilling - a tingles down my spine type of read.' ***** 'Imagine a universe where Agatha Christie and Stephen King collaborated on a book.' ***** 'Sarah Pearse wastes no time in ramping up the tension and is clearly destined to be a master of this genre.' Don't miss The Retreat, the addictive new thriller from the global bestselling author of The Sanatorium.

The Butchery is composed of the little moments that make and break a relationship: lively dancing, silent strolls hand in hand, stilted phone calls, tearful pillow talk. Rendered with delicate colored pencils and an elegant use of white space, this story achieves an emotional clarity through its skillful brevity. At turns tender, agonizing, and darkly humorous, The Butchery is painfully relatable to anyone who has loved and lost.

Rare and vintage photographs depict the interesting and tragic history of the Essex Mountain Sanatorium. Founded in 1907 amidst protests and a burgeoning suffrage movement, Essex Mountain Sanatorium was the result of two Montclair, New Jersey, women who successfully lobbied local government to establish a tuberculosis sanatorium in a then vacant cottage for wayward girls. From these humble beginnings, the hospital grew to become one of the finest treatment centers in the nation, expanding into a complex of 20 buildings that encompassed nearly 300 acres. Ironically, medical advances pioneered at places such as the sanatorium and the advent of antitubercular drugs in the years following World War II led to decreasing patient enrollment, which made such large facilities unnecessary. When it was eventually abandoned in the early 1980s, the hospital began its second act as a haven for urban explorers, vandals, and arsonists, becoming shrouded in mystery and the source of local legends and myths. After suffering years of neglect and abuse, the main complex would finally fall to wreckers in 1993, ending an important era in county, state, and national history.

Part literary history and part medical sociology, Gilman’s book chronicles the careers of three major immigrant Yiddish poets of the twentieth century—Solomon Bloomgarten (Yehoash), Sholem Shtern, and H. Leivick—all of whom lived through, and wrote movingly of, their experience as patients in a tuberculosis sanatorium. Gilman addresses both the formative influence of the sanatorium on the writers’ work and the culture of an institution in which, before the days of antibiotics, writing was encouraged as a form of therapy. He argues that each writer produced a significant body of work during his recovery, itself an experience that profoundly influenced the course of his subsequent literary career. Seeking to recover the “imaginary” of the sanatorium as a scene of writing by doctors and patients, Gilman explores the historical connection between tuberculosis treatment and the written word. Through a close analysis of Yiddish poems, and translations of these writers, Gilman sheds light on how essential writing and literature were to the sanatorium experience. All three poets wrote under the shadow of death. Their works are distinctive, but their most urgent concerns are shared: strangers in a strange land, suffering, displacement, acculturation, and, inevitably, what it means to be a Jew.

A fascinating photographic study of the previously overlooked Soviet Sanatoriums and their treatments - stunning eastern bloc architecture meets crude-oil baths and radon water douches. Visiting a Soviet sanatorium is like stepping back in time. Originally conceived in the 1920s, they afforded workers a place to holiday, courtesy of a state-funded voucher system. At their peak they were visited by millions of citizens across the USSR every year. A combination of medical institution and spa, the era's sanatoriums are among the most innovative buildings of their time. Although aesthetically diverse, Soviet utopian values permeated every aspect: western holidays were perceived as decadent. By contrast, sanatorium breaks were intended to edify and strengthen visitors - health professionals carefully monitored guests throughout their stay, so they could return to work with renewed vigour. Certain sanatoriums became known for their specialist treatments, such as crude oil baths, radon water douches and stints in underground salt caves. While today some sanatoriums are in critical states of decline, many are still fully operational and continue to offer their Soviet-era treatments to visitors. Using specially commissioned photographs by leading photographers of the post-Soviet territories, and texts by sanatorium expert Maryam Omidi, this book documents over forty-five sanatoriums and their unconventional treatments. From Armenia to Uzbekistan, it represents the most comprehensive survey to date of this fascinating and previously overlooked Soviet institution.