In an age of e-books and screens, it may seem antiquated to create a handwritten, illuminated Bible. The Benedictine monks at Saint John's Abbey and University, however, determined to produce such a Bible for the twenty-first century, a Bible that would use traditional methods and materials while engaging contemporary questions and concerns. In an age that largely overlooks the physical form of books, The Saint John's Bible foregrounds the importance of a book's tactile and visual qualities. This collection considers how The Saint John's Bible fits within the history of the Bible as a book, and how its haptic qualities may be particularly important in a digital age. Contributors: David Lyle Jeffrey Matthew Moser Jonathan Juilfs Sue Sorensen Paul Anderson Gretchen Batcheller Jane Kelley Rodeheffer

Illuminating Justice explores the call to social ethics in The Saint John’s Bible, the first major handwritten and hand-illuminated Christian Bible since the invention of the printing press. Situating his close analysis of The Saint John’s Bible’s illuminations in the context of contemporary biblical exegesis and Catholic teaching, Homrighausen shows how this project stimulates the ethical imagination of its readers and viewers on matters of justice for women, care for creation, and dialogue between Jews and Christians. Written for scholars, pastors, teachers, and any fan of The Saint John’s Bible, this book shows how beauty and justice intertwine in this wondrous illuminated Bible for the new millennium.

From the time that pages of The Saint John's Bible began touring in major exhibitions nearly a decade ago, people have been moved, captivated, and inspired by this stunning work of modern sacred art. But they often have questions about the illuminations that are scattered throughout the Bible, especially as they first become familiar with it. Why was a certain Scripture passage chosen for illumination rather than another? What materials and source imagery are behind the illuminations? The Art of The Saint John's Bible provides answers to these important questions and many others. Initially published in a series of three volumes, each book has now been revised by the author and included together in this helpful single volume. SinceThe Saint John's Bible is now complete, Susan Sink makes connections between recurring images and motifs throughout the work and reflects on the images with a view to the whole. Her book promises to intensify and expand the experience of all who come in contact with The Saint John's Bible.

The story of the creation of The Saint Johns Biblethe first commissioned, handwritten Bible in five hundred years and the first Bible of this magnitude written in English using a contemporary translationhas been told elsewhere. In Word and Image, Fr. Michael Patella focuses not on how it was made but on how, now that it is finished, it can be read, viewed, and interpreted. Patella considers the centuries-long tradition of illuminated Bibles and also the fascinating ways this Bible reflects third-millennium concerns. He seeks to rekindle interest in sacred art by allowing The Saint John's Bible to teach its readers and viewers how to work with text and image. As an accomplished Scripture scholar, a monk of the abbey that commissioned the Bible, and the chair of the Committee on Illumination and Text that provided the vision to the artists who created it, Patella may be the only one who could write this book with such insight, expertise, and love.

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.