"The Sandman was a groundbreaking and award-winning series that told the dark and tragic tale of Morpheus, the King of Dreams. A fascinating mythology of horror and consequence, this epic masterfully combined intriguing literature with captivating art. The Sandman Companion is an exhaustive guide to this legend. Revealing hitherto undisclosed information and behind-the-scenes secrets, this book features in-depth interviews, never-before-seen illustrations, character origins, and story explanations and analysis. Also including excerpts from the original proposal for the series, this handbook is the perfect complement to the Sandman graphic novels."--Publisher description.

Written by Joe Simon & Jack Kirby Art and cover by Joe Simon & Jack Kirby At last, the classic 1940s Super Hero series by Joe Simon and Jack Kirby is collected from the pages of WORLD'S FINEST COMICS #6-7, ADVENTURE COMICS #72-97, #100-102 (1942-1946) and SANDMAN #1, the comic that reunited Simon & Kirby in 1974! In the capable hands of Simon and Kirby, the Sandman left behind his trademark green suit, fedora and gas mask to become a brightly costumed adventurer on the trail of crime in the big city with the help of his sidekick, Sandy the Golden Boy. With a strong element of the fantastic in the form of haunted dreams and foes claiming to be figures of myth, these stories were perfect examples of the fast-paced, slam-bang adventures that made Simon & Kirby the most celebrated comics talents of the 1940s. Advance-solicited; on sale August 12 - 304 pg, FC, $39.99 US

Neil Gaiman’s critically-acclaimed adult fairy tale makes the leap from novel to screen in this spectacular new movie starring Claire Danes, Michelle Pfeiffer, Robert De Niro, Rupert Everett, Peter O’Toole, Sienna Miller and Ricky Gervais. Tristran Thorn vows to retrieve a fallen star and deliver it to his beloved. His quest leads over an ancient wall, into a magical realm strange beyond imagining… This stunning hardcover volume follows the storyline of the movie, with commentary & interviews with the starry cast and the crew, enchanting color photos, and beautiful, fully painted production art, the full magical screenplay and an exclusive introduction by Neil Gaiman.

Since the graphic novel rose to prominence half a century ago, it has become one of the fastest growing literary/artistic genres, generating interest from readers globally. The Cambridge Companion to the Graphic Novel examines the evolution of comic books into graphic novels and the distinct development of this art form both in America and around the world. This Companion also explores the diverse subgenres often associated with it, such as journalism, fiction, historical fiction, autobiography, biography, science fiction and fantasy. Leading scholars offer insights into graphic novel adaptations of prose works and the adaptation of graphic novels to films; analyses of outstanding graphic novels, like Maus and The Walking Man; an overview which distinguishes the international graphic novel from its American counterpart; and analyses of how the form works and what it teaches, making this book a key resource for scholars, graduate students and undergraduate students alike.

This collection of new essays looks carefully at the broad spectrum of Neil Gaiman's work and how he interacts with feminism. Sixteen diverse essays from Gaiman scholars examine highlights from Gaiman's graphic novels, short stories, novels, poems and screenplays, and confront the difficult issues he raises, including femininity, the male gaze, issues of age discrimination, rape, and feminine agency. Altogether the essays probe the difficult and complex representation of women and issues of femininity in the worlds of Neil Gaiman.

This book explores the important role of the graphic novel in reflecting American society and in the shaping of the American imagination. It guides readers through the theoretical text-image scholarship to explain the meaning of the complex borderlines between graphic novels, comics, newspaper strips, caricature, literature, and art.

The Gothic and the Carnivalesque in American Culture Offers an overview and critique of the development of Gothic studies as a field. This provides a short history of the field. Introduces the idea that the way we read Gothic texts is often different to how we might read ‘literature’. This offers a new way of understanding texts that are not wholly ‘serious’ in their representations, and is widely applicable to a number of genre productions. Provides analysis of popular and cult authors, shows and publications that are underdescribed in most discussions of the American Gothic; including H.P. Lovecraft and Weird Tales, Ray Bradbury, EC Comics, Creepy, Eerie and Vampirella magazines, TV shows such as Thriller and Night Gallery, Stephen King, Anne Rice, Poppy Z. Brite and Neil Gaiman’s Sandman.