The first two volumes of the Saga were first published in a Mumbai newspaper in 1987-1988 and 1992, when they proved to be very popular. They were then published in book form in India and reprinted several times. This book is the first presentation of the Saga in the West.

The Saga of the Aryan Race is a historical epic about the origins of the Aryan people. The Saga chronicles the ancient Indo-Europeans of twenty thousand years ago, who proudly called themselves the Aryans - the Noble Ones. They were the first worshippers of Ahura Mazda, the name of God in the ancient Aryan tongue of Avestan. The Saga is a work of historical fiction based on Zoroastrian scriptures. Volumes I and II speak of the early days of the Aryans in the ancestral homeland Airyane Vaejahi, the seedland of the Aryans, and the great migrations to Iran, land of the Aryans. Volumes III, IV and V carry on with the childhood and youth of the first Aryan prophet, Asho Zarathustra, his revelations from the Creator Ahura Mazda and his divine mission to rejuvenate the ancient religion in Iran. Ancient Avestan words and concepts from sacred texts such as the Gathas, Vendidad, and Yashts, are woven into the story in a way that makes these lofty ideals easy to understand. This is a wonderful legend from the time of the Aryan ancestors that is little known in the Western world. The author, Porus Homi Havewala, born in India, is descended from the Aryan forefathers who settled in Iran. A group of Aryans, known as Parsi Zoroastrians, migrated to India after the Arab conquest of Iran in order to preserve their ancient Aryan religion. The aim of the author in writing this book is to inspire his fellow Aryan Zoroastrians, especially the young, with faith and righteous pride in their religion, like their Aryan ancestors in ancient times, as well as to educate others about the remarkable history and beliefs of the Aryan peoples.

How is it that in America the image of Jesus Christ has been used both to justify the atrocities of white supremacy and to inspire the righteousness of civil rights crusades? In The Color of Christ, Edward J. Blum and Paul Harvey weave a tapestry of American dreams and visions--from witch hunts to web pages, Harlem to Hollywood, slave cabins to South Park, Mormon revelations to Indian reservations--to show how Americans remade the Son of God visually time and again into a sacred symbol of their greatest aspirations, deepest terrors, and mightiest strivings for racial power and justice. The Color of Christ uncovers how, in a country founded by Puritans who destroyed depictions of Jesus, Americans came to believe in the whiteness of Christ. Some envisioned a white Christ who would sanctify the exploitation of Native Americans and African Americans and bless imperial expansion. Many others gazed at a messiah, not necessarily white, who was willing and able to confront white supremacy. The color of Christ still symbolizes America's most combustible divisions, revealing the power and malleability of race and religion from colonial times to the presidency of Barack Obama.

A moving and unsettling exploration of a young man's formative years in a country still struggling with its past As a Jew in postwar Germany, Yascha Mounk felt like a foreigner in his own country. When he mentioned that he is Jewish, some made anti-Semitic jokes or talked about the superiority of the Aryan race. Others, sincerely hoping to atone for the country's past, fawned over him with a forced friendliness he found just as alienating. Vivid and fascinating, Stranger in My Own Country traces the contours of Jewish life in a country still struggling with the legacy of the Third Reich and portrays those who, inevitably, continue to live in its shadow. Marshaling an extraordinary range of material into a lively narrative, Mounk surveys his countrymen's responses to "the Jewish question." Examining history, the story of his family, and his own childhood, he shows that anti-Semitism and far-right extremism have long coexisted with self-conscious philo-Semitism in postwar Germany. But of late a new kind of resentment against Jews has come out in the open. Unnoticed by much of the outside world, the desire for a "finish line" that would spell a definitive end to the country's obsession with the past is feeding an emphasis on German victimhood. Mounk shows how, from the government's pursuit of a less "apologetic" foreign policy to the way the country's idea of the Volk makes life difficult for its immigrant communities, a troubled nationalism is shaping Germany's future.

Koonz’s latest work reveals how racial popularizers developed the infrastructure and rationale for genocide during the so-called normal years before World War II. Challenging conventional assumptions about Hitler, Koonz locates the source of his charisma not in his summons to hate, but in his appeal to the collective virtue of his people, the Volk.

"How Nazi architects and planners envisioned and began to build a model 'Aryan' society in Norway during World War II"--