Life in the well-manicured London locale of Hexam Place is not as placid and orderly as it appears. Behind the tranquil gardens and polished entryways, relationships between servants and their employers are set to combust. Henry, the handsome valet to Lord Studley, is sleeping with both the Lord's wife and his university-age daughter. Montserrate, the Still family's lazy au pair, is helping to hide Mrs. Still's illicit affair with a television actor--for a small fee. June, the haughty housekeeper to a princess of dubious origin, is hard at work forming a "society" for servants to address complaints about their employers. Meanwhile, a disturbed gardener, Dex, believes a voice in his cellphone is giving him godlike instructions--that could endanger the lives of all who reside in Hexam Place. A deeply observed and suspenseful update to the upstairs/downstairs genre, The St. Zita Society is Ruth Rendell at her incisive best.

When bones are discovered in a tin box inside the tunnel a group of long-time friends played in as children, they reunite to recall their adventures in the tunnel for the detective investigating the case.

Originally published in hardcover in 2012 by Scribner.

Stephen Whalby loves to walk the moor. He considers it his, although he and his young wife Lyn are merely tenants in a flat nearby. But the senseless and frightening murder of a young woman invades Stephen's sense of privacy and pollutes his beloved moor with suspicion and dread. And then a second murder captures his imagination in an unpredictable and fascinating way . . .

INCLUDES AN EXCERPT OF RENDELL'S FINAL NOVEL, DARK CORNERS Is it dangerous to know too much about your neighbors? When Stuart Font throws a housewarming party, he invites all the residents of his new building--among them, three flippant young girls, a lonely spinster, a man with a passion for classical history, and a woman determined to drink herself to death. He definitely does not want his girlfriend, Claudia, in attendance, as he would also have to invite her lawyer husband. But careful planning can only get a person so far. As it turns out, this party will be one everyone remembers. Meanwhile, living in a town house opposite Stuart's building, in reclusive isolation, is a young, beautiful Asian woman known as Tigerlily. As though from some strange urban fairy tale, she emerges infrequently to exert a terrible spell. In Tigerlily's Orchids, Ruth Rendell has written a darkly humorous and psychologically thrilling novel about the eccentric inhabitants of a London terrace--about the secrets they keep, and what they will do to hide them.

A lonely man stumbles into a dangerous game in this twisting novel of psychological suspense by the New York Times–bestselling author of The Crocodile Bird. In a desolate alley on the bank of the Thames, a spy slips through the shadows. Mungo is the Director General of English intelligence, and he knows Moscow Centre has been watching him for weeks, but there is no spy in London better at losing a tail. Satisfied he hasn’t been followed, he drops off his message and disappears into the night. It’s a classic scene of Cold War espionage, save for one detail: Mungo isn’t a spy at all. He’s a teenager, playing an epic game of make-believe. John Creevey, still reeling from the implosion of his marriage, is dreaming of taking revenge against his wife’s lover when he discovers one of Mungo’s coded signals. Unaware that the message is simply part of a child’s game, he becomes obsessed with uncovering the rest of the spy network—a tragic misunderstanding that threatens to turn this imaginary war into something very real—and very deadly. “Rendell has brilliantly interwoven these compelling strands into one masterful tale of suspense,” writes Library Journal. Three-time Edgar Award winner Ruth Rendell was a master of psychological suspense, and Talking to Strange Men is one of the most unusual espionage stories in the history of the Cold War.

“A spectacularly creepy and macabre tale” (Entertainment Weekly) of blackmail, murders both accidental and opportunistic, and of one life’s fateful unraveling—from Ruth Rendell, “one of the most remarkable novelists of her generation” (People), writing at her most mesmerizing. Rendell completed Dark Corners shortly before her death in 2015. When his father dies, Carl Martin inherits a house in an increasingly rich and trendy London neighborhood. Cash poor, Carl rents the upstairs room and kitchen to the first person he interviews, Dermot McKinnon. That is mistake number one. Mistake number two is keeping the bizarre collection of homeopathic and alternative “cures” that his father left in the medicine cabinet, including a stash of controversial diet pills. Mistake number three is selling fifty of those diet pills to a friend, who is then found dead. Dermot seizes a nefarious opportunity and begins to blackmail Carl, refusing to pay rent, and creepily invading Carl’s space. Ingeniously weaving together two storylines that finally merge in a shocking turn, Ruth Rendell describes one man’s spiral into darkness—and murder—as he falls victim to a diabolical foe he cannot escape. This is brilliant psychological suspense that gets under your skin. As Stephen King says, “No one surpasses Ruth Rendell when it comes to stories of obsession, instability, and malignant coincidence.” Dark Corners, her last book, “ranks among her best” (The Washington Post).